Blacklight

A Poetical Rhapsody [1621] [S109387]

DMI number:
1798
Publication Date:
1621
Volume Number:
1 of 1
ESTC number:
S109387
EEBO/ECCO link:
http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&res_id=xri:eebo&rft_id=xri:eebo:citation:99845035
Shelfmark:
EEBO
Place of Publication:
London
Genres:
Collection of 16th century verse and Collection of literary verse
Format:
Octavo
Content/Publication
First Line:
Great Earl whose brave heroic mind is higher
Page No:
A3r
Poem Title:
To the most noble, honourable, and worthy lord William earl of Pembroke, lord Herbert of Cardiff, Marmion and Saint Quintine.
Attribution:
Fra. Davison
Attributed To:
Francis Davison
First Line:
He who first did institute holy wedlock
Page No:
A8v
Poem Title:
Epithalamion upon the spousals of W.A. and I.A.
Attribution:
None
Attributed To:
Not attributed
First Line:
Love is foolery if it be not founded
Page No:
A8v
Poem Title:
Another of the same
Attribution:
Another of the same
Attributed To:
Not attributed
First Line:
Long have I lived in court yet learned not all this while
Page No:
B1r-B2v; pp. 1-4
Poem Title:
Yet other twelve wonders of the world, never before published, by John Davies.
Attribution:
John Davis
Attributed To:
Sir John Davies
First Line:
Wife Widow well met whither go you today
Page No:
B3r-B8r; pp. 5-15
Poem Title:
II. Poem. A contention betwixt a wife, a widow, and a maid.
Attribution:
Iohn Davis
Attributed To:
Sir John Davies
First Line:
It chanced of late a shepherd's swain
Page No:
B8r-C1r; pp. 15-17
Poem Title:
III. Poem. A Fiction how Cupid made a Nymph wound her self with his Arrows.
Attribution:
None
Attributed To:
Not attributed
First Line:
Ye ghastly groves that hear my woeful cries
Page No:
C1r-C2v; pp. 17-20
Poem Title:
IIII. Poem. A complaint, of which all the staves end with the words of the first, like a Sestina.
Attribution:
F.D.
Attributed To:
Francis Davison
First Line:
While thou didest love me and that neck of thine
Page No:
C2v-C3r; pp. 20-21
Poem Title:
V. Poem. A Dialogue in Imitation of that between Horace and Lidia, beginning, Donec, gratus eram tibi &c.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Cupid at length I spy thy crafty wile
Page No:
C3r-C4r; pp. 21-23
Poem Title:
VI. Poem. Cupid shoots light, but wounds sore.
Attribution:
None
Attributed To:
Not attributed
First Line:
If love be nothing but an idle name
Page No:
C4r-C4v; pp. 23-24
Poem Title:
VII. Poem. A true description of love, paraphrastically translated out of Petrarch's 103 sonnet beginning S'Amor non e che dunque e quel ch'io sento.
Attribution:
None
Attributed To:
Not attributed
First Line:
My wanton muse that whilome wont to sing
Page No:
C5r-C6r; pp. 25-27
Poem Title:
VII. Poem. Upon an heroical poem which he had begun (in imitation of Virgil) of the first inhabiting this famour isle by Brute, and the Troyans.
Attribution:
None
Attributed To:
Not attributed
First Line:
O trifling toys that toss the brains
Page No:
C6r-C7r; pp. 27-29
Poem Title:
IX. Poem. Or a Meditation upon the frailty of this life.
Attribution:
None
Attributed To:
Not attributed
First Line:
Conceit begotten by the eyes
Page No:
C7r-C7v; pp. 29-30
Poem Title:
X. Poem. A posey to prove affection is not love.
Attribution:
W.R.
Attributed To:
Sir Walter Ralegh [Raleigh]
First Line:
When I to you of all my woes complain
Page No:
C7v; p. 30
Poem Title:
XI. Poem.
Attribution:
F.D.
Attributed To:
Francis Davison
First Line:
If wrong by force had justice put to flight
Page No:
C7v-C8r; pp. 30-31
Poem Title:
XII. Poem.
Attribution:
None
Attributed To:
Not attributed
First Line:
If stepdame nature have been scant
Page No:
C8r-C8v; pp. 31-32
Poem Title:
XIII. Poem. A Poem in the nature of an Epitaph of a friend.
Attribution:
None
Attributed To:
Not attributed
First Line:
Death is my doom awarded by disdain
Page No:
C8v-D1r; pp. 32-33
Poem Title:
XIIII. Poem. Loves contentment
Attribution:
None
Attributed To:
Not attributed
First Line:
Though late my heart yet turne at last
Page No:
D1v-D2r; pp. 34-35
Poem Title:
XV. Poem. A repentent Poem.
Attribution:
None
Attributed To:
Not attributed
First Line:
Diverse rare gems in thee oh union shine
Page No:
D2r-D3v; pp. 35-38
Poem Title:
XVI. Poem. Union's Jewel.
Attribution:
None
Attributed To:
Not attributed
First Line:
Great king since first this isle by Jove's own hand
Page No:
D3v-D5r; pp. 38-41
Poem Title:
XVII. Poem. Or Panegyricke to my Soveraigne Lord the King.
Attribution:
Attributed To:
Charles Best
First Line:
Cynthia queen of seas and lands
Page No:
D5v-D6r; pp. 42-43
Poem Title:
I. Device. A lottery presented before the late queen's majesty at the lord chancellor's house, 1601
Attribution:
I.D.
Attributed To:
Sir John Davies
First Line:
Fortune must now no more on triumph ride
Page No:
D6r-D8r; pp. 43-47
Poem Title:
The Lots
Attribution:
I.D.
Attributed To:
Sir John Davies
First Line:
Ye woeful sires whose causeless hate hath bred
Page No:
D8r; p. 47
Poem Title:
II. Device. Inscriptions. Thisbe
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Hold hold thy hand vile son of viler mother
Page No:
D8r-D8v; pp. 47-48
Poem Title:
Clytemnestra to her son Orestes, coming to kill her for murdering his father Agamemnon.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
This sword is mine or will Laertes Sonne
Page No:
D8v; p. 48
Poem Title:
Ajax
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
No common womb was fit me forth to bring
Page No:
D8v; p. 48
Poem Title:
Romulus
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
My famous country values gold far less
Page No:
E1r; p. 49
Poem Title:
Fabritius Curio, who refused gold of the Samnites, and discovered to King Pyrrhus his Phistion that offered to poison him.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Caesar thou hast o'ercome to thy great fame
Page No:
E1r; p. 49
Poem Title:
Cato Utican who slew himself because he would not fall into Caesar's hands
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Dust is lighter than a feather
Page No:
E1v; p. 50
Poem Title:
III. Device. Quid pluma leuius? Puluis, Quid puluere? Ventus. Quid vento? Mulier. Quid muliere? Nihil. Translated thus.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
Speak gentle heart where is thy dwelling place
Page No:
E1v-F2r; pp. 50-51
Poem Title:
IIII. Device. Or a Dialogue betweene the Lover and his heart.
Attribution:
Ten Sonnets by T.W.
Attributed To:
Thomas Watson
First Line:
Come gentle Death D Who calls L One that's oppressed
Page No:
E2r-F2v; pp. 51-52
Poem Title:
V. Device. Or a Dialogue betweene a Lover, Death, and Love.
Attribution:
Ten Sonnets by T.W.
Attributed To:
Thomas Watson
First Line:
Time nor place did I want what held me tongue-tied
Page No:
E2v; p. 52
Poem Title:
VI. Device. Phaleuciaks I.
Attribution:
None
Attributed To:
Not attributed
First Line:
How or where have I lost my life unhappy
Page No:
E3r; p.53
Poem Title:
VII. Device. Phaleuciacke II.
Attribution:
None
Attributed To:
Not attributed
First Line:
Muse not lady to read so strange a metre
Page No:
E3r; p.53
Poem Title:
Lenvoy in riming Phaleuciacs.
Attribution:
None
Attributed To:
Not attributed
First Line:
Wisdom warns me to shun that once I sought for
Page No:
E3v; p. 54
Poem Title:
VIII Device. Phaleuciacs.
Attribution:
None
Attributed To:
Not attributed
First Line:
My Muse by thee restored to life
Page No:
E4r; p. 55
Poem Title:
An Altar and Sacrifice to disdaine, for freeing him from love.
Attribution:
Certaine Poemes vpon diuerse Subiects by the same Author
Attributed To:
Thomas Spelman
First Line:
Begin and half is done yet half undone remains
Page No:
E4v; p. 56
Poem Title:
X. Device. Upon beginning without making an end.
Attribution:
Attributed To:
Not attributed
First Line:
Ay me poor soul whom bound in sinful chains
Page No:
E4v; p. 56
Poem Title:
XI. Device. Or a Dialogue between the Soul and the Body.
Attribution:
None
Attributed To:
Not attributed
First Line:
Hatred eternal furious revenging
Page No:
E5r; p. 57
Poem Title:
XI. Device. Sapphickes upon the Passion of Christ.
Attribution:
None
Attributed To:
Not attributed
First Line:
Lady my flame still burning
Page No:
E5r-E5v; pp. 57-58
Poem Title:
XIII. Device. A Dialogue betwixt the Lover and his Lady
Attribution:
None
Attributed To:
Not attributed
First Line:
Sweet Lord your flame still burning
Page No:
E5v; p. 58
Poem Title:
Her answere.
Attribution:
Ignoto.
Attributed To:
Nicholas Yonge
First Line:
The poor man beloved for virtue approved right blessed is he
Page No:
E6v-E7v; pp. 60-62
Poem Title:
Of the fall of man in Adam.
Attribution:
Addit. per Cha. Best. Arm.
Attributed To:
Charles Best
First Line:
But Jove omnipotent all things by his word who created
Page No:
E7v-E8r; pp. 62-63
Poem Title:
Of the restoring of man by Christ.
Attribution:
Addit. per Cha. Best. Arm.
Attributed To:
Charles Best
First Line:
When traiterous Photine Caesar did present
Page No:
E8v; p. 62
Poem Title:
I. Sonnet
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
While love in you did live I only lived in you
Page No:
F1r; p. 63
Poem Title:
II. Sonnet.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Phoebus of all the gods I wish to be
Page No:
F1r-F1v; pp. 63-66
Poem Title:
III. Sonnet. To Mistress Diana.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
If my harsh humble style and rhymes ill dressed
Page No:
F1v; p. 66
Poem Title:
IIII. Sonnet. Dedication of these Rhymes, to his first Love.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
I bend my wits and beat my weary brain
Page No:
F2r; p. 63
Poem Title:
V. Sonnet. That he cannot hide or desemble his affection.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
The fairst eye oh eyes in blackness fair
Page No:
F2r-F2v; p63-66
Poem Title:
VI. Sonnet. Upon his absence from her.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Who in these lines may better claim a part
Page No:
F2v-F3r; pp. 66-67
Poem Title:
VII. Sonnet. Upon presenting her with the speech of Gray's Inn Masque, at the court, 1594, consisting of three parts. The story of Proteus' transformations, the wonders of the adamantine Rock, and a speech to her majesty.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Wake pity wake for thou hast slept too long
Page No:
F3r; p. 67
Poem Title:
VIII. Sonnet. To Pitie.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
If love conjoyned with worth and great desert
Page No:
F3r-F3v; pp. 67-70
Poem Title:
IX. Sonnet. Upon her acknowledging his desert, yet reiecting his affection.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
If your fond love want worth and great desert
Page No:
F3v-F4r; pp. 70-67
Poem Title:
X. Sonnet. Her answere in the same Rhymes.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Praise you those barren rhymes long since composed
Page No:
F4r; p. 67
Poem Title:
XI. Sonnet. Upon her commending (though most undeservedly) his verses to his first Love.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Worthily famous Lord whose virtues rare
Page No:
F4v; p70
Poem Title:
XII. Sonnet. To a worthy Lord (now dead) upon presenting him for a New-years gift, with Caesar's Commentaries and Cornelius Tacitus
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Let not sweet Saint let not these lines offend you
Page No:
F4v-F5r; pp. 70-71
Poem Title:
XIII. Sonnet. He demands pardon, for looking, loving, and writing.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
But if my lines may not be held excused
Page No:
F5r-F5v; pp. 71-74
Poem Title:
XIIII. Sonnet. Love and justice punishable only with like love.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
Fair is thy face and great thy wits perfection
Page No:
F5v; p. 74
Poem Title:
XV. Sonnet. He calls his ears, eyes, and heart as witnesses of her sweet voice, beauty and inward virtuous perfections.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
I bend my wit but wit cannot devise
Page No:
F6r; p. 71
Poem Title:
XVI. Sonnet. Praise of her eyes, excelling all comparison.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
Reason and love lately at strife contended
Page No:
F6r-F6v; pp. 71-74
Poem Title:
XVII. Sonnet. Contention of Love and Reason for his heart.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
Let fate my Fortune and my stars conspire
Page No:
F6v-F7r; pp. 74-75
Poem Title:
XVIII. Sonnet. That she hath greater power over his happiness and life, than either Fortune, Fate or Stars.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
What need I say how it doth wound my breast
Page No:
F7r; p. 75
Poem Title:
XIX Sonnet. Of his Lady's weeping.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
Sweet to my cursed life some favour show
Page No:
F7r-F7v; pp. 75-80
Poem Title:
XX. Sonnet. He paints out his torment.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
I have entreated and I have complained
Page No:
F7v-F8r; pp. 80-75
Poem Title:
XXI. Sonnet. His sighs and tears are bootless.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
Wounded with grief I weep and sigh and plain
Page No:
F8r; p. 75
Poem Title:
XXII. Sonnet. Her beauty makes him live even in despaire.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
Oft do I plain and she my plaints doth read
Page No:
F8r-F8v; pp. 75-80
Poem Title:
XXIII. Sonnet. Why her lips yeeld him no words of comfort
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
Like a sea-tossed bark with tackling spent
Page No:
F8v-G1r; pp. 80-81
Poem Title:
XXIIII. Sonnet. Comparison of his heart to a tempest beaten Ship.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
How can my love in equity be blamed
Page No:
G1r; p. 81
Poem Title:
XXV. Sonnet. That he cannot leave to love, though commanded.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
Must my devoted heart desist to love her
Page No:
G1r-G1v; pp. 81-82
Poem Title:
XXVI. Sonnet. He desires leave to write of his Love.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
Time wasteth years and months and dayes and hours
Page No:
G1v-G2r; pp. 82-83
Poem Title:
XXVII. Sonnet. That time hath no power to end or diminish his love.
Attribution:
Ten Sonnets by T.W.
Attributed To:
Thomas Watson
First Line:
Look how the pale Queene of the silent night
Page No:
G2r; p. 83
Poem Title:
XXVIII. Sonnet. Of the Monne.
Attribution:
Cha. Best.
Attributed To:
Charles Best
First Line:
Some men they say are poets born by kind
Page No:
G2v; p. 84
Poem Title:
XXIX. Sonnet.
Attribution:
None
Attributed To:
Not attributed
First Line:
What moved me then Say Love for thou canst tell
Page No:
G2v-G3r; pp. 84-85
Poem Title:
XXX. Sonnet.
Attribution:
Attributed To:
Not attributed
First Line:
Thus am I free from lawes that other binde
Page No:
G3r; p. 85
Poem Title:
XXXXI. Sonnet.
Attribution:
None
Attributed To:
Not attributed
First Line:
Wronged by desire I yielded to disdain
Page No:
G3v; p. 86
Poem Title:
XXXII. Sonnet. Desire hath conquered revenge.
Attribution:
None
Attributed To:
Not attributed
First Line:
Unhappy eyes the causer of my pain
Page No:
G3v-G4r; pp. 86-87
Poem Title:
XXXIII. Sonnet. To his eyes
Attribution:
None
Attributed To:
Not attributed
First Line:
Oft did I hear our eyes the passage were
Page No:
G4r-G4v; pp.87-88
Poem Title:
Sonnet 1. Upon Love's entring by the ears.
Attribution:
Ten Sonnets to Philomel / I. D.
Attributed To:
Sir John Davies
First Line:
O why did Fame my heart to love betray
Page No:
G4v; p. 88
Poem Title:
XXXV. Sonnet.
Attribution:
Ten Sonnets to Philomel / I. D.
Attributed To:
Sir John Davies
First Line:
Sickness intending my love to betray
Page No:
G5r; p. 89
Poem Title:
XXXVI. Sonnet. Of his own, and of his Mistress sickness at one time.
Attribution:
Ten Sonnets to Philomel / I. D.
Attributed To:
Sir John Davies
First Line:
Pale Death himself did love my Philomel
Page No:
G5r-G5v; pp. 89-90
Poem Title:
XXXVII. Sonnet. Another of her sickness and recovery.
Attribution:
Ten Sonnets to Philomel / I. D.
Attributed To:
Sir John Davies
First Line:
My love is sailed aganst dislike to fight
Page No:
G5v; p. 90
Poem Title:
XXXVIII. Sonnet 5. Allusion to Theseus voyage to Crete, against the Minotaur.
Attribution:
Ten Sonnets to Philomel / I. D.
Attributed To:
Sir John Davies
First Line:
Once did my Philomel reflect on me
Page No:
G6r; p. 91
Poem Title:
XXXIX. Sonnet. Upon her looking secretly out at a window as he passed by
Attribution:
Ten Sonnets to Philomel / I. D.
Attributed To:
Sir John Davies
First Line:
When time nor place would let me often view
Page No:
G6r-G6v; pp. 91-92
Poem Title:
XI. Sonnet.
Attribution:
Ten Sonnets to Philomel / I. D.
Attributed To:
Sir John Davies
First Line:
When as the sun eclipsed is some say
Page No:
G6v; p. 92
Poem Title:
XLI. Sonnet. To the Sun of his Mistress beauty eclipsed with frowns.
Attribution:
Ten Sonnets to Philomel / I. D.
Attributed To:
Sir John Davies
First Line:
If you would know the love which I you bear
Page No:
G7r; p. 93
Poem Title:
XLII. Sonnet. Upon sending her a gold ring, with this poesie, pure and endless.
Attribution:
Ten Sonnets to Philomel / I. D.
Attributed To:
Sir John Davies
First Line:
My cruel dear having captived my heart
Page No:
G7r-G7v; pp. 93-94
Poem Title:
XLIII. Sonnet. The heart's captivity
Attribution:
I.D.
Attributed To:
Sir John Davies
First Line:
Only sweet love afford me but thy heart
Page No:
G7v; p. 94
Poem Title:
XLIIII. Sonnet. For her heart only.
Attribution:
None
Attributed To:
Not attributed
First Line:
Best pleased she is when love is most expressed
Page No:
G8r; p. 95
Poem Title:
XLV. Sonnet.
Attribution:
None
Attributed To:
Not attributed
First Line:
When a weak child is sick and out of quiet
Page No:
G8r-G8v; p. 95-96
Poem Title:
XLVI. Sonnet.
Attribution:
None
Attributed To:
Not attributed
First Line:
Were I as base as is the lowly plain
Page No:
G8v; p. 96
Poem Title:
XLVII. Sonnet.
Attribution:
I.S.
Attributed To:
Joshua Sylvester
First Line:
The poets fain that when the world began
Page No:
G8v-H1r; pp. 96-97
Poem Title:
XLVIII. Sonnet
Attribution:
I.S.
Attributed To:
Joshua Sylvester
First Line:
Mine eye with all the deadly sins is fraught
Page No:
H1r-H1v; pp. 97-98
Poem Title:
XLIX. Sonnet. Loves seven deadly sinnes.
Attribution:
None
Attributed To:
Not attributed
First Line:
Ye sister-muses do not you repine
Page No:
H1v; p. 98
Poem Title:
L. Sonnet. To two most Honourable and virtuous Ladies and sisters, the Ladie Margaret Countess of Cumberland, the Ladie Anne Countess of Warwick.
Attribution:
H.C.
Attributed To:
Not attributed
First Line:
Dearling of these of future times the glory
Page No:
H2r; p. 99
Poem Title:
LI. Sonnet. To my Lord the Prince.
Attribution:
Addit. per Cha. Best. Arm.
Attributed To:
Charles Best
First Line:
Fair virtue's gem set in most royal gold
Page No:
H2r-H2v; pp. 99-100
Poem Title:
LII. Sonnet. To the excellent Lady Elizabeth her Grace.
Attribution:
Addit. per Cha. Best. Arm.
Attributed To:
Charles Best
First Line:
Go soul the body's guest
Page No:
H2v-H4r; pp. 100-103
Poem Title:
I. Canzonet. The Lie
Attribution:
None
Attributed To:
Sir Walter Ralegh [Raleigh]
First Line:
The virtuous man is free though bound in chains
Page No:
H4r-H4v; pp. 103-104
Poem Title:
II. Canzonet. The Christian Stoic.
Attribution:
None
Attributed To:
Not attributed
First Line:
fairst and kindest of all woman-kind
Page No:
H4v; p. 104
Poem Title:
III. Canzonet. Upon seeing his face in her eye.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Heart Shun not sweet breast to see me all of fire
Page No:
H4v-H5r; pp. 104-105
Poem Title:
IIII. Canzonet. A Dialogue betweene a Lover's flaming heart, and his Lady's frozen breast.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
If you reward my love with love again
Page No:
H5r; p. 105
Poem Title:
V. Canzonet. Or Quatrain.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Oh most unhappy Dido
Page No:
H5v; p. 106
Poem Title:
VI. Canzonet. An inscription for the Statue of Dido.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
If Love had lost his shafts and Iove down threw
Page No:
H5v-H6r; pp. 106-107
Poem Title:
VII. Canzonet. Love's Hyperboles.
Attribution:
Ten Sonnets by T.W.
Attributed To:
Thomas Watson
First Line:
Love is a sour delight a sugared grief
Page No:
H6r-H6v; pp. 107-108
Poem Title:
VIII. Canzonet. An invective against Love.
Attribution:
Ten Sonnets by T.W.
Attributed To:
Thomas Watson
First Line:
I joy not peace where yet no war is found
Page No:
H6v-H7r; pp. 108-109
Poem Title:
VIII. Canzonet. Petrarch's Sonnet translated. Pace non troue, & non hoda sar guera
Attribution:
Ten Sonnets by T.W.
Attributed To:
Thomas Watson
First Line:
In that I thirst for such a goddess grace
Page No:
H7r-H7v; pp. 109-110
Poem Title:
XI. Canzonet. He proves himselfe to endure the hellish torments of Tantalus, Ixion, Titius, Sisyphus, and the Belides.
Attribution:
Ten Sonnets by T.W.
Attributed To:
Thomas Watson
First Line:
Where heat of love doth once possess the heart
Page No:
H7v-H8r; pp. 110-111
Poem Title:
X. Canzonet. Love's discommodities.
Attribution:
Ten Sonnets by T.W.
Attributed To:
Thomas Watson
First Line:
The soldier worn with wars delights in peace
Page No:
H8r; p. 111
Poem Title:
XI. Canzonet. Allegory of his Love to a Ship.
Attribution:
Ten Sonnets by T.W.
Attributed To:
Thomas Watson
First Line:
I curse the time wherein these lips of mine
Page No:
H8v; p. 112
Poem Title:
XII. Canzonet. Execration of his passed love.
Attribution:
T.W.
Attributed To:
Thomas Watson
First Line:
The Sun doth make the Marigold to flowrish
Page No:
I1r; p. 113
Poem Title:
XIII. Canzonet. Of the sun: A jewel, being a sun shining upon the marigold closed in a heart of gold sent to his mistress, named Mary.
Attribution:
Cha. Best.
Attributed To:
Charles Best
First Line:
Fain would I learn of thee thou murdering eye
Page No:
I1v; p. 114
Poem Title:
XIIII. Canzonet. To her eyes.
Attribution:
None
Attributed To:
Not attributed
First Line:
My heart was found within my Lady's breast
Page No:
I2r; p. 115
Poem Title:
XV. Canzonet. His heart arraigned of theft, and acquitted.
Attribution:
None
Attributed To:
Not attributed
First Line:
Sweet thoughts the food on which I feeding starve
Page No:
I2v; p. 116
Poem Title:
XVII. Canzonet. Deadly sweeteness.
Attribution:
None
Attributed To:
Not attributed
First Line:
Oft have I mused the cause to find
Page No:
I2v-I3r; pp. 116-117
Poem Title:
XVIII. Canzonet. Lady's eyes serve Cupid both for darts and fire.
Attribution:
None
Attributed To:
Not attributed
First Line:
I smile sometimes amidst my greatest grief
Page No:
I3r-I3v; pp. 117-118
Poem Title:
XIX. Canzonet. Love's contrarieties.
Attribution:
None
Attributed To:
Not attributed
First Line:
Smooth are thy looks so is thy deepest stream
Page No:
I3v; p. 118
Poem Title:
XX. Canzonet. Her outward gesture deceiving his inward hope.
Attribution:
None
Attributed To:
Not attributed
First Line:
The love of change hath changed the world throughout
Page No:
I4r-I4v; pp. 119-120
Poem Title:
XXI. Canzonet. That he is unchangable
Attribution:
None
Attributed To:
Not attributed
First Line:
The summer sun that scalds the ground with heat
Page No:
I4v-I5r; pp. 120-121
Poem Title:
XXIII. Canzonet. Upon her absence.
Attribution:
None
Attributed To:
Not attributed
First Line:
The frozen snake oppressed with heaped snow
Page No:
I5r-I5v; pp. 121-122
Poem Title:
XXIIII. Canzonet. The lover absence kils me, her presence cures me
Attribution:
None
Attributed To:
Not attributed
First Line:
Fair is thy face and that thou knowest too well
Page No:
I6r-I6v; pp. 123-124
Poem Title:
XXV. Canzonet. Fair Face, and hard Heart.
Attribution:
None
Attributed To:
Not attributed
First Line:
All is not gold that shineth bright in show
Page No:
I6v-I7r; pp. 124-125
Poem Title:
XXVI. Canzonet. An invective against Love.
Attribution:
None
Attributed To:
Not attributed
First Line:
In happy time the wished fair is come
Page No:
I7r-I7v; pp. 125-126
Poem Title:
XXVII. Canzonet. Upon his lady's buying strings for her Lute.
Attribution:
None
Attributed To:
Not attributed
First Line:
My heavy heart with grief and hope torment
Page No:
I7v-I8r; pp. 126-127
Poem Title:
XXVIII. Canzonet. Care will not let him live, nor hope let him die.
Attribution:
None
Attributed To:
Not attributed
First Line:
The golden sun that brings the day
Page No:
I8r-I8v; pp. 127-128
Poem Title:
XXIX. Canzonet. In praise of the sun
Attribution:
None
Attributed To:
Not attributed
First Line:
Mine eyes have spent their tears and now are dry
Page No:
I8v-K1r; pp. 128-129
Poem Title:
XXX. Canzonet. Death in love.
Attribution:
None
Attributed To:
Not attributed
First Line:
Break heavy heart and rid me of this pain
Page No:
K1r-K1v; pp. 129-130
Poem Title:
XXXI. Canzonet. Break heavy heart
Attribution:
None
Attributed To:
Not attributed
First Line:
Where wit is over-ruled by will
Page No:
K1v-K2r; pp. 130-131
Poem Title:
XXXII. Canzonet. Desire's government
Attribution:
None
Attributed To:
Not attributed
First Line:
Twixt heat and cold t'wixt death and life
Page No:
K2r; p. 131
Poem Title:
XXXIII. Canzonet. Love's properties.
Attribution:
None
Attributed To:
Not attributed
First Line:
If means be none to end my restless care
Page No:
K2v; p. 132
Poem Title:
XXXIIII. Canzonet. Living Death
Attribution:
None
Attributed To:
Not attributed
First Line:
Ye walls that shut me up from sight of men
Page No:
K2v-K3r; pp. 132-133
Poem Title:
XXXV. Canzonet. The passionate Prisoner
Attribution:
None
Attributed To:
Not attributed
First Line:
Though naked trees seeme dead to sight
Page No:
K3r-K3v; pp. 133-134
Poem Title:
XXXVI. Canzonet. Hopeless desire soon withers and dies
Attribution:
None
Attributed To:
Not attributed
First Line:
The lowest trees have tops the ant her gall
Page No:
K3v; p. 134
Poem Title:
XXXVII. Canzonet. Natural comparisons with perfect love.
Attribution:
None
Attributed To:
Not attributed
First Line:
Compare the bramble with the cedar tree
Page No:
K3v-K4r; p. 134-135
Poem Title:
XXXVIII. Canzonet. An answer to the first staff, that love is unlike in beggars and in kings
Attribution:
None
Attributed To:
Not attributed
First Line:
Bright shines the sun play beggars play
Page No:
K4v; p. 136
Poem Title:
XXXIX. Canzonet. A song in praise of a beggar's life.
Attribution:
None
Attributed To:
Not attributed
First Line:
Eternal time that wasteth without waste
Page No:
K5r; p. 137
Poem Title:
XL. Canzonet. To Time.
Attribution:
None
Attributed To:
Not attributed
First Line:
Praise pleasure profit is that threefold band
Page No:
K5v-K6r; pp. 138-139
Poem Title:
XLI. Canzonet. A hymn in praise of Music.
Attribution:
I.D.
Attributed To:
Sir John Davies
First Line:
Of Neptune's empire le us sing
Page No:
K6v; p. 140
Poem Title:
XLII. Canzonet. Or a Hymn in praise of Neptune.
Attribution:
Th. Campion
Attributed To:
Thomas Campion
First Line:
And would you see my mistress face
Page No:
K7r-K7v; pp. 141-142
Poem Title:
XLIII. Canzonet. Or a Hymne that was sung by Amphitryte, Thamesis, & other Sea Nimphs in Gray's Inn Masque at the Court. 1594. Of his Mistress's face.
Attribution:
None
Attributed To:
Not attributed
First Line:
Blame not my cheeks though pale with love they be
Page No:
K7v; p. 142
Poem Title:
XLIIII. Canzonet. Upon her paleness.
Attribution:
Tho. Campion
Attributed To:
Thomas Campion
First Line:
When to her lute Corinna sings
Page No:
K8r; p. 143
Poem Title:
XLV. Canzonet. Of Corinna's singing.
Attribution:
Tho. Campion
Attributed To:
Thomas Campion
First Line:
Cruel and unpartial sickness
Page No:
K8r-K8v; pp. 143-144
Poem Title:
XLVI. Canzonet. Upon his Lady's sickness of the pox.
Attribution:
Th. Spilman.
Attributed To:
Not attributed
First Line:
Her face her tongue her wit so fair so sweet so sharpe
Page No:
K8v-L1r; pp. 144-145
Poem Title:
XLVII. Canzonet. In the grace of wit, of tongue and face.
Attribution:
None
Attributed To:
Not attributed
First Line:
Are women fair I wondrous fair to see too
Page No:
L1r-L1v; pp. 145-146
Poem Title:
XLVIII. Canzonet. An invective against women.
Attribution:
Ignoto.
Attributed To:
Sir Philip Sidney
First Line:
Who gives a gift to bind a friend thereby
Page No:
L1v; p. 146
Poem Title:
XLIX. Canzonet. This song was sung before her sacred Maiestie at a show on horseback, wherewith the right Honourable the Earl of Cumberland presented her Highness on May day last. Of love gift.
Attribution:
None
Attributed To:
Not attributed
First Line:
Now what is love I pray thee tell
Page No:
L2r-L2v; pp. 147-148
Poem Title:
L. Canzonet. The Anatomy of Love.
Attribution:
None
Attributed To:
Not attributed
First Line:
The fairest pearls that Northern seas do breed
Page No:
L2v-L3r; pp. 148-149
Poem Title:
LI. Canzonet. Love the only price of love
Attribution:
None
Attributed To:
Not attributed
First Line:
Join mates in mirth to me
Page No:
L3v-L4v; pp. 150-152
Poem Title:
Two pastorals, made by Sir Philip Sidney. Upon his meeting with two worthy friends, and fellow poets, Sir Edward Dyer and M. Fulke Greville.
Attribution:
Sir Phil Sidney
Attributed To:
Sir Philip Sidney
First Line:
Walking in bright Phoebus blaze
Page No:
L4v-L6r; pp. 152-155
Poem Title:
II. Pastoral. Dispraise of a Courtly life
Attribution:
S. Ph. Sidney
Attributed To:
Sir Philip Sidney
First Line:
Then I sing divine Astreas praise
Page No:
L6v-L7v; pp. 156-158
Poem Title:
III. Pastoral. A Dialogue betweene two Shepherds, Thenot, and Piers, in praise of Astrea.
Attribution:
Mary Countesse of Pembreoke
Attributed To:
Mary Herbert [nee Sidney]
First Line:
Oh wither shall I turn me
Page No:
L7v-M1r; pp. 158-161
Poem Title:
IIII. Pastoral. A roundelay in inverted Rhymes, betweene the two friendly rivals, Strephon and Klaius, in the presence of Urania, mistress to them both.
Attribution:
Walter Davison.
Attributed To:
Walter Davison
First Line:
Sweet I do not pardon crave
Page No:
M1r-M2r; pp. 161-163
Poem Title:
V. Pastoral. Or Strephon's Palinode.
Attribution:
None
Attributed To:
Not attributed
First Line:
Since true penance hath suspended
Page No:
M2r-M2v; pp. 163-164
Poem Title:
Urania's answer in inverted rhymes, staff for staff.
Attribution:
Fra. Davison
Attributed To:
Francis Davison
First Line:
A shepherd poor Eubulus called he was
Page No:
M2v-M8r; pp. 164-175
Poem Title:
VI. Pastoral.
Attribution:
F. D.
Attributed To:
Francis Davison
First Line:
A little herd-groom for he was no better
Page No:
M8r-N1v; pp. 175-178
Poem Title:
VII. Pastoral. Eclogue intituled Cuddy.
Attribution:
None
Attributed To:
Not attributed
First Line:
Perin areed what new mischance betide
Page No:
N2r-N6r; pp. 179-187
Poem Title:
VIII. Pastoral. Made long since upon the death of Sir Philip Sidney.
Attribution:
A.W.
Attributed To:
Not attributed
First Line:
Come gentle herdman sit by me
Page No:
N6r-N8v; pp. 187-192
Poem Title:
IX. Pastoral.
Attribution:
None
Attributed To:
Not attributed
First Line:
For when thou are not as thou wont of y'ore
Page No:
N8v-O2r; pp.192-195
Poem Title:
X. Pastoral. The beginning and end of this eclogue are wanting. Concerning old Age.
Attribution:
None
Attributed To:
Not attributed
First Line:
Sitting at board sometimes prepared to eat
Page No:
O2v-O3r; pp. 196-197
Poem Title:
Of Elegys. I. Elegy. He renounceth his food, and former delight in Music, Poesie, and painting.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Dear why hath my long love and faith unfained
Page No:
O3r-O3v; pp. 197-198
Poem Title:
II. Elegy. For what cause he obtains his Lady's favour.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Even as my hand my pen and paper lays
Page No:
O4r-O5r; pp. 199-201
Poem Title:
III. Elegy. To his lady who had vowed virginity.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
She only is the pride of natures skill
Page No:
O5v; p. 202
Poem Title:
IIII. Elegy. Her praise is in her wont.
Attribution:
None
Attributed To:
Not attributed
First Line:
O faithless world and thy most faithless part
Page No:
O5v-O6r; pp. 202-203
Poem Title:
V. Elegy. Of a woman's heart.
Attribution:
H.W.
Attributed To:
Sir Henry Wotton
First Line:
Unhappy verse The witness of unhappy state
Page No:
O6r-O6v; pp. 203-204
Poem Title:
VI. Elegy. Loves Embassie in an Iambicke Elegy.
Attribution:
Edmund Spencer.
Attributed To:
Edmund Spenser
First Line:
Though you be not content
Page No:
O7r; p. 205
Poem Title:
I. Madrigal.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
He's rich enough whose eyes behold thee
Page No:
O7r; p. 205
Poem Title:
II. Madrigal. Borrowed out of a Greek Epigram
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Oh fair yet murdering eyes
Page No:
O7v; p. 206
Poem Title:
III. Madrigal. Upon her dreaming that she saw him dead.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Sure dear I love you not for he that loveth
Page No:
O7v-O8r; pp. 206-207
Poem Title:
IIII. Madrigal. Upon his departure.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Love if a God thou art
Page No:
O8r; p. 207
Poem Title:
V. Madrigal. To Cupid.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
In health and ease am I
Page No:
O8v; p. 208
Poem Title:
VI. Madrigal. Upon his Mistress sickness, and his own health.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Sorrow slowly killeth any
Page No:
O8v; p. 208
Poem Title:
VII. Madrigal. He begs a kiss.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Since I your cherry lips did kiss
Page No:
P1r; p. 209
Poem Title:
VIII. Madrigal. Upon a kiss received.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
The wretched life I live
Page No:
P1r-P1v; pp. 209-212
Poem Title:
IX. Madrigal. Allusion to the confusion of Babel.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Oh hand of all hands living
Page No:
P1v; p. 212
Poem Title:
X. Madrigal. To her hand, upon her giving him her glove.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Ah Cupid I mistook thee
Page No:
P1v-P2r; pp.212-211[NB non sequential pagination]
Poem Title:
XI. Madrigal. Cupid proved a Fencer.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Like to the silly fly
Page No:
P2r; p. 211
Poem Title:
XII. Madrigal. He compares himself to a candle fly.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
If I behold your eyes
Page No:
P2r-P2v; pp. 211-212
Poem Title:
XIIII. Madrigal. Answers to her question, what love was.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Are lovers full of fire
Page No:
P2v; p. 212
Poem Title:
XIIII. Madrigal. Upon his timerous silence in her presence.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
If this most wretched and infernal anguish
Page No:
P2v-P3r; pp. 212-213
Poem Title:
XV. Madrigal. Upon her long absence.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Go wailing accents go
Page No:
P3r; p. 213
Poem Title:
XVI. Madrigal. Upon her hiding her face from him.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Whosoever longs to try
Page No:
P3r; p. 213
Poem Title:
XVII. Madrigal. Upon her beauty and Inconstancy.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Thine eyes so bright
Page No:
P3v; p. 214
Poem Title:
XVIII. Madrigal.
Attribution:
None
Attributed To:
Not attributed
First Line:
If love be made of words as woods of trees
Page No:
P3v; p. 214
Poem Title:
XIX. Madrigal. Verbal love.
Attribution:
None
Attributed To:
Not attributed
First Line:
Faustina hath the fair face
Page No:
P4r; p. 215
Poem Title:
XX. Madrigal. In praise of two.
Attribution:
None
Attributed To:
Not attributed
First Line:
Garden more than Eden blessed
Page No:
P4r-P4v; pp. 215-216
Poem Title:
XXI. Madrigal. To his Lady's garden, being absent far from her.
Attribution:
None
Attributed To:
Not attributed
First Line:
Love is the link the knot the band of unity
Page No:
P4v-P5r; pp. 216-217
Poem Title:
XXII. Madrigal. The True love's knot.
Attribution:
Ignoto
Attributed To:
Not attributed
First Line:
My love in her attire doth show her wit
Page No:
P5r; p. 217
Poem Title:
XXIII. Madrigal.
Attribution:
None
Attributed To:
Not attributed
First Line:
Passions may my judgement blear
Page No:
P5v; p. 218
Poem Title:
I. Ode. That only her beauty and voice please him.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Lady you are with the beauties so enriched
Page No:
P6r; p. 219
Poem Title:
II. Ode. Upon her protestation of kind affection, having tried his sincere fidelity.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Your presence breeds my anguish
Page No:
P6v; p. 220
Poem Title:
III. Ode. His restless estate.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
My only star
Page No:
P6v-P8r; pp. 220-221
Poem Title:
IIII. Ode. Being by his absence in Italy deprived of her looks, words, and gestures, he desireth her to write unto him.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Sweet if you like and love me still
Page No:
P8r-P8v; pp. 221-224]
Poem Title:
V. Ode. His farewell to his unkind and unconstant mistress.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
I dare not in my master's bosom rest
Page No:
P8v; p. 224
Poem Title:
VI. Ode. A Prosopopoeia, Wherein his heart speaks to his second lady's breast
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Lady of matchless beauty
Page No:
Q1r-Q1v; pp. 215-216
Poem Title:
VIII. Ode. Upon her giving him back the paper wherein the former song was written, as though it had been an answer thereunto.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Some there are as fair to see too
Page No:
Q1v; p. 226
Poem Title:
VIII. Ode. Commendation of her beauty, stature, behaviour and wit.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
In heaven the blessed angels have their being
Page No:
Q2r; p. 227
Poem Title:
IX. Ode. That all other Creatures have their abiding in heaven, hell, earth, air, water or fire, but he in all of them.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
As she is fair so faithful I
Page No:
Q2v-Q3r; pp. 228-229
Poem Title:
X. Ode. His Lady to be condemned of ignorance or cruelty.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
At her fair hands how have I grace entreated
Page No:
Q3r-Q3v; pp. 229-230
Poem Title:
XI. Ode. A Dialogue between him and his heart.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
Sweet Love mine only treasure
Page No:
Q4r-Q4v; pp. 231-232
Poem Title:
XII. Ode. Where his Lady keeps his heart.
Attribution:
None
Attributed To:
Not attributed
First Line:
As soone may water wipe me dry
Page No:
Q4v-Q5r; pp. 232-233
Poem Title:
XIII. Ode. The more favour he obtains, the more he desires.
Attribution:
None
Attributed To:
Not attributed
First Line:
Desire and Hope have moved my minde
Page No:
Q5r-Q5v; pp. 233-234
Poem Title:
XIIII. Ode. Desire and hope.
Attribution:
None
Attributed To:
Not attributed
First Line:
The night say all was made to rest
Page No:
Q5v-Q6r; pp. 234-235
Poem Title:
XV. Ode. Upon visiting his Lady by moon-light
Attribution:
None
Attributed To:
Not attributed
First Line:
When will the fountain of my teares be dry
Page No:
Q6r-Q6v; pp. 235-236
Poem Title:
XVI. Ode. Petition to have her leave to die.
Attribution:
None
Attributed To:
Not attributed
First Line:
If my decay be your encrease
Page No:
Q6v-Q7v; pp. 236-238
Poem Title:
XVII. Ode. The kind Lover's complaint in finding nothing but folly for his faithfulnesse.
Attribution:
None
Attributed To:
Not attributed
First Line:
Close your lids unhappy eyes
Page No:
Q7v-Q8r; pp. 238-239
Poem Title:
XVIII. Ode. Unhappy eyes
Attribution:
None
Attributed To:
Not attributed
First Line:
Disdain that so doth fill me
Page No:
Q8r-Q8v; pp. 239-240
Poem Title:
XIX. Ode. Disdain at variance with desire.
Attribution:
None
Attributed To:
Not attributed
First Line:
A newfound match is made of late
Page No:
Q8v-R1r; pp. 240-241
Poem Title:
XX. Ode. Cupid's Marriage with dissimulation.
Attribution:
None
Attributed To:
Not attributed
First Line:
If love be life I long to die
Page No:
R1v-R2r; pp. 242-243
Poem Title:
XXI. Ode. Dispraise of Love, and Lovers follyes.
Attribution:
None
Attributed To:
Not attributed
First Line:
Rest good my Muse and give me leave to rest
Page No:
R2r-R2v; pp. 243-244
Poem Title:
XXII. Ode. To his Muse.
Attribution:
None
Attributed To:
Not attributed
First Line:
Nay nay thou striv'st in vain my heart
Page No:
R2v-R3r; pp. 244-245
Poem Title:
XXIII. Ode. To his heart.
Attribution:
None
Attributed To:
Not attributed
First Line:
Now have I learned with much ado at last
Page No:
R3v; p. 246
Poem Title:
XXIIII. Ode. A defiance to disdainful love.
Attribution:
None
Attributed To:
Not attributed
First Line:
When Venus saw desire must die
Page No:
R4r-R4v; pp. 247-248
Poem Title:
XXV. Ode. The Tomb of dead Desire.
Attribution:
Certaine Poemes vpon diuerse Subiects by the same Author
Attributed To:
Thomas Spelman
First Line:
Of Atreus sons fain would I write
Page No:
R4v; p. 248
Poem Title:
XXVI. Ode. Three Odes translated out of Anacreon, the Greek Lyric Poet.
Attribution:
Certaine Poemes vpon diuerse Subiects by the same Author
Attributed To:
Thomas Spelman
First Line:
The bull by nature hath his horns
Page No:
R5r; p. 249
Poem Title:
XXVII. Ode. A comparison betwixt the strength of beasts, and the wisdom of man, and the beauty of a woman's heart.
Attribution:
Certaine Poemes vpon diuerse Subiects by the same Author
Attributed To:
Thomas Spelman
First Line:
Of late what time the bear turned round
Page No:
R5r-R6r; pp. 249-251
Poem Title:
XXVIII. Ode.
Attribution:
Certaine Poemes vpon diuerse Subiects by the same Author
Attributed To:
Thomas Spelman
First Line:
Nature in her work doth give
Page No:
R6r; p. 251
Poem Title:
XXIX. Ode. Anacreon's second Ode, otherwise
Attribution:
T.S.
Attributed To:
Thomas Spelman
First Line:
Cupid abroad was lated in the night
Page No:
R6v; p. 252
Poem Title:
XXX: Ode. Anacreon's third Ode, otherwise.
Attribution:
None
Attributed To:
Not attributed
First Line:
Absence hear thou my protestation
Page No:
R7r; p. 253
Poem Title:
XXXI. Ode. That time and absence proves. Rather helps then hurts to loves.
Attribution:
None
Attributed To:
Not attributed
First Line:
The ancient readers of heaven's book
Page No:
R7v; p. 254
Poem Title:
XXXII. Ode. Of Cynthia.
Attribution:
None
Attributed To:
Not attributed
First Line:
Four teeth of late you had both black and shaking
Page No:
R8r; p. 255
Poem Title:
Ad Aelian. 76. L. I.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Naso let none drink in his glass but he
Page No:
R8v; p. 256
Poem Title:
A Monsieur Naso, Verole
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Not attributed
First Line:
I muse not that your dog turds oft doth eat
Page No:
R8v; p. 256
Poem Title:
De Manuella. 51. L. 1
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Milo lives long in France and while he's there
Page No:
R8v; p. 256
Poem Title:
De Milone.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Codrus although but of mean estate
Page No:
S1r; p. 257
Poem Title:
De Codro. Li. 15.3
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Thy lawful wise fair Laelia needs must be
Page No:
S1r; p. 257
Poem Title:
Ad Quintum. 117. L. 5.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Rich Chremes whiles he lives will nought bestow
Page No:
S1r; p. 257
Poem Title:
To A. S.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Fail ye of wealth of wealth ye still will fail
Page No:
S1r; p. 257
Poem Title:
To all poor Scholars
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
My just demands so one grant or soon deny
Page No:
S1r-S1v; p. 257-258
Poem Title:
In Cinnam. 42. 42. L.7.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
What so'ere you coggingly require
Page No:
S1v; p.258
Poem Title:
In Cinnam. 107. L. 5.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Philo swears he ne're eats at home a nights
Page No:
S1v; p.258
Poem Title:
De Philone. 48. L.5.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
You promise mountains still to me
Page No:
S1v; p. 258
Poem Title:
12. L 12.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Why do your wife and you so ill agree
Page No:
S2r; p. 259
Poem Title:
Ad Pessimos Conjuges. 35. L. 8.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
He that will thrive in court must oft become
Page No:
S2r; p. 259
Poem Title:
A Rule for Courtiers.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Whosoever sayeth thou sellest all doth jest
Page No:
S2r; p. 259
Poem Title:
On a painted Courtesan
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Her sons rich Aula terms her lechers all
Page No:
S2r-S2v; p. 259-260
Poem Title:
In Aulam.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
If thou be fair thy beauties beautify
Page No:
S2v; p. 260
Poem Title:
For a looking glass.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Thou still wert wont in earnest or in jest
Page No:
S2v; p. 260
Poem Title:
In Asinium
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Thou evermore dost ancient poets blame
Page No:
S2v; p. 260
Poem Title:
On a limping Cuckold.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
By want of shift since lice at first are bred
Page No:
S2v; p. 260
Poem Title:
On a Crambo a lousy shifter.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Quintus is burnt and may thereof by glad
Page No:
S3r; p 261
Poem Title:
In Quintum.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Why will not Saba in a glass behold
Page No:
S3r; p 261
Poem Title:
In Sabam.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Aulus gives nought men say though much he crave
Page No:
S3r; p 261
Poem Title:
In Aulum.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Cambridge worthy Philip by this verse builds thee an altar
Page No:
S3r; p 261
Poem Title:
An Epigram to Sir Philip Sidney in Elegiacal verse, translated out of Jodelle, the French Poet.
Attribution:
None
Attributed To:
Not attributed
First Line:
What can I now suspect or what can I fear any longer
Page No:
S3v; p. 262
Poem Title:
An Epigram in Hexameters, upon the never enough praised Sir Philip Sidney
Attribution:
None
Attributed To:
Not attributed
First Line:
What strange adventure what now unlook't for arrival
Page No:
S3v; p. 262
Poem Title:
Another Epigram upon the same.
Attribution:
None
Attributed To:
Not attributed
First Line:
Whom can I first accuse whose fault account I the greatest
Page No:
S4r-S4v; pp. 263-264
Poem Title:
Other Epigrams upon the same.
Attribution:
None
Attributed To:
Not attributed
First Line:
Whether thy choice or chance thee hither brings
Page No:
S5r; p. 265
Poem Title:
To the Epitaph upon the heart of Henry the third, late King of France and Poland: slain 1589 by a Jacobin Friar. Upon the Tomb of his heart in the church of St. Clou, near Paris, adjoining to the house where he was slain.
Attribution:
F.D.
Attributed To:
Francis Davison
First Line:
That we should more bewail the hap of Kings
Page No:
S5r-S5v; pp. 265-266
Poem Title:
An Epitaph on Henry the fourth, the last King of France
Attribution:
Addit. per Cha. Best. Arm.
Attributed To:
Charles Best
First Line:
Eliza that great maiden Queen lies here
Page No:
S5v; p. 266
Poem Title:
An Epitaph on Queen Elizabeth.
Attribution:
Addit. per Cha. Best. Arm.
Attributed To:
Charles Best
First Line:
My dearest sweet if these sad lines do hap
Page No:
S5v-S8v; pp. 266-272
Poem Title:
[no title]
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison