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Exercises for improvement in elocution [T126614] [ECCO]

DMI number:
1320
Publication Date:
1777
Volume Number:
1 of 1
ESTC number:
T126614
EEBO/ECCO link:
CW113903097
Shelfmark:
ESTC - nearest hard copy is in Bodleian Library.
Full Title:
EXERCISES | FOR | IMPROVEMENT | IN | ELOCUTION, | BEING | Select EXTRACTS from the best AUTHORS, | FOR THE | Use of those who study the Art of READING and | SPEAKING in Public. | [epigraph] | BY J. WALKER. | Author of the Rhyming Dictionary, &c. | LONDON, | Sold by T. BECKET, Corner of the Adelphi, Strand; and | W. JACKSON, High Street, Oxford. | M DCC LXXVII.
Epigraph:
-----Vos exemplaria ----- | Nocturna^ versate manu, versate diurna~. | HOR.
Place of Publication:
London
Format:
Duodecimo
Other matter:
Prefatory matter: dedication to David Garrick from J. Walker [one unnumbered page], advertisement [2 unnumbered pages], contents [2 unnumbered pages]
Content/Publication
First Line:
Inspired I trace the muses' seats
Page No:
p.5
Poem Title:
No 411 Saturday, June 21.
Attribution:
Creech
Attributed To:
Thomas Creech
First Line:
The feathered husband to hsi partner true
Page No:
p.11
Poem Title:
[no title]
Attribution:
Attributed To:
Not attributed
First Line:
To grottoes and to groves we run
Page No:
p.16
Poem Title:
[no title]
Attribution:
Pope.
Attributed To:
Alexander Pope
First Line:
Here easy quiet a secure retreat
Page No:
p.17
Poem Title:
[no title]
Attribution:
Dryden.
Attributed To:
John Dryden
First Line:
Next add our cities of illustrious name
Page No:
p.19
Poem Title:
[no title]
Attribution:
Dryden.
Attributed To:
John Dryden
First Line:
Objects still appear the same
Page No:
p.24
Poem Title:
[no title]
Attribution:
Creech.
Attributed To:
Thomas Creech
First Line:
At whose blest birth propitious rays
Page No:
p.28
Poem Title:
[no title]
Attribution:
Creech.
Attributed To:
Thomas Creech
First Line:
He spoke and awful bends his sable brows
Page No:
p.30
Poem Title:
[no title]
Attribution:
Pope.
Attributed To:
Alexander Pope
First Line:
And gave his rolling eyes a sparkling grace
Page No:
p.31
Poem Title:
[no title]
Attribution:
Dryden.
Attributed To:
John Dryden
First Line:
Thus having said she turned and made appear
Page No:
p.31
Poem Title:
[no title]
Attribution:
Dryden.
Attributed To:
John Dryden
First Line:
They drag him from his den
Page No:
p.34
Poem Title:
[no title]
Attribution:
Dryden.
Attributed To:
John Dryden
First Line:
A satyr that comes staring from the woods
Page No:
p.37
Poem Title:
[no title]
Attribution:
Roscommon.
Attributed To:
Wentworth Dillon
First Line:
He sought fresh mountains in a foreign soil
Page No:
p.43
Poem Title:
[no title]
Attribution:
Addison.
Attributed To:
Joseph Addison
First Line:
Like Pentheus when distracted with his fear
Page No:
p.45
Poem Title:
[no title]
Attribution:
Dryden.
Attributed To:
John Dryden
First Line:
Of man's first disobedience and the fruit
Page No:
pp.57-59
Poem Title:
Milton. Paradise Lost. Book I. Invocation - Description of the fall of Satan, and of Hell.
Attribution:
Milton.
Attributed To:
John Milton
First Line:
Thus Satan talking to his nearest mate
Page No:
pp.59-60
Poem Title:
Description of Satan's stature, and preparation to address his fallen legions.
Attribution:
[Milton]
Attributed To:
John Milton
First Line:
He scarce had ceased when the superior fiend
Page No:
p.60
Poem Title:
Description of the shield and spear of Satan.
Attribution:
[Milton]
Attributed To:
John Milton
First Line:
O for that warning voice which he who saw
Page No:
pp.61-63
Poem Title:
Satan's approach to Eden, and his address to the Sun.
Attribution:
[Milton]
Attributed To:
John Milton
First Line:
Blissful paradise
Page No:
pp.63-65
Poem Title:
Description of Paradise.
Attribution:
[Milton]
Attributed To:
John Milton
First Line:
Now came still evening on and twilight grey
Page No:
pp.65-66
Poem Title:
Description of Evening.
Attribution:
Milton.
Attributed To:
John Milton
First Line:
Immediately a place
Page No:
p.66
Poem Title:
Adam's prospect of the future miseries of his posterity.
Attribution:
[Milton]
Attributed To:
John Milton
First Line:
With what attractive charms this goodly frame
Page No:
pp.67-68
Poem Title:
Akenside. Pleasures of Imagination. ... Invocation to the powers of imagination.
Attribution:
Akenside
Attributed To:
Mark Akenside
First Line:
But not alike to every mortal eye
Page No:
pp.68-69
Poem Title:
Diversity of genius in different men.
Attribution:
[Akenside]
Attributed To:
Mark Akenside
First Line:
Know then whatever of nature's pregnant stores
Page No:
pp.69-72
Poem Title:
Primary pleasures of imagination.
Attribution:
[Akenside]
Attributed To:
Mark Akenside
First Line:
Thus with a faithful aim have we presumed
Page No:
pp.72-74
Poem Title:
Superiority of moral excellence.
Attribution:
[Akenside]
Attributed To:
Mark Akenside
First Line:
But were not nature still endowed at large
Page No:
pp.74-76
Poem Title:
Natural beauty a mark of divine beneficence.
Attribution:
[Akenside]
Attributed To:
Mark Akenside
First Line:
Thou who didst put to flight
Page No:
pp.77-78
Poem Title:
Young. Night Thoughts. Invocation - Importance of Time. - Man composed of opposites.
Attribution:
Young.
Attributed To:
Edward Young
First Line:
Know all know infidels unapt to know
Page No:
pp.78-81
Poem Title:
The pursuits and passions of man, proofs of his immortality.
Attribution:
[Young]
Attributed To:
Edward Young
First Line:
To close Lorenzo spite of all my pains
Page No:
p.81
Poem Title:
Nature and man, in every view of them, full of mysteries.
Attribution:
[Young]
Attributed To:
Edward Young
First Line:
Twas at the royal feast for Persia won
Page No:
pp.82-87
Poem Title:
Dryden. Alexander's Feast, An Ode.
Attribution:
Dryden.
Attributed To:
John Dryden
First Line:
The curfeu tolls the knell of parting day
Page No:
pp.87-90
Poem Title:
Gray. An Elegy. Written in a country church-yard.
Attribution:
Gray.
Attributed To:
Thomas Gray
First Line:
But you who seek to give and merit fame
Page No:
pp.91-92
Poem Title:
Necessity of knowing the extent of our taste and genius.
Attribution:
[Pope]
Attributed To:
Alexander Pope
First Line:
Tis hard to say if greater want of skill
Page No:
p.91
Poem Title:
Pope. Essay on Criticism. Taste as seldom found as genius,
Attribution:
Pope.
Attributed To:
Alexander Pope
First Line:
Some beauties yet no precepts can declare
Page No:
pp.92-93
Poem Title:
Great beauties above rules.
Attribution:
[Pope]
Attributed To:
Alexander Pope
First Line:
You then whose judgement the right course would steer
Page No:
p.92
Poem Title:
Rules for judging with propriety.
Attribution:
[Pope]
Attributed To:
Alexander Pope
First Line:
Of all the causes which conspire to blind
Page No:
pp.93-96
Poem Title:
Causes of error in judging.
Attribution:
[Pope]
Attributed To:
Alexander Pope
First Line:
Short is the date alas of modern rhymes
Page No:
p.96
Poem Title:
Fate of modern languages and authors.
Attribution:
[Pope]
Attributed To:
Alexander Pope
First Line:
A salmon's belly Helluo was thy fate
Page No:
pp.97-98
Poem Title:
The ruling passion continues till death.
Attribution:
[Pope]
Attributed To:
Alexander Pope
First Line:
Tis education forms the vulgar mind
Page No:
p.97
Poem Title:
Education forms the character of most men.
Attribution:
[Pope]
Attributed To:
Alexander Pope
First Line:
Yes you despise the man to books confined
Page No:
p.97
Poem Title:
Ethic Epistles. The knowledge and characters of men. Not to be learned either by books or observation singly, but by both.
Attribution:
[Pope]
Attributed To:
Alexander Pope
First Line:
Where London's column pointing at the skies
Page No:
pp.98-100
Poem Title:
A character.
Attribution:
[Pope]
Attributed To:
Alexander Pope
First Line:
Shut shut the door good John fatigued I said
Page No:
pp.100-101
Poem Title:
Epistle to Dr. Arbuthnot.
Attribution:
[Pope]
Attributed To:
Alexander Pope
First Line:
Before I speak the message of the Greeks
Page No:
pp.102-104
Poem Title:
Amb. Philips. Orestes delivering his ebassy to Pyrrhus, in the tragedy of the Distrest Mother. Orestes, Pyrrhus, and Phoenix. Orestes.
Attribution:
Amb. Philips.
Attributed To:
Ambrose Philips
First Line:
Rome still survives in this assembled senate
Page No:
pp.104-109
Poem Title:
Addison. The senate scene in the tragedy of Cato. Sempronius.
Attribution:
Addison.
Attributed To:
Joseph Addison
First Line:
Friends Romans countrymen lend me your ears
Page No:
pp.110-114
Poem Title:
Antony's oration over the corpse of Caesar.
Attribution:
Shakespeare.
Attributed To:
William Shakespeare
First Line:
Betrayed by honour and compelled by shame
Page No:
p.118
Poem Title:
[no title]
Attribution:
Steele.
Attributed To:
Sir Richard Steele