Miscellany Poems. By Mr. Pope. The Fifth Edition. [Vol. I] [ECCO] [T5781]
- DMI number:
- 546
- Publication Date:
- 1726
- Volume Number:
- 1 of 2
- ESTC number:
- T5781
- EEBO/ECCO link:
- CW113316120
- Shelfmark:
- ECCO - BL [can't find on OLIS?]
- Full Title:
- MISCELLANY | POEMS. | [rule] | VOL. I. | [rule] | By Mr. [i]POPE[/i]. | [rule] | [epigraph] | [rule] | [ornament] | [rule] | The FIFTH EDITION. | [rule] | [i]LONDON:[/i] | Printed for BERNARD LINTOT, at the [i]Cross Keys[/i], | between the [i]Temple-Gates[/i] in [i]Fleetstreet[/i]. | MDCCXXVI.
- Epigraph:
- Haec studia adolescentiam alunt, &c.
- Place of Publication:
- London
- Format:
- Duodecimo
- Bibliographic details:
- HALF-TITLE: [ornamental rule] | Mr. [i]POPE[/i]'s | MISCELLANY. | VOL. I. | [ornamental rule] Pagination: Pagination restarts at p.[7] after the commendatory poems; pagination skips p.40, p.64. In ECCO copy pp.26-29 are repeated immediately following.
- Comments:
- MISCELLANY GENRE: Miscellany associated with Alexander Pope. IMAGES: Engraving of 'Alexander Pope' after half-title, signed by G. Vertue. CONTENTS: Latin poetry, pp.195-197. List of 'Books Printed for Bernard Lintot' (3pp., unnumbered) after p. 235. NOTES: Vol 1 of Lintot's miscellany. Consists of twelve commendatory poems to Pope; poetry by Pope; and after p.211 a selection of poems by Buckingham, Gay, and other hands. "The whole probably edited by Pope. The titlepage to volume two reads Miscellany poems. Vol. II. By several hands. The fifth edition. Printed by William Bowyer; his records show 2000 copies printed." (ESTC).
- Other matter:
- PREFATORY MATTER: Index to both volumes is bound after the poems in volume 2 of the ECCO copy.
- References:
- Griffith, 164. Maslen & Lancaster. Bowyer ledgers, 1267 (references taken from ESTC). Case 260(1)(e)-- 260(2)(e)
- Editor:
- Alexander Pope
- Confidence:
- Confident (50%)
- Comments:
- "The whole probably edited by Pope" (ESTC).
- Publisher:
- (Barnaby) Bernard Lintot [Lintott]
- Confidence:
- Absolute (100%)
- Comments:
- First Line:
- With age decayed with courts and business tired
- Page No:
- pp. 1-2
- Poem Title:
- On Mr. Pope and his Poems.
- Attribution:
- 'By his Grace the Duke of Buckingham' (index)
- Attributed To:
- John Sheffield
- First Line:
- The muse of every heavenly gift allowed
- Page No:
- pp.2-4
- Poem Title:
- To Mr. Pope.
- Attribution:
- By A. Countess of Winchelsea
- Attributed To:
- Anne Finch [nee Kingsmill]
- First Line:
- In these more dull as more censorious days
- Page No:
- pp.4-7
- Poem Title:
- 'To Mr. Pope at Sixteen Years old; on Occasion of his Pastorals.'
- Attribution:
- Signed 'W. Wycherley'
- Attributed To:
- William Wycherley
- First Line:
- He comes he comes bid every bard prepare
- Page No:
- pp.7-9
- Poem Title:
- 'To Mr. Pope, On the publishing his Works.'
- Attribution:
- By the Hon. Simon Harcourt Esq.
- Attributed To:
- Simon Harcourt
- First Line:
- To praise and still with just respect to praise
- Page No:
- pp.9-13
- Poem Title:
- To Mr. Pope.
- Attribution:
- T. Parnell
- Attributed To:
- Thomas Parnell
- First Line:
- Hail sacred bard a muse unknown before
- Page No:
- pp.13-18
- Poem Title:
- 'To Mr. Pope, On his Windsor-Forest.'
- Attribution:
- 'By the Rev. Mr. Dean Knapp'
- Attributed To:
- Not attributed
- First Line:
- When Phoebus and the nine harmonious maids
- Page No:
- pp.18-19
- Poem Title:
- To Mr. Pope, In imitation of a Greek Epigram on Homer.
- Attribution:
- E. Fenton
- Attributed To:
- Elijah Fenton
- First Line:
- Tis true what famed Pythagoras maintained
- Page No:
- pp.20-23
- Poem Title:
- To Mr. Pope, On his Translation of Homer.
- Attribution:
- By the Rev. Mr. Christopher Pitt
- Attributed To:
- Christopher Pitt
- First Line:
- When first thy muse in tuneful rural strains
- Page No:
- pp.24-26
- Poem Title:
- To Mr. Pope.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Tell me by what commanding wondrous art
- Page No:
- pp.26-29
- Poem Title:
- To Mr. Pope.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- And hast thou then performed the mighty task
- Page No:
- pp.30-35
- Poem Title:
- To Mr. Pope, Upon his translation of Homer's Iliad.
- Attribution:
- By the Rev. Dr. Evans
- Attributed To:
- Abel Evans
- First Line:
- Let vulgar souls triumphal arches raise
- Page No:
- pp.36-40
- Poem Title:
- To Mr. Pope, Upon the edition of his Works 1725.
- Attribution:
- by the Rev. Mr. Broome
- Attributed To:
- William Broome
- First Line:
- Thy forests Windsor and thy green retreats
- Page No:
- pp.[7]-26
- Poem Title:
- Windsor-Forest.
- Attribution:
- By Mr. Pope
- Attributed To:
- Alexander Pope
- First Line:
- Ye nymphs of Solyma begin the song
- Page No:
- pp.27-32
- Poem Title:
- Messiah. A Sacred Eclogue, In Imitation of Virgil's Pollio.
- Attribution:
- By Mr. Pope
- Attributed To:
- Alexander Pope
- First Line:
- Descend ye nine descend and sing
- Page No:
- pp.33-39
- Poem Title:
- Ode for Musick on St Cecilia's Day.
- Attribution:
- By Mr. Pope
- Attributed To:
- Alexander Pope
- First Line:
- In that soft season when descending showers
- Page No:
- pp.[41]-63
- Poem Title:
- The Temple of Fame.
- Attribution:
- By Mr. Pope
- Attributed To:
- Alexander Pope
- First Line:
- Tis hard to say if greater want of skill
- Page No:
- pp.[65]-98
- Poem Title:
- An Essay on Criticism.
- Attribution:
- By Mr. Pope
- Attributed To:
- Alexander Pope
- First Line:
- What dire offence from amorous causes springs
- Page No:
- pp.[101]-138
- Poem Title:
- The Rape of the Lock.
- Attribution:
- By Mr. Pope
- Attributed To:
- Alexander Pope
- First Line:
- O Abelard ill fated youth
- Page No:
- p.[141]
- Poem Title:
- Alma, Cant. 2.
- Attribution:
- Prior
- Attributed To:
- Matthew Prior
- First Line:
- In these deep solitudes and awful cells
- Page No:
- pp.143-159
- Poem Title:
- Eloisa to Abelard.
- Attribution:
- By Mr. Pope
- Attributed To:
- Alexander Pope
- First Line:
- What beckoning ghost along the moonlight shade
- Page No:
- pp.160-163
- Poem Title:
- Verses To the Memory of an Unfortunate Lady.
- Attribution:
- By Mr. Pope
- Attributed To:
- Alexander Pope
- First Line:
- This verse be thine my friend nor thou refuse
- Page No:
- pp.164-168
- Poem Title:
- To Mr. Jervas, with Fresnoy's Art of Painting, Translated by Mr. Dryden.
- Attribution:
- By Mr. Pope
- Attributed To:
- Alexander Pope
- First Line:
- In these gay thoughts the loves and graces shine
- Page No:
- p.169-172
- Poem Title:
- To a Young Lady with the Works of Voiture.
- Attribution:
- By Mr. Pope
- Attributed To:
- Alexander Pope
- First Line:
- As some fond virgin whom her mother's care
- Page No:
- pp.173-175
- Poem Title:
- To the Same, On her leaving the Town after the Coronation.
- Attribution:
- By Mr. Pope
- Attributed To:
- Alexander Pope
- First Line:
- Such were the notes thy once-loved poet sung
- Page No:
- pp.176-178
- Poem Title:
- To the Right Honourable Robert, Earl of Oxford, and Earl Mortimer. With Dr. Parnell's Poems.
- Attribution:
- By Mr. Pope
- Attributed To:
- Alexander Pope
- First Line:
- See the wild waste of all-devouring years
- Page No:
- pp.179-182
- Poem Title:
- 'Verses Occasion'd by Mr. Addison's Treatise of Medals.
- Attribution:
- By Mr. Pope
- Attributed To:
- Alexander Pope
- First Line:
- To wake the soul by tender strokes of art
- Page No:
- pp.183-185
- Poem Title:
- Prologue to Mr. Addison's Tragedy of Cato.
- Attribution:
- By Mr. Pope
- Attributed To:
- Alexander Pope
- First Line:
- Prodigious this the frail one of our play
- Page No:
- pp.186-188
- Poem Title:
- Epilogue to Jane Shore. Design'd for Mrs. Oldfeild [sic].
- Attribution:
- By Mr. Pope
- Attributed To:
- Alexander Pope
- First Line:
- Silence coeval with eternity
- Page No:
- pp.189-192
- Poem Title:
- Silence, In Imitation of the late E. of R.
- Attribution:
- By Mr. Pope
- Attributed To:
- Alexander Pope
- First Line:
- Be gone ye critics and restrain your spite
- Page No:
- pp.193-194
- Poem Title:
- To the Author of a Poem entituled, Successio. In Imitation of the late E. of D.
- Attribution:
- By Mr. Pope
- Attributed To:
- Alexander Pope
- First Line:
- To this sad shrine whoever thou art draw near
- Page No:
- p.298 [i.e. p.198]
- Poem Title:
- Epitaph On the Monument of Simon Harcourt, Esq; Erected by the Right Honourable the Lord Viscount Harcourt.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Thy relics Rowe to this fair shrine we trust
- Page No:
- p.199
- Poem Title:
- Epitaph on Mr. Rowe, For a Tomb intended to be erected by his Wife in Westminster-Abbey.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- A pleasing form a firm yet cautious mind
- Page No:
- p.200
- Poem Title:
- Epitaph.
- Attribution:
- By Mr. Pope
- Attributed To:
- Alexander Pope
- First Line:
- Come gentle air the Aeolian shepherd said
- Page No:
- p.201
- Poem Title:
- On a Fan of the Author's Design, in which was painted the Story of Cephalus and Procris, with the Motto, Aura Veni.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- How happy he who free from care
- Page No:
- pp.202-203
- Poem Title:
- Solitude. Sapphick.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- At length my soul thy fruitless hopes give over
- Page No:
- pp.204-205
- Poem Title:
- Stanza's From the French of Malherbe.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Oh be thou blessed with all that heaven can send
- Page No:
- p.206
- Poem Title:
- The Wish. Sent to Mrs. M.B. on her Birth-Day, June 15.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Ye shades where sacred truth is sought
- Page No:
- pp.207-209
- Poem Title:
- Chorus of Athenians
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Oh tyrant love hast thou possessed
- Page No:
- pp.209-211
- Poem Title:
- Two Chorus's to the Tragedy of Brutus.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Whither is ancient virtue gone
- Page No:
- pp.212-214
- Poem Title:
- First Song after the end of the first Act. Chorus of Free Citizens of Rome.
- Attribution:
- By his Grace the Duke of Buckingham
- Attributed To:
- John Sheffield
- First Line:
- Lo to prevent this awful empire's doom
- Page No:
- pp.214-215
- Poem Title:
- Second Song after the second Act. The Genius of Rome.
- Attribution:
- By his Grace the Duke of Buckingham
- Attributed To:
- John Sheffield
- First Line:
- Dark is the path poor mortals tread
- Page No:
- pp.215-216
- Poem Title:
- Third Song after the third Act. Chorus of Roman Senators.
- Attribution:
- By his Grace the Duke of Buckingham
- Attributed To:
- John Sheffield
- First Line:
- Our vows thus cheerfully we sing
- Page No:
- pp.217-218
- Poem Title:
- Fourth Song after the fourth Act. Chorus of Soldiers in the Army of Brutus and Cassius.
- Attribution:
- By his Grace the Duke of Buckingham
- Attributed To:
- John Sheffield
- First Line:
- A famous assembly was summoned of late
- Page No:
- pp.219-224
- Poem Title:
- The Election of a Poet Laureat In 1719.
- Attribution:
- By the same hand [i.e. Buckingham]
- Attributed To:
- John Sheffield
- First Line:
- Twas when the seas were roaring
- Page No:
- pp.225-227
- Poem Title:
- A Ballad.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- All in the Downs the fleet was moored
- Page No:
- pp.228-231
- Poem Title:
- Sweet William's farewel to Black-ey'd Susan. A Ballad.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Chloe a coquet in her prime
- Page No:
- p.232
- Poem Title:
- On the Marriage of an Old Maid.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- So bright is thy beauty so charming thy song
- Page No:
- p.232
- Poem Title:
- On a handsom Singer, covetous and proud.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Two or three visits and two or three bows
- Page No:
- p.233
- Poem Title:
- Two or Three; or, A Receipt to make a Cuckold.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- If ever my humble muse melodious sings
- Page No:
- p.234-235
- Poem Title:
- To Mr. Pope, On his correcting my Verses, By Mr. Broome.
- Attribution:
- By Mr. Broome
- Attributed To:
- William Broome
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