Poems by several hands on several occasions [R22319]

DMI number:

1736

Publication Date:

1685

ESTC number:

R22319

Shelfmark:

EBBO

Full Title:

POEMS | BY | [g]Several Hands[/g] | AND ON | Several OCCASIONS | [rule] | Collected by [i]N. Tate[/i] | [rule] | [ornament] | [double rule] | [i]LONDON:[/i] | Printed for [i]J. Hindmarsh,[/i] at the [i]Golden Ball,[/i] | over against the [i]Royal Exchange[/i] in | [i]Cornhil,[/i] 1685

Place of Publication:

London

Genres:

Collection of 17th century verse, Collection of literary verse, Collection including drama, and Collection of translations/imitations

Format:

Octavo

Pagination:

1-445 (pages 22-25 repeated after first page 25; 286 mispaginated as 287; 287 as 286)

Related People

Dedicatee:

Robert Leke

Confidence:

Absolute (100%)

Comments:

Epistle dedicatory to The Right honourable Robert Earl of Scarsdale, Baron Deincourt, Lord Lieutenant of Derbishire

Editor:

Nahum Tate

Confidence:

Absolute (100%)

Comments:

Publisher:

Joseph Hindmarsh

Confidence:

Absolute (100%)

Comments:

Content/Publication

First Line:

What scorn appears in those fair eyes

Page No:

p.255

Poem Title:

'What scorn appears in those fair eyes'

Attribution:

By the same

Attributed To:

Charles How

First Line:

Come poetry and with thee bring along

Page No:

pp.1-2

Poem Title:

An Ode written by Mr Abraham Cowley for Her Majesty, Queen to King Charles I

Attribution:

Mr Abraham Cowley

Attributed To:

Abraham Cowley

First Line:

Ah happy grove dark and secure retreat

Page No:

pp.3-5

Poem Title:

The Grove

Attribution:

Earl of Roscommon

Attributed To:

Wentworth Dillon

First Line:

Nothing thou elder brother even to shade

Page No:

pp.5-8

Poem Title:

Upon Nothing

Attribution:

the Late Earl of Rochester

Attributed To:

John Wilmot

First Line:

Tis not that I am weary grown

Page No:

pp.8-9

Poem Title:

Upon his leaving his Mistress

Attribution:

Earl of Rochester

Attributed To:

John Wilmot

First Line:

All my past life is mine no more

Page No:

p.10

Poem Title:

Love and Life - A song

Attribution:

late Earl of Rochester

Attributed To:

John Wilmot

First Line:

What means this tumult in my veins

Page No:

p.11-13

Poem Title:

To the late Earl of Rochester upon the Report of His Sickness in Town, being newly recovered by his Lordships Advice in the Country. In allusion to the Ode of Horace

Attribution:

Sir Francis Fane

Attributed To:

Sir Francis Fane

First Line:

Urge me not to be poorly great

Page No:

p.13-16

Poem Title:

To a great Lord inviting him to court, or else to write a History in the Country

Attribution:

late Earl of Rochester

Attributed To:

John Wilmot

First Line:

Fairest of fair ones swear again

Page No:

p.16-17

Poem Title:

To a perjured mistress

Attribution:

late Earl of Rochester

Attributed To:

John Wilmot

First Line:

Hale scared Cynthia mutable but chaste

Page No:

p.17-32

Poem Title:

A Mask made at the request of the late Earl of Rochester, for the Tragedy of Valentinian

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

All blots I cannot from my manners wipe

Page No:

pp.33-36

Poem Title:

From Ovid Amorum l.2 el. 4 and Lucretius l.4 That he loves women of all sorts and sizes

Attribution:

By Mr R.-

Attributed To:

Thomas Rymer

First Line:

Add all to man that man's perfection makes

Page No:

p.37-38

Poem Title:

To Dolorissa on her being like my lord Dorset

Attribution:

By Mr R.-

Attributed To:

Thomas Rymer

First Line:

Some say I for Olinda die

Page No:

p.38-39

Poem Title:

In imitation of the song, That I love none

Attribution:

By Olinda

Attributed To:

Olinda

First Line:

Come gentle love tis only thou

Page No:

p.39-44

Poem Title:

The Picture

Attribution:

By Mr. Adams

Attributed To:

Not attributed

First Line:

Thyrsis since we be together laid

Page No:

p.44-48

Poem Title:

A pastoral written at Dublin in May 1683

Attribution:

none

Attributed To:

Not attributed

First Line:

Let's live my Lesbia while we may

Page No:

p.48-49

Poem Title:

Vivamus mea Lesbia &c Catull.

Attribution:

By the same

Attributed To:

Not attributed

First Line:

No faith no I will not now

Page No:

p.50-51

Poem Title:

Song

Attribution:

Attributed To:

Not attributed

First Line:

Spare gentle beast ah spare my lovely boy

Page No:

p.51-53

Poem Title:

Parce me Juveni &c. Tibullus

Attribution:

Attributed To:

Not attributed

First Line:

What horrid crime did gentle sleep displease

Page No:

p.53-54

Poem Title:

A translation out of Statius. To sleep

Attribution:

Attributed To:

Not attributed

First Line:

Great knowing hero who dares boast

Page No:

p.55-57

Poem Title:

The Atheist

Attribution:

Attributed To:

Not attributed

First Line:

Beneath a gloomy yew's unhealthy shade

Page No:

p.57-64

Poem Title:

A pastoral reflexion on death. Strephon and Damon

Attribution:

Attributed To:

Not attributed

First Line:

The Persian bravery I hate

Page No:

p.64

Poem Title:

Horatii Ode 28. Lib. 1. Persicos odi puer apparatus

Attribution:

Attributed To:

Not attributed

First Line:

Whither do ye rush with impious haste

Page No:

p.65-66

Poem Title:

Horatii epode 1 ad populum romanum quo quo scelesti ruitis &c

Attribution:

Attributed To:

Not attributed

First Line:

Water I could never endure

Page No:

p.67-70

Poem Title:

The Fly

Attribution:

Mr. P. Ayres

Attributed To:

Philip Ayres

First Line:

Wilt thou not cease at my desire

Page No:

p.70-72

Poem Title:

To the Nightingale

Attribution:

Mr P. Ayres

Attributed To:

Philip Ayres

First Line:

Ye winds that in your hasty flight

Page No:

p.73-74

Poem Title:

To the Winds

Attribution:

Mr P. Ayres

Attributed To:

Not attributed

First Line:

Upon a bough hung trembling over a spring

Page No:

p.75-76

Poem Title:

On a Nightingale that was drowned

Attribution:

Attributed To:

Not attributed

First Line:

Whoever a Lover is of art

Page No:

p.76-79

Poem Title:

Love's New Philosophy

Attribution:

Attributed To:

Philip Ayres

First Line:

Oh how does my dear Eschines oh how

Page No:

p.80-85

Poem Title:

Cynisca or the fourth idyllium of Theocritus imitated

Attribution:

W. Bowles, Fellow of Kings Coll. Cambr.

Attributed To:

William Bowles

First Line:

The gods are not more blest than he

Page No:

p.85-86

Poem Title:

Sapho's Ode out of Longinus

Attribution:

Attributed To:

William Bowles

First Line:

Lyce the gods have heard my prayer

Page No:

p.87-89

Poem Title:

Ode 13 of the fourth book of Horace

Attribution:

No attribution

Attributed To:

Not attributed

First Line:

Envy how darst thou say that I in vain

Page No:

p.90-93

Poem Title:

The immortality of poesie ... To envy Ovid. Amor. lib. 1. Eleg. 15

Attribution:

Mr Evelyn

Attributed To:

John Evelyn

First Line:

Dear friend till now I never knew

Page No:

p.95-99

Poem Title:

To Mr. &c

Attribution:

By the same

Attributed To:

John Evelyn

First Line:

Lidia I conjure you say

Page No:

p.99-100

Poem Title:

Out of Horace Ode.8. l.1 Lidia dic per omnes

Attribution:

By the same

Attributed To:

John Evelyn

First Line:

On Hebrus bank as Orpheus sate

Page No:

p.100-101

Poem Title:

The Punishment

Attribution:

By the same

Attributed To:

John Evelyn

First Line:

The princes sat whom martial throngs inclosed

Page No:

p.101-102

Poem Title:

Part of Ajax's speech Ovid Metam. l.13

Attribution:

By the same

Attributed To:

John Evelyn

First Line:

Neptune saw Venice on the Adria stand

Page No:

pp.102-3

Poem Title:

Out of Sannazar

Attribution:

By the same

Attributed To:

John Evelyn

First Line:

Would you be quite cured of love

Page No:

pp.103-7

Poem Title:

Remedy of Love

Attribution:

By the same

Attributed To:

John Evelyn

First Line:

Fair virtue should I follow thee

Page No:

p.108-110

Poem Title:

To Mr. S. G

Attribution:

By the same

Attributed To:

John Evelyn

First Line:

Tell me Damon lovely swain

Page No:

p.111-114

Poem Title:

A gentleman going to his country farm which he had not seen for some time before at the request of a fair lady writes these verses

Attribution:

By the same

Attributed To:

John Evelyn

First Line:

Nay surely men in love have much the start

Page No:

p.115-120

Poem Title:

Whether in love men or women have the advantage, they in making or these in receiving their court; considered in a dialogue between Corinna and Lais

Attribution:

Written by Mr. C. M.

Attributed To:

Not attributed

First Line:

Gods this is great these these are they

Page No:

p.120-121

Poem Title:

On the Lords rejecting the Bill of Exclusion November the 15th 1680

Attribution:

None

Attributed To:

Not attributed

First Line:

And is he dead is he already dead

Page No:

p.122-124

Poem Title:

Elegy

Attribution:

Attributed To:

Not attributed

First Line:

Tell me some antiquary who has heard

Page No:

p.124-126

Poem Title:

On the romantick office of credit proposed by Dr. C. and his partners An. Dom. 1682

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

When on his banks majestic Pan he espied

Page No:

p.126-127

Poem Title:

Occasioned by a sight of his majesty walking near the river in the time of the Oxford parliament

Attribution:

No attribution

Attributed To:

Not attributed

First Line:

Caelia tho your conquering eyes

Page No:

Poem Title:

Caelia

Attribution:

No attribution

Attributed To:

Not attributed

First Line:

Henceforth brave souls you who would fain repair

Page No:

p.129-131

Poem Title:

To a gentleman his friend who could decipher any character To a gentleman his friend who could decipher any character

Attribution:

No attribution

Attributed To:

Not attributed

First Line:

Business awake it poisons all my joys

Page No:

p.131-134

Poem Title:

Business

Attribution:

No attribution

Attributed To:

Not attributed

First Line:

Then heaven has heard my prayers at last

Page No:

p.135-137

Poem Title:

Then heaven has heard my prayers at last

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

When his murmurs first did reach my ear

Page No:

p.137-138

Poem Title:

ON a fair lady singing

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

When long I'd been with dreadful ills oppressed

Page No:

p.138-139

Poem Title:

The recantation not accepted

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

Let's live my Lesbia whilst we may

Page No:

p.140

Poem Title:

Let's live my Lesbia whilst we may

Attribution:

Not attributed

Attributed To:

Catullus

First Line:

Forgive me heaven if I now accuse

Page No:

p.141-142

Poem Title:

On Caelia's Sickness

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

The godlike she shall still possess

Page No:

p.142-143

Poem Title:

A Song

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

Tis but a little space we have

Page No:

p.143-145

Poem Title:

Life

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

I see my error plainly now for I

Page No:

p.145

Poem Title:

To a much-admired lady

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

When your transcendent worth I would commend

Page No:

p.146-147

Poem Title:

To a very accomplished lady

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

In vain you keep your sorrow fresh with tears

Page No:

p.148-149

Poem Title:

To the same immoderately mourning the death of a relation

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

Farewell fond pleasures I disdain

Page No:

p.149-150

Poem Title:

Secret Grief

Attribution:

Not Attributed

Attributed To:

Not attributed

First Line:

The muses and the muse inspired crew

Page No:

p.151-157

Poem Title:

The Graces or Hieron Theocriti Idyll. 16.

Attribution:

Translated by Sir Edward Sherborn

Attributed To:

Not attributed

First Line:

I like the youth that does improve

Page No:

Poem Title:

AGE

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

Tho in pale whites my face appear

Page No:

Poem Title:

Age

Attribution:

Attributed To:

Not attributed

First Line:

Fill up the glass when I drink deep

Page No:

p.160

Poem Title:

Drinking

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

To sing of Mars and his heroic trains

Page No:

p.161-163

Poem Title:

The First elegy of Ovid's amorum translated into English The First elegy of Ovid's amorum translated into English

Attribution:

By Mr Ballow Fellow of King's Colledge Cambridge

Attributed To:

Henry Ballow

First Line:

What's this that thus of sleep bereaves my night

Page No:

p.164-166

Poem Title:

Elegy II

Attribution:

Attributed To:

Henry Ballow

First Line:

Great goddess Venus hearken to a prayer

Page No:

p.167-168

Poem Title:

Elegy III

Attribution:

By the same

Attributed To:

Henry Ballow

First Line:

Your husband too with us is bid a guest

Page No:

p.169-172

Poem Title:

Elegy 4

Attribution:

By the same

Attributed To:

Henry Ballow

First Line:

One day in summer about twelve at noon

Page No:

p.173-174

Poem Title:

Elegy V.

Attribution:

By the same

Attributed To:

Henry Ballow

First Line:

When first of arms and bloody wars I writ

Page No:

p.175-177

Poem Title:

Libri primi .amor. elegia prima

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

What can this mean what makes my

Page No:

p.178-181

Poem Title:

Libri primi elegia secunda

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

I ask no more than that the fair I love

Page No:

p.182-183

Poem Title:

Libri primi elegia tertia

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

When dearest friend oh when shall I be blest

Page No:

p.186-189

Poem Title:

To Mr R. D. at Cambridge

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

The melting lute is on the willows hung

Page No:

p.190-192

Poem Title:

The Soldier.

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

Tune tune my strings divine harmonious love

Page No:

p.193-213

Poem Title:

Philander and Eirene

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

Poets we praise when in their verse we find

Page No:

p.214-221

Poem Title:

Of divine poesie two cantos

Attribution:

By Mr. Waller

Attributed To:

Edmund Waller

First Line:

Now I shall live indeed not by my skill

Page No:

p.222-225

Poem Title:

Answer to Mr. Waller

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

Here since it must be so take thy last look

Page No:

p.226-227

Poem Title:

The change.

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

Beauty my dear has such subduing charms

Page No:

p.228-236

Poem Title:

Excusing himself to his mistris for being jealous

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

Enough enough ye gods I need no more

Page No:

p.237-238

Poem Title:

Content

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

No flatter not nor me more constant call

Page No:

p.239-243

Poem Title:

The inconstant

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

So the loud tyrant of the winds does sweep

Page No:

p.244-245

Poem Title:

To Lucinda fanning her self

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

Be gone fond love I'll dote no more

Page No:

pp.246-247

Poem Title:

The resolve

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

Hold thy sweet voice while that commands my stay

Page No:

p.248-251

Poem Title:

Hold thy sweet voice while that commands my stay

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

Welcome dear heart oh welcome to my arms

Page No:

p.252-253

Poem Title:

'Welcome dear heart oh welcome to my arms'

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

We wish for happiness in vain

Page No:

p.254

Poem Title:

'We wish for happiness in vain'

Attribution:

By Charles How Esq.

Attributed To:

Charles How

First Line:

Soft sounds and gently raised lest some harsh sound

Page No:

p.256-257

Poem Title:

Soft sounds and gently raised lest some harsh sound

Attribution:

By the same

Attributed To:

Charles How

First Line:

Whilst you are listening to the shrill alarms

Page No:

p.258-259

Poem Title:

'Whilst you are listening to the shrill alarms'

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

When arts were but in embryo yet unknown

Page No:

p.260-262

Poem Title:

'When arts were but in embryo yet unknown '

Attribution:

By Mr. Johnson

Attributed To:

Not attributed

First Line:

Good heavens what shall I do

Page No:

Poem Title:

Good heavens what shall I do

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

Nay my Lucinda give not over

Page No:

p.264-265

Poem Title:

Kissing his mistris

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

What shall I do to learn some powerful art

Page No:

p.266-268

Poem Title:

Despair

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

Ah cruel nymph how canst thou punish me

Page No:

p.269-270

Poem Title:

To Lucinda

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

Now I can scorn the splendour of a crown

Page No:

p.271-272

Poem Title:

Embracing his mistris

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

No dearest I never fear I'll always be

Page No:

p.273-274

Poem Title:

The unalterable

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

Pardon thou brightest star throughout our skies

Page No:

p.275-282

Poem Title:

To Corinna excusing himself for not loving her

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

Go on fair maid persist in your disdain

Page No:

p.283

Poem Title:

To Lucinda

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

What shall I do to give my soul some rest

Page No:

pp.284-285

Poem Title:

The Captive

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

Tell me no more of soft harmonious spheres

Page No:

p.286-288

Poem Title:

On Lucinda's singing at church

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

No no bold heart forebear rather than speak

Page No:

p.287

Poem Title:

The Command

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

When first I saw Lucinda's face

Page No:

Poem Title:

The Convert

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

Who that ere fortune's traitorous smiles has try'ed

Page No:

pp.290-291

Poem Title:

Vicissitude

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

As they whom ranging fevers burn

Page No:

p.292

Poem Title:

The cure worse than the disease.

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

Hold hold my dear destroyer hold

Page No:

p.293

Poem Title:

The Denial

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

Joyn thy life breathing lips to mine

Page No:

pp.294-323

Poem Title:

The Royal Canticle or the Song of Solomon

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

Hector tho warned by an approaching cry

Page No:

pp.324-330

Poem Title:

The last parting of Hector with Andromache and his son Astyanax, when he went to assault the Grecians in their camp; in the end of which expedition he was slain by Achilles

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

When greatness from its throne and state

Page No:

pp.331-332

Poem Title:

To the late King at Kings Colledge

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

Tired that the insolence of love

Page No:

p.333-334

Poem Title:

Cupid armed A-la-modern

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

What strains at sacred Pisa's spring

Page No:

p.335-346

Poem Title:

An Ode in imitation of Pindar on the death of the Right Honourable Thomas Earl of Ossory

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

Oh could my labouring Muse a verse impart

Page No:

pp.346-347

Poem Title:

The Piscatory Eclogues of Sanazarius

Attribution:

By Mr. Tate Iscrib'd to Dr. Conquest

Attributed To:

Nahum Tate

First Line:

As late without the help of sail or oar

Page No:

p.347-354

Poem Title:

Lycidas and Micon

Attribution:

Not attributed

Attributed To:

Nahum Tate

First Line:

On the remotest angle of a rock

Page No:

pp.354-359

Poem Title:

The Second Eclogue, Lycon

Attribution:

By the same

Attributed To:

Nahum Tate

First Line:

For seven continued days the winds were high

Page No:

pp.359-365

Poem Title:

The third eclogue, Celadon Mopsus

Attribution:

By the same

Attributed To:

Nahum Tate

First Line:

Now with bolder sails I tempt the main

Page No:

p.366-372

Poem Title:

Proteus Eclogue the fourth

Attribution:

By W. Bowls Fellow of Kings Coll. Cambridge

Attributed To:

W. Bowls

First Line:

Begin the song your instruments advance

Page No:

p.373-375

Poem Title:

Ode for an anniversary of musick on St. Cecilia's Day

Attribution:

By Mr. Oldham

Attributed To:

John Oldham

First Line:

How an unusual but strong wind does bear

Page No:

p.376-377

Poem Title:

The twentieth ode of the second book of Horace

Attribution:

Not attributed

Attributed To:

Not attributed

First Line:

While Neptune in the Adriatic saw

Page No:

pp. 377.-378

Poem Title:

Sanaz. ep. on Venice

Attribution:

By Mr. Charles Hastings

Attributed To:

Not attributed

First Line:

When Tereus was with conquering lawrels crowned

Page No:

p.378-391

Poem Title:

The Rape of Philomel A Paraphrase of Ovid's Sixth Book

Attribution:

Mr Andrews

Attributed To:

Not attributed

First Line:

Deep waters silent roul so grief like mine

Page No:

p.392-393

Poem Title:

Elegy on the Earl of Rochester

Attribution:

By Mrs Wh-

Attributed To:

Anne Wharton [nee Lee]

First Line:

Fly swift ye sluggish hours and bring the day

Page No:

p.394-395

Poem Title:

On the Coronation of the High and Mighty Monarch James II

Attribution:

By Mr. Smith.

Attributed To:

Mr. Smith

First Line:

What makes a happy life oh what

Page No:

p.397

Poem Title:

Martial lib. 10. epigr. 47.

Attribution:

Mr Wilson

Attributed To:

Mr. Wilson

First Line:

Soul of the world time's rival music who

Page No:

pp.398-402

Poem Title:

A Pindarique Essay upon Musick

Attribution:

By the Same

Attributed To:

Mr. Wilson

First Line:

I care for neither prince nor state

Page No:

p.403

Poem Title:

Anacreon to Himself

Attribution:

By the Same

Attributed To:

Mr. Wilson

First Line:

Let others sing the Theban wars

Page No:

p.404

Poem Title:

Another

Attribution:

By the same

Attributed To:

Mr. Wilson

First Line:

Past his meridian was the sun each beam

Page No:

p.405-408

Poem Title:

Strada's Nightinglae

Attribution:

By the Same

Attributed To:

Mr. Wilson

First Line:

Less are the griefs we undergo

Page No:

p.409-411

Poem Title:

A translation of the fourth chorus in Seneca's Troas

Attribution:

By J. T

Attributed To:

Not attributed

First Line:

Let others sing of Mars and of his train

Page No:

p.411-412

Poem Title:

Lyricks. To Love.

Attribution:

By Ph. Ayres Esq.

Attributed To:

Philip Ayres

First Line:

O love who in my breast's most noble part

Page No:

p.412-413

Poem Title:

The Request

Attribution:

By the same

Attributed To:

Philip Ayres

First Line:

There is a tower from the flame's fury free

Page No:

pp.413-418

Poem Title:

Part of the last scene of Seneca's Troas done into English

Attribution:

By J.T

Attributed To:

J.T.

First Line:

Tis fallen the sacred pile is fallen and oh

Page No:

pp.418-445

Poem Title:

On the death of our late drea sovereign, Charles the second, of blessed and immortal memory

Attribution:

Not attributed

Attributed To:

Not attributed