Poems by several hands on several occasions [R22319]
- DMI number:
- 1736
- Publication Date:
- 1685
- ESTC number:
- R22319
- Shelfmark:
- EBBO
- Full Title:
- POEMS | BY | [g]Several Hands[/g] | AND ON | Several OCCASIONS | [rule] | Collected by [i]N. Tate[/i] | [rule] | [ornament] | [double rule] | [i]LONDON:[/i] | Printed for [i]J. Hindmarsh,[/i] at the [i]Golden Ball,[/i] | over against the [i]Royal Exchange[/i] in | [i]Cornhil,[/i] 1685
- Place of Publication:
- London
- Genres:
- Collection of 17th century verse, Collection of literary verse, Collection including drama, and Collection of translations/imitations
- Format:
- Octavo
- Pagination:
- 1-445 (pages 22-25 repeated after first page 25; 286 mispaginated as 287; 287 as 286)
- Dedicatee:
- Robert Leke
- Confidence:
- Absolute (100%)
- Comments:
- Epistle dedicatory to The Right honourable Robert Earl of Scarsdale, Baron Deincourt, Lord Lieutenant of Derbishire
- Editor:
- Nahum Tate
- Confidence:
- Absolute (100%)
- Comments:
- Publisher:
- Joseph Hindmarsh
- Confidence:
- Absolute (100%)
- Comments:
- First Line:
- What scorn appears in those fair eyes
- Page No:
- p.255
- Poem Title:
- 'What scorn appears in those fair eyes'
- Attribution:
- By the same
- Attributed To:
- Charles How
- First Line:
- Come poetry and with thee bring along
- Page No:
- pp.1-2
- Poem Title:
- An Ode written by Mr Abraham Cowley for Her Majesty, Queen to King Charles I
- Attribution:
- Mr Abraham Cowley
- Attributed To:
- Abraham Cowley
- First Line:
- Ah happy grove dark and secure retreat
- Page No:
- pp.3-5
- Poem Title:
- The Grove
- Attribution:
- Earl of Roscommon
- Attributed To:
- Wentworth Dillon
- First Line:
- Nothing thou elder brother even to shade
- Page No:
- pp.5-8
- Poem Title:
- Upon Nothing
- Attribution:
- the Late Earl of Rochester
- Attributed To:
- John Wilmot
- First Line:
- Tis not that I am weary grown
- Page No:
- pp.8-9
- Poem Title:
- Upon his leaving his Mistress
- Attribution:
- Earl of Rochester
- Attributed To:
- John Wilmot
- First Line:
- All my past life is mine no more
- Page No:
- p.10
- Poem Title:
- Love and Life - A song
- Attribution:
- late Earl of Rochester
- Attributed To:
- John Wilmot
- First Line:
- What means this tumult in my veins
- Page No:
- p.11-13
- Poem Title:
- To the late Earl of Rochester upon the Report of His Sickness in Town, being newly recovered by his Lordships Advice in the Country. In allusion to the Ode of Horace
- Attribution:
- Sir Francis Fane
- Attributed To:
- Sir Francis Fane
- First Line:
- Urge me not to be poorly great
- Page No:
- p.13-16
- Poem Title:
- To a great Lord inviting him to court, or else to write a History in the Country
- Attribution:
- late Earl of Rochester
- Attributed To:
- John Wilmot
- First Line:
- Fairest of fair ones swear again
- Page No:
- p.16-17
- Poem Title:
- To a perjured mistress
- Attribution:
- late Earl of Rochester
- Attributed To:
- John Wilmot
- First Line:
- Hale scared Cynthia mutable but chaste
- Page No:
- p.17-32
- Poem Title:
- A Mask made at the request of the late Earl of Rochester, for the Tragedy of Valentinian
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- All blots I cannot from my manners wipe
- Page No:
- pp.33-36
- Poem Title:
- From Ovid Amorum l.2 el. 4 and Lucretius l.4 That he loves women of all sorts and sizes
- Attribution:
- By Mr R.-
- Attributed To:
- Thomas Rymer
- First Line:
- Add all to man that man's perfection makes
- Page No:
- p.37-38
- Poem Title:
- To Dolorissa on her being like my lord Dorset
- Attribution:
- By Mr R.-
- Attributed To:
- Thomas Rymer
- First Line:
- Some say I for Olinda die
- Page No:
- p.38-39
- Poem Title:
- In imitation of the song, That I love none
- Attribution:
- By Olinda
- Attributed To:
- Olinda
- First Line:
- Come gentle love tis only thou
- Page No:
- p.39-44
- Poem Title:
- The Picture
- Attribution:
- By Mr. Adams
- Attributed To:
- Not attributed
- First Line:
- Thyrsis since we be together laid
- Page No:
- p.44-48
- Poem Title:
- A pastoral written at Dublin in May 1683
- Attribution:
- none
- Attributed To:
- Not attributed
- First Line:
- Let's live my Lesbia while we may
- Page No:
- p.48-49
- Poem Title:
- Vivamus mea Lesbia &c Catull.
- Attribution:
- By the same
- Attributed To:
- Not attributed
- First Line:
- No faith no I will not now
- Page No:
- p.50-51
- Poem Title:
- Song
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Spare gentle beast ah spare my lovely boy
- Page No:
- p.51-53
- Poem Title:
- Parce me Juveni &c. Tibullus
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- What horrid crime did gentle sleep displease
- Page No:
- p.53-54
- Poem Title:
- A translation out of Statius. To sleep
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Great knowing hero who dares boast
- Page No:
- p.55-57
- Poem Title:
- The Atheist
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Beneath a gloomy yew's unhealthy shade
- Page No:
- p.57-64
- Poem Title:
- A pastoral reflexion on death. Strephon and Damon
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- The Persian bravery I hate
- Page No:
- p.64
- Poem Title:
- Horatii Ode 28. Lib. 1. Persicos odi puer apparatus
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Whither do ye rush with impious haste
- Page No:
- p.65-66
- Poem Title:
- Horatii epode 1 ad populum romanum quo quo scelesti ruitis &c
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Water I could never endure
- Page No:
- p.67-70
- Poem Title:
- The Fly
- Attribution:
- Mr. P. Ayres
- Attributed To:
- Philip Ayres
- First Line:
- Wilt thou not cease at my desire
- Page No:
- p.70-72
- Poem Title:
- To the Nightingale
- Attribution:
- Mr P. Ayres
- Attributed To:
- Philip Ayres
- First Line:
- Ye winds that in your hasty flight
- Page No:
- p.73-74
- Poem Title:
- To the Winds
- Attribution:
- Mr P. Ayres
- Attributed To:
- Not attributed
- First Line:
- Upon a bough hung trembling over a spring
- Page No:
- p.75-76
- Poem Title:
- On a Nightingale that was drowned
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Whoever a Lover is of art
- Page No:
- p.76-79
- Poem Title:
- Love's New Philosophy
- Attribution:
- Attributed To:
- Philip Ayres
- First Line:
- Oh how does my dear Eschines oh how
- Page No:
- p.80-85
- Poem Title:
- Cynisca or the fourth idyllium of Theocritus imitated
- Attribution:
- W. Bowles, Fellow of Kings Coll. Cambr.
- Attributed To:
- William Bowles
- First Line:
- The gods are not more blest than he
- Page No:
- p.85-86
- Poem Title:
- Sapho's Ode out of Longinus
- Attribution:
- Attributed To:
- William Bowles
- First Line:
- Lyce the gods have heard my prayer
- Page No:
- p.87-89
- Poem Title:
- Ode 13 of the fourth book of Horace
- Attribution:
- No attribution
- Attributed To:
- Not attributed
- First Line:
- Envy how darst thou say that I in vain
- Page No:
- p.90-93
- Poem Title:
- The immortality of poesie ... To envy Ovid. Amor. lib. 1. Eleg. 15
- Attribution:
- Mr Evelyn
- Attributed To:
- John Evelyn
- First Line:
- Dear friend till now I never knew
- Page No:
- p.95-99
- Poem Title:
- To Mr. &c
- Attribution:
- By the same
- Attributed To:
- John Evelyn
- First Line:
- Lidia I conjure you say
- Page No:
- p.99-100
- Poem Title:
- Out of Horace Ode.8. l.1 Lidia dic per omnes
- Attribution:
- By the same
- Attributed To:
- John Evelyn
- First Line:
- On Hebrus bank as Orpheus sate
- Page No:
- p.100-101
- Poem Title:
- The Punishment
- Attribution:
- By the same
- Attributed To:
- John Evelyn
- First Line:
- The princes sat whom martial throngs inclosed
- Page No:
- p.101-102
- Poem Title:
- Part of Ajax's speech Ovid Metam. l.13
- Attribution:
- By the same
- Attributed To:
- John Evelyn
- First Line:
- Neptune saw Venice on the Adria stand
- Page No:
- pp.102-3
- Poem Title:
- Out of Sannazar
- Attribution:
- By the same
- Attributed To:
- John Evelyn
- First Line:
- Would you be quite cured of love
- Page No:
- pp.103-7
- Poem Title:
- Remedy of Love
- Attribution:
- By the same
- Attributed To:
- John Evelyn
- First Line:
- Fair virtue should I follow thee
- Page No:
- p.108-110
- Poem Title:
- To Mr. S. G
- Attribution:
- By the same
- Attributed To:
- John Evelyn
- First Line:
- Tell me Damon lovely swain
- Page No:
- p.111-114
- Poem Title:
- A gentleman going to his country farm which he had not seen for some time before at the request of a fair lady writes these verses
- Attribution:
- By the same
- Attributed To:
- John Evelyn
- First Line:
- Nay surely men in love have much the start
- Page No:
- p.115-120
- Poem Title:
- Whether in love men or women have the advantage, they in making or these in receiving their court; considered in a dialogue between Corinna and Lais
- Attribution:
- Written by Mr. C. M.
- Attributed To:
- Not attributed
- First Line:
- Gods this is great these these are they
- Page No:
- p.120-121
- Poem Title:
- On the Lords rejecting the Bill of Exclusion November the 15th 1680
- Attribution:
- None
- Attributed To:
- Not attributed
- First Line:
- And is he dead is he already dead
- Page No:
- p.122-124
- Poem Title:
- Elegy
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Tell me some antiquary who has heard
- Page No:
- p.124-126
- Poem Title:
- On the romantick office of credit proposed by Dr. C. and his partners An. Dom. 1682
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- When on his banks majestic Pan he espied
- Page No:
- p.126-127
- Poem Title:
- Occasioned by a sight of his majesty walking near the river in the time of the Oxford parliament
- Attribution:
- No attribution
- Attributed To:
- Not attributed
- First Line:
- Caelia tho your conquering eyes
- Page No:
- Poem Title:
- Caelia
- Attribution:
- No attribution
- Attributed To:
- Not attributed
- First Line:
- Henceforth brave souls you who would fain repair
- Page No:
- p.129-131
- Poem Title:
- To a gentleman his friend who could decipher any character To a gentleman his friend who could decipher any character
- Attribution:
- No attribution
- Attributed To:
- Not attributed
- First Line:
- Business awake it poisons all my joys
- Page No:
- p.131-134
- Poem Title:
- Business
- Attribution:
- No attribution
- Attributed To:
- Not attributed
- First Line:
- Then heaven has heard my prayers at last
- Page No:
- p.135-137
- Poem Title:
- Then heaven has heard my prayers at last
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- When his murmurs first did reach my ear
- Page No:
- p.137-138
- Poem Title:
- ON a fair lady singing
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- When long I'd been with dreadful ills oppressed
- Page No:
- p.138-139
- Poem Title:
- The recantation not accepted
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- Let's live my Lesbia whilst we may
- Page No:
- p.140
- Poem Title:
- Let's live my Lesbia whilst we may
- Attribution:
- Not attributed
- Attributed To:
- Catullus
- First Line:
- Forgive me heaven if I now accuse
- Page No:
- p.141-142
- Poem Title:
- On Caelia's Sickness
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- The godlike she shall still possess
- Page No:
- p.142-143
- Poem Title:
- A Song
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- Tis but a little space we have
- Page No:
- p.143-145
- Poem Title:
- Life
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- I see my error plainly now for I
- Page No:
- p.145
- Poem Title:
- To a much-admired lady
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- When your transcendent worth I would commend
- Page No:
- p.146-147
- Poem Title:
- To a very accomplished lady
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- In vain you keep your sorrow fresh with tears
- Page No:
- p.148-149
- Poem Title:
- To the same immoderately mourning the death of a relation
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- Farewell fond pleasures I disdain
- Page No:
- p.149-150
- Poem Title:
- Secret Grief
- Attribution:
- Not Attributed
- Attributed To:
- Not attributed
- First Line:
- The muses and the muse inspired crew
- Page No:
- p.151-157
- Poem Title:
- The Graces or Hieron Theocriti Idyll. 16.
- Attribution:
- Translated by Sir Edward Sherborn
- Attributed To:
- Not attributed
- First Line:
- I like the youth that does improve
- Page No:
- Poem Title:
- AGE
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- Tho in pale whites my face appear
- Page No:
- Poem Title:
- Age
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Fill up the glass when I drink deep
- Page No:
- p.160
- Poem Title:
- Drinking
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- To sing of Mars and his heroic trains
- Page No:
- p.161-163
- Poem Title:
- The First elegy of Ovid's amorum translated into English The First elegy of Ovid's amorum translated into English
- Attribution:
- By Mr Ballow Fellow of King's Colledge Cambridge
- Attributed To:
- Henry Ballow
- First Line:
- What's this that thus of sleep bereaves my night
- Page No:
- p.164-166
- Poem Title:
- Elegy II
- Attribution:
- Attributed To:
- Henry Ballow
- First Line:
- Great goddess Venus hearken to a prayer
- Page No:
- p.167-168
- Poem Title:
- Elegy III
- Attribution:
- By the same
- Attributed To:
- Henry Ballow
- First Line:
- Your husband too with us is bid a guest
- Page No:
- p.169-172
- Poem Title:
- Elegy 4
- Attribution:
- By the same
- Attributed To:
- Henry Ballow
- First Line:
- One day in summer about twelve at noon
- Page No:
- p.173-174
- Poem Title:
- Elegy V.
- Attribution:
- By the same
- Attributed To:
- Henry Ballow
- First Line:
- When first of arms and bloody wars I writ
- Page No:
- p.175-177
- Poem Title:
- Libri primi .amor. elegia prima
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- What can this mean what makes my
- Page No:
- p.178-181
- Poem Title:
- Libri primi elegia secunda
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- I ask no more than that the fair I love
- Page No:
- p.182-183
- Poem Title:
- Libri primi elegia tertia
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- When dearest friend oh when shall I be blest
- Page No:
- p.186-189
- Poem Title:
- To Mr R. D. at Cambridge
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- The melting lute is on the willows hung
- Page No:
- p.190-192
- Poem Title:
- The Soldier.
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- Tune tune my strings divine harmonious love
- Page No:
- p.193-213
- Poem Title:
- Philander and Eirene
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- Poets we praise when in their verse we find
- Page No:
- p.214-221
- Poem Title:
- Of divine poesie two cantos
- Attribution:
- By Mr. Waller
- Attributed To:
- Edmund Waller
- First Line:
- Now I shall live indeed not by my skill
- Page No:
- p.222-225
- Poem Title:
- Answer to Mr. Waller
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- Here since it must be so take thy last look
- Page No:
- p.226-227
- Poem Title:
- The change.
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- Beauty my dear has such subduing charms
- Page No:
- p.228-236
- Poem Title:
- Excusing himself to his mistris for being jealous
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- Enough enough ye gods I need no more
- Page No:
- p.237-238
- Poem Title:
- Content
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- No flatter not nor me more constant call
- Page No:
- p.239-243
- Poem Title:
- The inconstant
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- So the loud tyrant of the winds does sweep
- Page No:
- p.244-245
- Poem Title:
- To Lucinda fanning her self
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- Be gone fond love I'll dote no more
- Page No:
- pp.246-247
- Poem Title:
- The resolve
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- Hold thy sweet voice while that commands my stay
- Page No:
- p.248-251
- Poem Title:
- Hold thy sweet voice while that commands my stay
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- Welcome dear heart oh welcome to my arms
- Page No:
- p.252-253
- Poem Title:
- 'Welcome dear heart oh welcome to my arms'
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- We wish for happiness in vain
- Page No:
- p.254
- Poem Title:
- 'We wish for happiness in vain'
- Attribution:
- By Charles How Esq.
- Attributed To:
- Charles How
- First Line:
- Soft sounds and gently raised lest some harsh sound
- Page No:
- p.256-257
- Poem Title:
- Soft sounds and gently raised lest some harsh sound
- Attribution:
- By the same
- Attributed To:
- Charles How
- First Line:
- Whilst you are listening to the shrill alarms
- Page No:
- p.258-259
- Poem Title:
- 'Whilst you are listening to the shrill alarms'
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- When arts were but in embryo yet unknown
- Page No:
- p.260-262
- Poem Title:
- 'When arts were but in embryo yet unknown '
- Attribution:
- By Mr. Johnson
- Attributed To:
- Not attributed
- First Line:
- Good heavens what shall I do
- Page No:
- Poem Title:
- Good heavens what shall I do
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- Nay my Lucinda give not over
- Page No:
- p.264-265
- Poem Title:
- Kissing his mistris
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- What shall I do to learn some powerful art
- Page No:
- p.266-268
- Poem Title:
- Despair
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- Ah cruel nymph how canst thou punish me
- Page No:
- p.269-270
- Poem Title:
- To Lucinda
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- Now I can scorn the splendour of a crown
- Page No:
- p.271-272
- Poem Title:
- Embracing his mistris
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- No dearest I never fear I'll always be
- Page No:
- p.273-274
- Poem Title:
- The unalterable
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- Pardon thou brightest star throughout our skies
- Page No:
- p.275-282
- Poem Title:
- To Corinna excusing himself for not loving her
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- Go on fair maid persist in your disdain
- Page No:
- p.283
- Poem Title:
- To Lucinda
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- What shall I do to give my soul some rest
- Page No:
- pp.284-285
- Poem Title:
- The Captive
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- Tell me no more of soft harmonious spheres
- Page No:
- p.286-288
- Poem Title:
- On Lucinda's singing at church
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- No no bold heart forebear rather than speak
- Page No:
- p.287
- Poem Title:
- The Command
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- When first I saw Lucinda's face
- Page No:
- Poem Title:
- The Convert
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- Who that ere fortune's traitorous smiles has try'ed
- Page No:
- pp.290-291
- Poem Title:
- Vicissitude
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- As they whom ranging fevers burn
- Page No:
- p.292
- Poem Title:
- The cure worse than the disease.
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- Hold hold my dear destroyer hold
- Page No:
- p.293
- Poem Title:
- The Denial
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- Joyn thy life breathing lips to mine
- Page No:
- pp.294-323
- Poem Title:
- The Royal Canticle or the Song of Solomon
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- Hector tho warned by an approaching cry
- Page No:
- pp.324-330
- Poem Title:
- The last parting of Hector with Andromache and his son Astyanax, when he went to assault the Grecians in their camp; in the end of which expedition he was slain by Achilles
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- When greatness from its throne and state
- Page No:
- pp.331-332
- Poem Title:
- To the late King at Kings Colledge
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- Tired that the insolence of love
- Page No:
- p.333-334
- Poem Title:
- Cupid armed A-la-modern
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- What strains at sacred Pisa's spring
- Page No:
- p.335-346
- Poem Title:
- An Ode in imitation of Pindar on the death of the Right Honourable Thomas Earl of Ossory
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- Oh could my labouring Muse a verse impart
- Page No:
- pp.346-347
- Poem Title:
- The Piscatory Eclogues of Sanazarius
- Attribution:
- By Mr. Tate Iscrib'd to Dr. Conquest
- Attributed To:
- Nahum Tate
- First Line:
- As late without the help of sail or oar
- Page No:
- p.347-354
- Poem Title:
- Lycidas and Micon
- Attribution:
- Not attributed
- Attributed To:
- Nahum Tate
- First Line:
- On the remotest angle of a rock
- Page No:
- pp.354-359
- Poem Title:
- The Second Eclogue, Lycon
- Attribution:
- By the same
- Attributed To:
- Nahum Tate
- First Line:
- For seven continued days the winds were high
- Page No:
- pp.359-365
- Poem Title:
- The third eclogue, Celadon Mopsus
- Attribution:
- By the same
- Attributed To:
- Nahum Tate
- First Line:
- Now with bolder sails I tempt the main
- Page No:
- p.366-372
- Poem Title:
- Proteus Eclogue the fourth
- Attribution:
- By W. Bowls Fellow of Kings Coll. Cambridge
- Attributed To:
- W. Bowls
- First Line:
- Begin the song your instruments advance
- Page No:
- p.373-375
- Poem Title:
- Ode for an anniversary of musick on St. Cecilia's Day
- Attribution:
- By Mr. Oldham
- Attributed To:
- John Oldham
- First Line:
- How an unusual but strong wind does bear
- Page No:
- p.376-377
- Poem Title:
- The twentieth ode of the second book of Horace
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
- First Line:
- While Neptune in the Adriatic saw
- Page No:
- pp. 377.-378
- Poem Title:
- Sanaz. ep. on Venice
- Attribution:
- By Mr. Charles Hastings
- Attributed To:
- Not attributed
- First Line:
- When Tereus was with conquering lawrels crowned
- Page No:
- p.378-391
- Poem Title:
- The Rape of Philomel A Paraphrase of Ovid's Sixth Book
- Attribution:
- Mr Andrews
- Attributed To:
- Not attributed
- First Line:
- Deep waters silent roul so grief like mine
- Page No:
- p.392-393
- Poem Title:
- Elegy on the Earl of Rochester
- Attribution:
- By Mrs Wh-
- Attributed To:
- Anne Wharton [nee Lee]
- First Line:
- Fly swift ye sluggish hours and bring the day
- Page No:
- p.394-395
- Poem Title:
- On the Coronation of the High and Mighty Monarch James II
- Attribution:
- By Mr. Smith.
- Attributed To:
- Mr. Smith
- First Line:
- What makes a happy life oh what
- Page No:
- p.397
- Poem Title:
- Martial lib. 10. epigr. 47.
- Attribution:
- Mr Wilson
- Attributed To:
- Mr. Wilson
- First Line:
- Soul of the world time's rival music who
- Page No:
- pp.398-402
- Poem Title:
- A Pindarique Essay upon Musick
- Attribution:
- By the Same
- Attributed To:
- Mr. Wilson
- First Line:
- I care for neither prince nor state
- Page No:
- p.403
- Poem Title:
- Anacreon to Himself
- Attribution:
- By the Same
- Attributed To:
- Mr. Wilson
- First Line:
- Let others sing the Theban wars
- Page No:
- p.404
- Poem Title:
- Another
- Attribution:
- By the same
- Attributed To:
- Mr. Wilson
- First Line:
- Past his meridian was the sun each beam
- Page No:
- p.405-408
- Poem Title:
- Strada's Nightinglae
- Attribution:
- By the Same
- Attributed To:
- Mr. Wilson
- First Line:
- Less are the griefs we undergo
- Page No:
- p.409-411
- Poem Title:
- A translation of the fourth chorus in Seneca's Troas
- Attribution:
- By J. T
- Attributed To:
- Not attributed
- First Line:
- Let others sing of Mars and of his train
- Page No:
- p.411-412
- Poem Title:
- Lyricks. To Love.
- Attribution:
- By Ph. Ayres Esq.
- Attributed To:
- Philip Ayres
- First Line:
- O love who in my breast's most noble part
- Page No:
- p.412-413
- Poem Title:
- The Request
- Attribution:
- By the same
- Attributed To:
- Philip Ayres
- First Line:
- There is a tower from the flame's fury free
- Page No:
- pp.413-418
- Poem Title:
- Part of the last scene of Seneca's Troas done into English
- Attribution:
- By J.T
- Attributed To:
- J.T.
- First Line:
- Tis fallen the sacred pile is fallen and oh
- Page No:
- pp.418-445
- Poem Title:
- On the death of our late drea sovereign, Charles the second, of blessed and immortal memory
- Attribution:
- Not attributed
- Attributed To:
- Not attributed
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