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9841. Where should a lover hide his joys

First Line:: Where should a lover hide his joys
Last Line:: That with less saucy freedom we may touch the rose
Author:: Aphra Behn (Absolute)
DMI number:: 2865

9842. Where sits the offence

First Line:: Where sits the offence
Last Line:: Let the fault's punishment be derived from thence
DMI number:: 40698

9843. Where solid pains succeed our senseless joys

First Line:: Where solid pains succeed our senseless joys
Last Line:: And short-lived pleasures pass like fleeting dreams
Author:: John Wilmot (Absolute)
DMI number:: 21636

9844. Where some time stood the beauty of this face

First Line:: Where some time stood the beauty of this face
Last Line:: My light is darkness and my darkness light
Author:: Michael Drayton (Absolute)
DMI number:: 13762

9845. Where the prime actors of the last year's scene

First Line:: Where the prime actors of the last year's scene
Last Line:: And the vast void beyond applause resounds
Author:: Edward Young (Absolute)
DMI number:: 31880

9846. Where the victory can reap

First Line:: Where the victory can reap
Last Line:: A harvest crowned with triumph toil is cheap
Author:: John Ford (Absolute)
DMI number:: 15688

9847. Where there's

First Line:: Where there's
Last Line:: Her hand yet peace dwells in her face
Author:: Henry Killigrew (Absolute)
DMI number:: 13540

9848. Where titles presume to thrust before fit

First Line:: Where titles presume to thrust before fit
Last Line:: Often grow sullen and will not follow
DMI number:: 41279

9849. While the sad tale with accents sweet

First Line:: While the sad tale with accents sweet
Last Line:: And no returns of pity need
Author:: Josiah Relph (Absolute)
DMI number:: 30514

9850. While they astonished heard the king relate

First Line:: While they astonished heard the king relate
Last Line:: Grants his request and expiates his crime
Author:: Samuel Croxall (Confident)
DMI number:: 11917

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