The Musical Miscellany [v. 6] [?not Suarez?] [T118842] [ecco]
- DMI number:
- 76
- Publication Date:
- 1731
- Volume Number:
- 6 of 6
- ESTC number:
- T118842
- EEBO/ECCO link:
- CW3306641467
- Shelfmark:
- BOD Douce M. 606
- Full Title:
- THE MUSICAL | MISCELLANY; | [i]Being a[/i] COLLECTION [i]of[/i] | CHOICE SONGS, | AND | LYRICK POEMS: | [i]With the[/i] BASSES [i]to each[/i] TUNE, [i]and | Transpos'd for the[/i] FLUTE. | By the most Eminent MASTERS. | [rule] | [ornament] | [rule] | VOLUME [i]the[/i] SIXTH. | [rule] | LONDON: | [i]Printed by and for[/i] JOHN WATTS, [i]at the[/i] Printing- | Office [i]in[/i] Wild-Court [i]near[/i] Lincoln's-Inn Fields. | [short rule] | MDCCXXXI.
- Place of Publication:
- London
- Genres:
- Collection including musical notation and Collection of songs
- Format:
- Octavo
- Pagination:
- 0
- Bibliographic details:
- Engraved frontispiece. Titlepage in red and black.
- Other matter:
- Table of Contents [8pp.] List of Books printed for J. Watts [4pp.]
- Title:
- The Musical Miscellany [v. 5] [?not Suarez?] [T118842] [ecco]
- Publication Date:
- 1731
- ESTC No:
- T118842
- Volume:
- 5 of 6
- Relationship:
- Volume from the same edition
- Comments:
- Title:
- The Musical Miscellany [v.3] [not Suarez?] [T118842] [ecco]
- Publication Date:
- 1730
- ESTC No:
- T118842
- Volume:
- 3 of 6
- Relationship:
- Volume from the same edition
- Comments:
- Title:
- The Musical Miscellany [v.4] [?not Suarez?] [T118842] [ecco]
- Publication Date:
- 1730
- ESTC No:
- T118842
- Volume:
- 4 of 6
- Relationship:
- Volume from the same edition
- Comments:
- Publisher:
- John Watts
- Confidence:
- Absolute (100%)
- Comments:
- 'Printed by and for John Watts, at the Printing Office in Wild-Court near Lincoln's-Inn Fields'.
- First Line:
- Celia hence with affectation
- Page No:
- Poem Title:
- To the foregoing Tune
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- The charms that blooming beauty shows
- Page No:
- pp.1-2
- Poem Title:
- The Charms of Beauty. Set by Mr. Abdiel Whichello.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Bend down you trees your homage pay
- Page No:
- pp.3-4
- Poem Title:
- Flora's Approach...Set by Mr. J. Sheeles
- Attribution:
- By Mr. Baker
- Attributed To:
- Henry Baker
- First Line:
- To rack my soul or give me joy
- Page No:
- pp.4-5
- Poem Title:
- To Flora. ... To the foregoing Tune
- Attribution:
- By the same Hand [i.e. Baker]
- Attributed To:
- Henry Baker
- First Line:
- While blooming youth and gay delight
- Page No:
- pp.6-9
- Poem Title:
- An Ode. Set by Dr. Green
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Hark hark methinks I hear the seamen call
- Page No:
- pp.10-11
- Poem Title:
- Castabella going to Sea. Set by Dr. Pepusch
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Take oh take those lips away
- Page No:
- pp.12-13
- Poem Title:
- Set by Mr. Galliard
- Attribution:
- Words by Mr. W. Shakespeare.
- Attributed To:
- William Shakespeare
- First Line:
- To you who live at home in ease
- Page No:
- pp.14-16
- Poem Title:
- The Faithful Mariner. Set by Mr. Leveridge.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Chloe why so long denying
- Page No:
- pp.17-18
- Poem Title:
- Advice to Cloe. A Minuet. By Mr. Dieupart.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- See Hymen comes how his torch blazes
- Page No:
- pp.18-19
- Poem Title:
- To the foregoing tune
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- To silent groves where weeping yew
- Page No:
- pp.20-23
- Poem Title:
- The Pangs of Forsaken Love. Set by Dr. Green.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- With every lady in the land
- Page No:
- pp.24-25
- Poem Title:
- Strephon and Flavia. Set by Dr. Pepusch.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Let the anxious coxcomb adore a fair face
- Page No:
- pp.26-28
- Poem Title:
- The Jolly Full Bowl. Set by Mr. Monro.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- How happy am I
- Page No:
- pp.28-29
- Poem Title:
- To the foregoing Tune
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Gentle gales that fan the may
- Page No:
- pp.30-32
- Poem Title:
- The Words translated from the Italian Opera of Pharnaces. Set by Mr. J. Sheeles.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- How pleasant a sailor's life passes
- Page No:
- pp.33-35
- Poem Title:
- The Sailor's Ballad. Sung by Mr. Legar, in Perseus and Andromeda
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- While the town agrees that Polly
- Page No:
- pp.36-37
- Poem Title:
- A Song in Praise of Polly. Set by Mr. Monroe.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Hark Lucinda to the wooing
- Page No:
- pp.38-39
- Poem Title:
- To the foregoing Tune
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Leave off this idle prating
- Page No:
- pp.40-41
- Poem Title:
- Love and Friendship
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Let a set of sober asses
- Page No:
- pp.42-43
- Poem Title:
- Sung in the Comedy call'd, Rape upon Rape. To the foregoing Tune.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Happy is a country life
- Page No:
- pp.44-45
- Poem Title:
- The Country Life
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- He whose active thoughts disdain
- Page No:
- pp.46-48
- Poem Title:
- To the foregoing Tune
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Phillis talk no more of passion
- Page No:
- pp.49-50
- Poem Title:
- The Reproach. Set By Mr. Monro.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Come love let us join
- Page No:
- pp.52-55
- Poem Title:
- Roger and Cicely
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Fair Venus they say
- Page No:
- pp.55-57
- Poem Title:
- Cupid turn'd Tinker. To the foregoing Tune.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Tell me Hamilla tell me why
- Page No:
- pp.58-59
- Poem Title:
- To Hamilla. In Imitation of Horace, Book I. Ode XXIII. To the Tune of Logan Water.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Trade's awry and so am I
- Page No:
- pp.60-62
- Poem Title:
- Punchinello
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Phillis as her wine she sipped in
- Page No:
- pp.63-64
- Poem Title:
- The Double Entendre.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- For the brook and the willow
- Page No:
- pp.65-67
- Poem Title:
- Eloisa's Complaint
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Maidens beware ye
- Page No:
- pp.68-69
- Poem Title:
- Advice
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Of all the girls in our town
- Page No:
- pp.70-71
- Poem Title:
- The Coal-Black Joak
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Inspired by interest or passions or whims
- Page No:
- pp.72-73
- Poem Title:
- The Nut-Brown Joke: or, K--y's Magick Circle. To the foregoing tune
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Fly me not Silvia why do you fly me
- Page No:
- pp.74-75
- Poem Title:
- Sung in the Opera of Vespasian
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Celia my dearest no longer depress me
- Page No:
- p.75
- Poem Title:
- To the foregoing Tune
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Beneath a green shade I fand a fair maid
- Page No:
- pp.76-78
- Poem Title:
- The Mill, Mill --- o
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Insult no longer cruel fair
- Page No:
- pp.79-80
- Poem Title:
- To Flora...Set by Mr. Whichello
- Attribution:
- Words by Mr. Baker
- Attributed To:
- Henry Baker
- First Line:
- You meaner beauties of the night
- Page No:
- pp.80-81
- Poem Title:
- To the foregoing Tune
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Gay Myra toast of all the town
- Page No:
- pp.82-85
- Poem Title:
- The White Joak. Sung by Mrs. Roberts at the Theatre in Drury-Lane.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Give me a lass with a lump of land
- Page No:
- pp.86-87
- Poem Title:
- A Lass with a Lump of Land
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- By the mole on your bubbies so round and so white
- Page No:
- pp.88-89
- Poem Title:
- The Gallant Schemer's Petition to the Honourable Mrs. F---s.. ... Set by Mr. J. Sheeles.
- Attribution:
- Words by the Earl of ---.
- Attributed To:
- Not attributed
- First Line:
- Wanton Cupid cease to hover
- Page No:
- pp.90-91
- Poem Title:
- Set by the late Mr. D. Purcell
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- The sweet rosy morning peeps over the hills
- Page No:
- pp.92-93
- Poem Title:
- The Hunting Song in Apollo and Daphne
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- In the town of Warwickshire
- Page No:
- pp.94-96
- Poem Title:
- Comely Patty ... To the Tune of The Lass of Patie's Mill.
- Attribution:
- By Mr. W. Bedingfield.
- Attributed To:
- W. Bedingfield
- First Line:
- Now as I live I love thee much
- Page No:
- pp.97-98
- Poem Title:
- The Protestation. The Musick by Mr. Trevers.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Stand still ye floods do not deface
- Page No:
- pp.98-99
- Poem Title:
- On Sight of a Lady's Face in the Water. To the foregoing Tune
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- When Strephon first did try
- Page No:
- pp.100-101
- Poem Title:
- Strephon and Celia
- Attribution:
- By the Reverend Mr. Geo. Arnet
- Attributed To:
- George Arnet
- First Line:
- Myra reflect how oft the year
- Page No:
- pp.102-104
- Poem Title:
- The New Year's Gift. Set by Mr. Dieupart.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- She comes in vain the winds and snows
- Page No:
- pp.104-105
- Poem Title:
- To Lucia returning in the Snow. To the foregoing Tune.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- A swain of love despairing
- Page No:
- pp.106-108
- Poem Title:
- The Despairing Lover. Set by Mr. Potter.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- As when on mountain heads
- Page No:
- pp.108-109
- Poem Title:
- To the foregoing Tune
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- My soger laddie is over the sea
- Page No:
- pp.110-111
- Poem Title:
- The Soger Laddie
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- For a lovely bright nymph that's cruel as fair
- Page No:
- p.112
- Poem Title:
- To the foregoing Tune
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Gaffer and Gammer were fast in their nest
- Page No:
- pp.113-115
- Poem Title:
- Set by Mr. Leveridge.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- A starving life all day we lead
- Page No:
- pp.116-118
- Poem Title:
- The Prisoner's Song
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- I never loved but one fair maid
- Page No:
- pp.118-119
- Poem Title:
- The Revenge. To the foregoing Tune
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Europa fair love's chiefest care
- Page No:
- pp.120-121
- Poem Title:
- A Favourite Minuet in the Entertainment of Jupiter and Europa
- Attribution:
- The Words by Mr Leveridge.
- Attributed To:
- Richard Leveridge
- First Line:
- Old poets have told us when they were grown mellow
- Page No:
- pp.122-125
- Poem Title:
- Set by Mr. Leveridge.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Beneath a beech's grateful shade
- Page No:
- pp.126-128
- Poem Title:
- Tune, The bonniest Lass in all the World.
- Attribution:
- By David Rizzio
- Attributed To:
- David Rizzio
- First Line:
- Vain Belinda are your wiles
- Page No:
- pp.129-130
- Poem Title:
- Sung by Mr. Burney in the Temple Beau. Set by Mr. Monro.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Poor Damon full of amorous smart
- Page No:
- pp.130-131
- Poem Title:
- Tit for Tat. ... To the foregoing Tune
- Attribution:
- By Mr. William Bedingfield.
- Attributed To:
- W. Bedingfield
- First Line:
- Black white yellow or red
- Page No:
- pp.132-135
- Poem Title:
- Fancy's All: or, Joan as good as my Lady. Tune Lesley's March. By David Rizzio.
- Attribution:
- The Words by Mr. Mitchell
- Attributed To:
- Joseph Mitchell
- First Line:
- I'll tell you a story a story that's true
- Page No:
- pp.136-141
- Poem Title:
- The Snipe. ... To the Tune of, A Cobler there was, &c.
- Attribution:
- By a Gentleman of Magdalen-College, Oxford.
- Attributed To:
- Not attributed
- First Line:
- A heart that's bleeding with deep despair
- Page No:
- pp.142--144
- Poem Title:
- The Folly of Despair
- Attribution:
- Set by Mr. Abdiel Whicello
- Attributed To:
- Not attributed
- First Line:
- I am a jolly huntsman
- Page No:
- pp.145-151
- Poem Title:
- The Stag Chace
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Ye nymphs of Britain to whose eyes
- Page No:
- pp.152-153
- Poem Title:
- A Song in the Comedy call'd, Love in several Masques. Set by Mr. Abiel Whichello.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Oft I'm by the women told
- Page No:
- pp.154-157
- Poem Title:
- Old Age. The Words from Anacreon. Set by Mr. Leveridge.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Wanton Chloe young and charming
- Page No:
- pp.158-159
- Poem Title:
- The Coquet and the Prude. Set by Mr. Dieupart.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Such is the force of love divine
- Page No:
- pp.159-160
- Poem Title:
- To the foregoing Tune
- Attribution:
- The Words by Mr. Mitchell.
- Attributed To:
- Joseph Mitchell
- First Line:
- Fame of Dorinda's conquests brought
- Page No:
- pp.161-162
- Poem Title:
- Dorinda. ... Set by Dr. Pepusch
- Attribution:
- By John Hughes, Esq.
- Attributed To:
- John Hughes
- First Line:
- I die with too transporting joy
- Page No:
- p.162
- Poem Title:
- To the foregoing Tune
- Attribution:
- By the same Hand [i.e. Hughes]
- Attributed To:
- John Hughes
- First Line:
- When gentle Parthenissa walks
- Page No:
- p.163
- Poem Title:
- To the foregoing Tune
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Thus Kitty beautiful and young
- Page No:
- pp.164-166
- Poem Title:
- The Female Phaeton. Set by Mr. Dieupart
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- When Chloe was by Damon seen
- Page No:
- pp.166-167
- Poem Title:
- To the foregoing Tune
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Cosmelia's charms inspire my lays
- Page No:
- pp.168-169
- Poem Title:
- Cosmelia.
- Attribution:
- By James Moore, Esq;
- Attributed To:
- Smythe||James Moore [alias Moore||James]
- First Line:
- Come take up your burthen ye dogs and away
- Page No:
- pp.170-173
- Poem Title:
- A Dialogue between a Beau's Head and his Heels, taken from their Mouths as they were spoke at St. James's Coffee-House. ... To the Tune of, Dear Catholic Brother.
- Attribution:
- By Mr. Fielding
- Attributed To:
- Henry Fielding
- First Line:
- How happy are we now the wind is abast
- Page No:
- pp.174-176
- Poem Title:
- A Two-Part Song.
- Attribution:
- By Mr. Bedford Aldrich
- Attributed To:
- Bedford Aldrich
- First Line:
- A lovely lass to a friar came
- Page No:
- pp.177-178
- Poem Title:
- The Fryar and the Nun
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- How do they err who throw their love
- Page No:
- pp.178-179
- Poem Title:
- To the foregoing Tune
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Free from the tumults and the noise
- Page No:
- pp.180-181
- Poem Title:
- Retirement. Set by Mr. Dieupart.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Jolly mortals fill your glasses
- Page No:
- pp.182-183
- Poem Title:
- Set by Mr. Galliard
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Dame Jane a sprightly nun and gay
- Page No:
- pp.184-186
- Poem Title:
- The Penitent Nun ...Set by the late Mr. Haym
- Attribution:
- The Words by Mr. Lockman
- Attributed To:
- John Lockman
- First Line:
- To me you made a thousand vows
- Page No:
- pp.186-187
- Poem Title:
- A Dialogue between a Man and his Wife. To the foregoing Tune
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Fie Celia from the little arts
- Page No:
- pp.188-189
- Poem Title:
- Advice to Celia. Set by Mr. Dieupart.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Oh the time that is past
- Page No:
- pp.190-192
- Poem Title:
- The Critical Minute. Set by Mr. Leveridge.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- No glory I covet no riches I want
- Page No:
- pp.193-194
- Poem Title:
- Contentment. Set by Mr. Abiel Whichello.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- When from her beauty long I've strove
- Page No:
- pp.194-195
- Poem Title:
- The Captive. To the foregoing Tune
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Ye swains whom radiant beauty moves
- Page No:
- pp.196-197
- Poem Title:
- Beauty and Musick. ... Set by Dr. Pepusch
- Attribution:
- By John Hughes, Esq
- Attributed To:
- John Hughes
- First Line:
- Away let naught to love displeasing
- Page No:
- pp.198-199
- Poem Title:
- Winifreda. From the Antient British Language. Tune, Eveillez vous belle Endormie.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Fairest isle all isles excelling
- Page No:
- pp.200-201
- Poem Title:
- Sung in King Arthur. Set by Mr. H. Purcell.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Tis not your beauty nor your wit
- Page No:
- pp.202-204
- Poem Title:
- The Peremptory Lover. Tune, John Anderson my Jo.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- What means this niceness now of late
- Page No:
- pp.204-205
- Poem Title:
- To the foregoing Tune
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- There was a swain full fair
- Page No:
- pp.206-208
- Poem Title:
- Sung in the Comedy call'd, The Wife of Bath...Set by Mr. Barrett
- Attribution:
- The Words by Mr. Gay
- Attributed To:
- John Gay
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