The Musical Miscellany [v. 6] [?not Suarez?] [T118842] [ecco]

DMI number:

76

Publication Date:

1731

Volume Number:

6 of 6

ESTC number:

T118842

EEBO/ECCO link:

CW3306641467

Shelfmark:

BOD Douce M. 606

Full Title:

THE MUSICAL | MISCELLANY; | [i]Being a[/i] COLLECTION [i]of[/i] | CHOICE SONGS, | AND | LYRICK POEMS: | [i]With the[/i] BASSES [i]to each[/i] TUNE, [i]and | Transpos'd for the[/i] FLUTE. | By the most Eminent MASTERS. | [rule] | [ornament] | [rule] | VOLUME [i]the[/i] SIXTH. | [rule] | LONDON: | [i]Printed by and for[/i] JOHN WATTS, [i]at the[/i] Printing- | Office [i]in[/i] Wild-Court [i]near[/i] Lincoln's-Inn Fields. | [short rule] | MDCCXXXI.

Place of Publication:

London

Genres:

Collection including musical notation and Collection of songs

Format:

Octavo

Pagination:

0

Bibliographic details:

Engraved frontispiece. Titlepage in red and black.

Other matter:

Table of Contents [8pp.] List of Books printed for J. Watts [4pp.]

Related Miscellanies

Title:

The Musical Miscellany [v. 5] [?not Suarez?] [T118842] [ecco]

Publication Date:

1731

ESTC No:

T118842

Volume:

5 of 6

Relationship:

Volume from the same edition

Comments:

Title:

The Musical Miscellany [v.3] [not Suarez?] [T118842] [ecco]

Publication Date:

1730

ESTC No:

T118842

Volume:

3 of 6

Relationship:

Volume from the same edition

Comments:

Title:

The Musical Miscellany [v.4] [?not Suarez?] [T118842] [ecco]

Publication Date:

1730

ESTC No:

T118842

Volume:

4 of 6

Relationship:

Volume from the same edition

Comments:

Related People

Publisher:

John Watts

Confidence:

Absolute (100%)

Comments:

'Printed by and for John Watts, at the Printing Office in Wild-Court near Lincoln's-Inn Fields'.

Content/Publication

First Line:

Celia hence with affectation

Page No:

Poem Title:

To the foregoing Tune

Attribution:

Attributed To:

Not attributed

First Line:

The charms that blooming beauty shows

Page No:

pp.1-2

Poem Title:

The Charms of Beauty. Set by Mr. Abdiel Whichello.

Attribution:

Attributed To:

Not attributed

First Line:

Bend down you trees your homage pay

Page No:

pp.3-4

Poem Title:

Flora's Approach...Set by Mr. J. Sheeles

Attribution:

By Mr. Baker

Attributed To:

Henry Baker

First Line:

To rack my soul or give me joy

Page No:

pp.4-5

Poem Title:

To Flora. ... To the foregoing Tune

Attribution:

By the same Hand [i.e. Baker]

Attributed To:

Henry Baker

First Line:

While blooming youth and gay delight

Page No:

pp.6-9

Poem Title:

An Ode. Set by Dr. Green

Attribution:

Attributed To:

Not attributed

First Line:

Hark hark methinks I hear the seamen call

Page No:

pp.10-11

Poem Title:

Castabella going to Sea. Set by Dr. Pepusch

Attribution:

Attributed To:

Not attributed

First Line:

Take oh take those lips away

Page No:

pp.12-13

Poem Title:

Set by Mr. Galliard

Attribution:

Words by Mr. W. Shakespeare.

Attributed To:

William Shakespeare

First Line:

To you who live at home in ease

Page No:

pp.14-16

Poem Title:

The Faithful Mariner. Set by Mr. Leveridge.

Attribution:

Attributed To:

Not attributed

First Line:

Chloe why so long denying

Page No:

pp.17-18

Poem Title:

Advice to Cloe. A Minuet. By Mr. Dieupart.

Attribution:

Attributed To:

Not attributed

First Line:

See Hymen comes how his torch blazes

Page No:

pp.18-19

Poem Title:

To the foregoing tune

Attribution:

Attributed To:

Not attributed

First Line:

To silent groves where weeping yew

Page No:

pp.20-23

Poem Title:

The Pangs of Forsaken Love. Set by Dr. Green.

Attribution:

Attributed To:

Not attributed

First Line:

With every lady in the land

Page No:

pp.24-25

Poem Title:

Strephon and Flavia. Set by Dr. Pepusch.

Attribution:

Attributed To:

Not attributed

First Line:

Let the anxious coxcomb adore a fair face

Page No:

pp.26-28

Poem Title:

The Jolly Full Bowl. Set by Mr. Monro.

Attribution:

Attributed To:

Not attributed

First Line:

How happy am I

Page No:

pp.28-29

Poem Title:

To the foregoing Tune

Attribution:

Attributed To:

Not attributed

First Line:

Gentle gales that fan the may

Page No:

pp.30-32

Poem Title:

The Words translated from the Italian Opera of Pharnaces. Set by Mr. J. Sheeles.

Attribution:

Attributed To:

Not attributed

First Line:

How pleasant a sailor's life passes

Page No:

pp.33-35

Poem Title:

The Sailor's Ballad. Sung by Mr. Legar, in Perseus and Andromeda

Attribution:

Attributed To:

Not attributed

First Line:

While the town agrees that Polly

Page No:

pp.36-37

Poem Title:

A Song in Praise of Polly. Set by Mr. Monroe.

Attribution:

Attributed To:

Not attributed

First Line:

Hark Lucinda to the wooing

Page No:

pp.38-39

Poem Title:

To the foregoing Tune

Attribution:

Attributed To:

Not attributed

First Line:

Leave off this idle prating

Page No:

pp.40-41

Poem Title:

Love and Friendship

Attribution:

Attributed To:

Not attributed

First Line:

Let a set of sober asses

Page No:

pp.42-43

Poem Title:

Sung in the Comedy call'd, Rape upon Rape. To the foregoing Tune.

Attribution:

Attributed To:

Not attributed

First Line:

Happy is a country life

Page No:

pp.44-45

Poem Title:

The Country Life

Attribution:

Attributed To:

Not attributed

First Line:

He whose active thoughts disdain

Page No:

pp.46-48

Poem Title:

To the foregoing Tune

Attribution:

Attributed To:

Not attributed

First Line:

Phillis talk no more of passion

Page No:

pp.49-50

Poem Title:

The Reproach. Set By Mr. Monro.

Attribution:

Attributed To:

Not attributed

First Line:

Come love let us join

Page No:

pp.52-55

Poem Title:

Roger and Cicely

Attribution:

Attributed To:

Not attributed

First Line:

Fair Venus they say

Page No:

pp.55-57

Poem Title:

Cupid turn'd Tinker. To the foregoing Tune.

Attribution:

Attributed To:

Not attributed

First Line:

Tell me Hamilla tell me why

Page No:

pp.58-59

Poem Title:

To Hamilla. In Imitation of Horace, Book I. Ode XXIII. To the Tune of Logan Water.

Attribution:

Attributed To:

Not attributed

First Line:

Trade's awry and so am I

Page No:

pp.60-62

Poem Title:

Punchinello

Attribution:

Attributed To:

Not attributed

First Line:

Phillis as her wine she sipped in

Page No:

pp.63-64

Poem Title:

The Double Entendre.

Attribution:

Attributed To:

Not attributed

First Line:

For the brook and the willow

Page No:

pp.65-67

Poem Title:

Eloisa's Complaint

Attribution:

Attributed To:

Not attributed

First Line:

Maidens beware ye

Page No:

pp.68-69

Poem Title:

Advice

Attribution:

Attributed To:

Not attributed

First Line:

Of all the girls in our town

Page No:

pp.70-71

Poem Title:

The Coal-Black Joak

Attribution:

Attributed To:

Not attributed

First Line:

Inspired by interest or passions or whims

Page No:

pp.72-73

Poem Title:

The Nut-Brown Joke: or, K--y's Magick Circle. To the foregoing tune

Attribution:

Attributed To:

Not attributed

First Line:

Fly me not Silvia why do you fly me

Page No:

pp.74-75

Poem Title:

Sung in the Opera of Vespasian

Attribution:

Attributed To:

Not attributed

First Line:

Celia my dearest no longer depress me

Page No:

p.75

Poem Title:

To the foregoing Tune

Attribution:

Attributed To:

Not attributed

First Line:

Beneath a green shade I fand a fair maid

Page No:

pp.76-78

Poem Title:

The Mill, Mill --- o

Attribution:

Attributed To:

Not attributed

First Line:

Insult no longer cruel fair

Page No:

pp.79-80

Poem Title:

To Flora...Set by Mr. Whichello

Attribution:

Words by Mr. Baker

Attributed To:

Henry Baker

First Line:

You meaner beauties of the night

Page No:

pp.80-81

Poem Title:

To the foregoing Tune

Attribution:

Attributed To:

Not attributed

First Line:

Gay Myra toast of all the town

Page No:

pp.82-85

Poem Title:

The White Joak. Sung by Mrs. Roberts at the Theatre in Drury-Lane.

Attribution:

Attributed To:

Not attributed

First Line:

Give me a lass with a lump of land

Page No:

pp.86-87

Poem Title:

A Lass with a Lump of Land

Attribution:

Attributed To:

Not attributed

First Line:

By the mole on your bubbies so round and so white

Page No:

pp.88-89

Poem Title:

The Gallant Schemer's Petition to the Honourable Mrs. F---s.. ... Set by Mr. J. Sheeles.

Attribution:

Words by the Earl of ---.

Attributed To:

Not attributed

First Line:

Wanton Cupid cease to hover

Page No:

pp.90-91

Poem Title:

Set by the late Mr. D. Purcell

Attribution:

Attributed To:

Not attributed

First Line:

The sweet rosy morning peeps over the hills

Page No:

pp.92-93

Poem Title:

The Hunting Song in Apollo and Daphne

Attribution:

Attributed To:

Not attributed

First Line:

In the town of Warwickshire

Page No:

pp.94-96

Poem Title:

Comely Patty ... To the Tune of The Lass of Patie's Mill.

Attribution:

By Mr. W. Bedingfield.

Attributed To:

W. Bedingfield

First Line:

Now as I live I love thee much

Page No:

pp.97-98

Poem Title:

The Protestation. The Musick by Mr. Trevers.

Attribution:

Attributed To:

Not attributed

First Line:

Stand still ye floods do not deface

Page No:

pp.98-99

Poem Title:

On Sight of a Lady's Face in the Water. To the foregoing Tune

Attribution:

Attributed To:

Not attributed

First Line:

When Strephon first did try

Page No:

pp.100-101

Poem Title:

Strephon and Celia

Attribution:

By the Reverend Mr. Geo. Arnet

Attributed To:

George Arnet

First Line:

Myra reflect how oft the year

Page No:

pp.102-104

Poem Title:

The New Year's Gift. Set by Mr. Dieupart.

Attribution:

Attributed To:

Not attributed

First Line:

She comes in vain the winds and snows

Page No:

pp.104-105

Poem Title:

To Lucia returning in the Snow. To the foregoing Tune.

Attribution:

Attributed To:

Not attributed

First Line:

A swain of love despairing

Page No:

pp.106-108

Poem Title:

The Despairing Lover. Set by Mr. Potter.

Attribution:

Attributed To:

Not attributed

First Line:

As when on mountain heads

Page No:

pp.108-109

Poem Title:

To the foregoing Tune

Attribution:

Attributed To:

Not attributed

First Line:

My soger laddie is over the sea

Page No:

pp.110-111

Poem Title:

The Soger Laddie

Attribution:

Attributed To:

Not attributed

First Line:

For a lovely bright nymph that's cruel as fair

Page No:

p.112

Poem Title:

To the foregoing Tune

Attribution:

Attributed To:

Not attributed

First Line:

Gaffer and Gammer were fast in their nest

Page No:

pp.113-115

Poem Title:

Set by Mr. Leveridge.

Attribution:

Attributed To:

Not attributed

First Line:

A starving life all day we lead

Page No:

pp.116-118

Poem Title:

The Prisoner's Song

Attribution:

Attributed To:

Not attributed

First Line:

I never loved but one fair maid

Page No:

pp.118-119

Poem Title:

The Revenge. To the foregoing Tune

Attribution:

Attributed To:

Not attributed

First Line:

Europa fair love's chiefest care

Page No:

pp.120-121

Poem Title:

A Favourite Minuet in the Entertainment of Jupiter and Europa

Attribution:

The Words by Mr Leveridge.

Attributed To:

Richard Leveridge

First Line:

Old poets have told us when they were grown mellow

Page No:

pp.122-125

Poem Title:

Set by Mr. Leveridge.

Attribution:

Attributed To:

Not attributed

First Line:

Beneath a beech's grateful shade

Page No:

pp.126-128

Poem Title:

Tune, The bonniest Lass in all the World.

Attribution:

By David Rizzio

Attributed To:

David Rizzio

First Line:

Vain Belinda are your wiles

Page No:

pp.129-130

Poem Title:

Sung by Mr. Burney in the Temple Beau. Set by Mr. Monro.

Attribution:

Attributed To:

Not attributed

First Line:

Poor Damon full of amorous smart

Page No:

pp.130-131

Poem Title:

Tit for Tat. ... To the foregoing Tune

Attribution:

By Mr. William Bedingfield.

Attributed To:

W. Bedingfield

First Line:

Black white yellow or red

Page No:

pp.132-135

Poem Title:

Fancy's All: or, Joan as good as my Lady. Tune Lesley's March. By David Rizzio.

Attribution:

The Words by Mr. Mitchell

Attributed To:

Joseph Mitchell

First Line:

I'll tell you a story a story that's true

Page No:

pp.136-141

Poem Title:

The Snipe. ... To the Tune of, A Cobler there was, &c.

Attribution:

By a Gentleman of Magdalen-College, Oxford.

Attributed To:

Not attributed

First Line:

A heart that's bleeding with deep despair

Page No:

pp.142--144

Poem Title:

The Folly of Despair

Attribution:

Set by Mr. Abdiel Whicello

Attributed To:

Not attributed

First Line:

I am a jolly huntsman

Page No:

pp.145-151

Poem Title:

The Stag Chace

Attribution:

Attributed To:

Not attributed

First Line:

Ye nymphs of Britain to whose eyes

Page No:

pp.152-153

Poem Title:

A Song in the Comedy call'd, Love in several Masques. Set by Mr. Abiel Whichello.

Attribution:

Attributed To:

Not attributed

First Line:

Oft I'm by the women told

Page No:

pp.154-157

Poem Title:

Old Age. The Words from Anacreon. Set by Mr. Leveridge.

Attribution:

Attributed To:

Not attributed

First Line:

Wanton Chloe young and charming

Page No:

pp.158-159

Poem Title:

The Coquet and the Prude. Set by Mr. Dieupart.

Attribution:

Attributed To:

Not attributed

First Line:

Such is the force of love divine

Page No:

pp.159-160

Poem Title:

To the foregoing Tune

Attribution:

The Words by Mr. Mitchell.

Attributed To:

Joseph Mitchell

First Line:

Fame of Dorinda's conquests brought

Page No:

pp.161-162

Poem Title:

Dorinda. ... Set by Dr. Pepusch

Attribution:

By John Hughes, Esq.

Attributed To:

John Hughes

First Line:

I die with too transporting joy

Page No:

p.162

Poem Title:

To the foregoing Tune

Attribution:

By the same Hand [i.e. Hughes]

Attributed To:

John Hughes

First Line:

When gentle Parthenissa walks

Page No:

p.163

Poem Title:

To the foregoing Tune

Attribution:

Attributed To:

Not attributed

First Line:

Thus Kitty beautiful and young

Page No:

pp.164-166

Poem Title:

The Female Phaeton. Set by Mr. Dieupart

Attribution:

Attributed To:

Not attributed

First Line:

When Chloe was by Damon seen

Page No:

pp.166-167

Poem Title:

To the foregoing Tune

Attribution:

Attributed To:

Not attributed

First Line:

Cosmelia's charms inspire my lays

Page No:

pp.168-169

Poem Title:

Cosmelia.

Attribution:

By James Moore, Esq;

Attributed To:

Smythe||James Moore [alias Moore||James]

First Line:

Come take up your burthen ye dogs and away

Page No:

pp.170-173

Poem Title:

A Dialogue between a Beau's Head and his Heels, taken from their Mouths as they were spoke at St. James's Coffee-House. ... To the Tune of, Dear Catholic Brother.

Attribution:

By Mr. Fielding

Attributed To:

Henry Fielding

First Line:

How happy are we now the wind is abast

Page No:

pp.174-176

Poem Title:

A Two-Part Song.

Attribution:

By Mr. Bedford Aldrich

Attributed To:

Bedford Aldrich

First Line:

A lovely lass to a friar came

Page No:

pp.177-178

Poem Title:

The Fryar and the Nun

Attribution:

Attributed To:

Not attributed

First Line:

How do they err who throw their love

Page No:

pp.178-179

Poem Title:

To the foregoing Tune

Attribution:

Attributed To:

Not attributed

First Line:

Free from the tumults and the noise

Page No:

pp.180-181

Poem Title:

Retirement. Set by Mr. Dieupart.

Attribution:

Attributed To:

Not attributed

First Line:

Jolly mortals fill your glasses

Page No:

pp.182-183

Poem Title:

Set by Mr. Galliard

Attribution:

Attributed To:

Not attributed

First Line:

Dame Jane a sprightly nun and gay

Page No:

pp.184-186

Poem Title:

The Penitent Nun ...Set by the late Mr. Haym

Attribution:

The Words by Mr. Lockman

Attributed To:

John Lockman

First Line:

To me you made a thousand vows

Page No:

pp.186-187

Poem Title:

A Dialogue between a Man and his Wife. To the foregoing Tune

Attribution:

Attributed To:

Not attributed

First Line:

Fie Celia from the little arts

Page No:

pp.188-189

Poem Title:

Advice to Celia. Set by Mr. Dieupart.

Attribution:

Attributed To:

Not attributed

First Line:

Oh the time that is past

Page No:

pp.190-192

Poem Title:

The Critical Minute. Set by Mr. Leveridge.

Attribution:

Attributed To:

Not attributed

First Line:

No glory I covet no riches I want

Page No:

pp.193-194

Poem Title:

Contentment. Set by Mr. Abiel Whichello.

Attribution:

Attributed To:

Not attributed

First Line:

When from her beauty long I've strove

Page No:

pp.194-195

Poem Title:

The Captive. To the foregoing Tune

Attribution:

Attributed To:

Not attributed

First Line:

Ye swains whom radiant beauty moves

Page No:

pp.196-197

Poem Title:

Beauty and Musick. ... Set by Dr. Pepusch

Attribution:

By John Hughes, Esq

Attributed To:

John Hughes

First Line:

Away let naught to love displeasing

Page No:

pp.198-199

Poem Title:

Winifreda. From the Antient British Language. Tune, Eveillez vous belle Endormie.

Attribution:

Attributed To:

Not attributed

First Line:

Fairest isle all isles excelling

Page No:

pp.200-201

Poem Title:

Sung in King Arthur. Set by Mr. H. Purcell.

Attribution:

Attributed To:

Not attributed

First Line:

Tis not your beauty nor your wit

Page No:

pp.202-204

Poem Title:

The Peremptory Lover. Tune, John Anderson my Jo.

Attribution:

Attributed To:

Not attributed

First Line:

What means this niceness now of late

Page No:

pp.204-205

Poem Title:

To the foregoing Tune

Attribution:

Attributed To:

Not attributed

First Line:

There was a swain full fair

Page No:

pp.206-208

Poem Title:

Sung in the Comedy call'd, The Wife of Bath...Set by Mr. Barrett

Attribution:

The Words by Mr. Gay

Attributed To:

John Gay