The Musical Miscellany [v.3] [not Suarez?] [T118842] [ecco]
- DMI number:
- 30
- Publication Date:
- 1730
- Volume Number:
- 3 of 6
- ESTC number:
- T118842
- EEBO/ECCO link:
- CW106467424
- Shelfmark:
- BOD Harding Mus. E 919 v.3
- Full Title:
- THE MUSICAL | MISCELLANY; | [i]Being a[/i] COLLECTION [i]of[/i] CHOICE SONGS, | AND | LYRICK POEMS: | [i]With the[/i] BASSES [i]to each[/i] TUNE, [i]and | Transpos'd for the[/i] FLUTE. | By the most Eminent MASTERS. | [rule] | [epigraph] | [rule] | VOLUME [i]the[/i] THIRD. | [rule] | LONDON: | [i]Printed by and for[/i] JOHN WATTS, [i]at the[/i] Printing- | Office [i]in[/i]Wild-Court [i]near[/i] Lincoln's-Inn Fields. | [short rule] | M DCC XXX.
- Epigraph:
- MUSICK's the Cordial of a troubled Breast, | The softest Remedy that Grief can find; | The gentle Spell that charms our Cares to rest, | And calms the ruffling Passions of the Mind.
- Place of Publication:
- London
- Genres:
- Collection including musical notation and Collection of songs
- Format:
- Octavo
- Pagination:
- 0
- Bibliographic details:
- Title-page in Red and Black
- Comments:
- Vols 3 and 4 - 1730 Songs / poems plus musical notation; most of the poems have relatively detailed attributions to author / composer.
- Other matter:
- Advertisement signed 'The Publisher'; dated Aug. 19, 1729. [2pp.] Table of the Songs, sig. A4r-A8r.
- Title:
- The Musical Miscellany [v.4] [?not Suarez?] [T118842] [ecco]
- Publication Date:
- 1730
- ESTC No:
- T118842
- Volume:
- 4 of 6
- Relationship:
- Volume from the same edition
- Comments:
- Title:
- The Musical Miscellany [v. 5] [?not Suarez?] [T118842] [ecco]
- Publication Date:
- 1731
- ESTC No:
- T118842
- Volume:
- 5 of 6
- Relationship:
- Volume from the same edition
- Comments:
- Title:
- The Musical Miscellany [v. 6] [?not Suarez?] [T118842] [ecco]
- Publication Date:
- 1731
- ESTC No:
- T118842
- Volume:
- 6 of 6
- Relationship:
- Volume from the same edition
- Comments:
- Publisher:
- John Watts
- Confidence:
- Absolute (100%)
- Comments:
- 'Printed by and for John Watts, at the Printing Office in Wild-Court near Lincoln's Inn Fields'.
- First Line:
- As in a grove I lately strayed
- Page No:
- pp.1-2
- Poem Title:
- Cupid awaked. Translated from Monsieur De la Motte, ... The tune by Mr. Webber.
- Attribution:
- by Mr. W. Duncombe
- Attributed To:
- William Duncombe
- First Line:
- Belinda's blessed with every grace
- Page No:
- pp.2-3
- Poem Title:
- Belinda. ... To the foregoing tune.
- Attribution:
- By J. D. Esq
- Attributed To:
- Not attributed
- First Line:
- Come my lovers come come away
- Page No:
- pp.4-5
- Poem Title:
- The Invitation. Set by Mr. J. Sheeles
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- While tears overflow bright Anna's eyes
- Page No:
- pp.6-7
- Poem Title:
- On the Death of Lora a Lady's Parrot. [To the Tune of I'll range around, &c.]
- Attribution:
- By Mr. Baker.
- Attributed To:
- Henry Baker
- First Line:
- Had I the world at my command
- Page No:
- pp.8-9
- Poem Title:
- To the foregoing Tune.
- Attribution:
- By the same Hand [i.e. Baker]
- Attributed To:
- Henry Baker
- First Line:
- Love bid me hope and I obeyed
- Page No:
- pp.10-11
- Poem Title:
- Woman's Honour. Set by Mr. Abdiel Whichello
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Haste shepherds haste and come away
- Page No:
- pp.12-15
- Poem Title:
- On a Lady's Birth-day. Set by Mr. Dieupart.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- With downcast eyes and folded arms
- Page No:
- pp.15-16
- Poem Title:
- The Modish Lover. To the foregoing Tune
- Attribution:
- By Mr. Baker
- Attributed To:
- Henry Baker
- First Line:
- Tis now since I sat down before
- Page No:
- pp.17-19
- Poem Title:
- The Siege. Set by Mr. Dieupart
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Flocks are sporting doves are courting
- Page No:
- pp.20-21
- Poem Title:
- Pastoral
- Attribution:
- By Mr. Carey
- Attributed To:
- Henry Carey
- First Line:
- Cruel stars your rage we find
- Page No:
- pp.22-25
- Poem Title:
- The Vanity of Life. The Words translated from the Italian Opera of Pharnacles. Set by Mr. J. Sheeles
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Come Delia come let's shun the heat
- Page No:
- pp.26-28
- Poem Title:
- The Retreat. ... Set by Mr. Holmes
- Attribution:
- The Words by Mr. Dart.
- Attributed To:
- Mr. Dart
- First Line:
- At length my cruel fair give over
- Page No:
- pp.28-29
- Poem Title:
- To the foregoing tune
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- What woman could do I have tried to be free
- Page No:
- pp.30-32
- Poem Title:
- From Mr. Cibber's Pastoral call'd Love in a Riddle. The Tune by Mr. Brailsford.
- Attribution:
- Mr. Cibber's
- Attributed To:
- Colley Cibber
- First Line:
- In vain dear Chloe you suggest
- Page No:
- pp.33-35
- Poem Title:
- The Wheedler. ... Set by Mr. Dieupart
- Attribution:
- By the Honourable Sir W. Y.
- Attributed To:
- Not attributed
- First Line:
- Come gallants let's tender those hearts
- Page No:
- pp.36-41
- Poem Title:
- The Court of England: Or, the Preparation for the Happy Coronation of King William and Queen Mary.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- By a murmuring stream a fair shepherdess lay
- Page No:
- pp.42-44
- Poem Title:
- Love is the Cause of my Mourning
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- When love and youth can not make way
- Page No:
- pp.45-46
- Poem Title:
- Gold's Superiority in Love. Set by Mr. Monro
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Twas in the land of cyder
- Page No:
- pp.47-49
- Poem Title:
- John and Susan. [To the Tune ----Of Noble Race was Shinkin.]
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- God prosper long from being broke
- Page No:
- pp.50-55
- Poem Title:
- A True and Lamentable Ballad; call'd, The Earl's Defeat. [To the Tune of Chevy-Chase.]
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Pained with her slighting Jamie's love
- Page No:
- pp.56-59
- Poem Title:
- The Lass of Livingstone.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- In good King Lewis's land
- Page No:
- pp.60-64
- Poem Title:
- The Dyer of Roan. To the Tune of Old Simon the King.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- As the gentle turtle doves
- Page No:
- pp.65-67
- Poem Title:
- Blink over the Burn, Sweet Betty.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Young Philoret and Celia met
- Page No:
- pp.68-69
- Poem Title:
- Set by Mr. Carey.
- Attribution:
- The Words by Mr. Wilks.
- Attributed To:
- Mr. Wilks
- First Line:
- When Strephon to Chloe made love his pretence
- Page No:
- pp.70-71
- Poem Title:
- The Biter Bit.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Come let us prepare
- Page No:
- pp.72-73
- Poem Title:
- The Free Mason's Health.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Twas forth in a morning
- Page No:
- pp.74-75
- Poem Title:
- My Apron, Deary.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Come hither good people both aged and young
- Page No:
- pp.76-80
- Poem Title:
- A Yorkshire Tale.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- When Chloe we ply we swear we shall die
- Page No:
- pp.81-83
- Poem Title:
- The Artifice
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Ah cruel beauty could you prove
- Page No:
- pp.84-86
- Poem Title:
- Set by Mr. J. Sheeles
- Attribution:
- The Words by a Person of Quality
- Attributed To:
- Not attributed
- First Line:
- Why cruel creature why so bent
- Page No:
- pp.86-87
- Poem Title:
- [To the foregoing Tune.]
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- As I beneath a myrtle shade lay musing
- Page No:
- pp.88-89
- Poem Title:
- She wou'd, and she wou'd not. Set by Mr. Ramondon
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- To you fair ladies now in town
- Page No:
- pp.90-93
- Poem Title:
- An Invitation into the Country. To the Tune of All ye Ladies now at Land.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- As Damon late with Chloe sat
- Page No:
- pp.94-96
- Poem Title:
- The Silent Flute. [To the Tune of Sally.]
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- When bright Aurelia tripped the plain
- Page No:
- pp.97-99
- Poem Title:
- The Bright Aurelia
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Come neighbours now we've made our hay
- Page No:
- pp.100-103
- Poem Title:
- Sung in Jupiter and Europa
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Zephyr who with spring returning
- Page No:
- pp.104-105
- Poem Title:
- The Words Translated from the Italian Opera of Pharnaces. Set by Mr. Sheeles
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- One April evening when the sun
- Page No:
- pp.106-109
- Poem Title:
- Marian's Complaint
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- The carle he came over the croft
- Page No:
- pp.110-112
- Poem Title:
- The Young Lass contra Auld Man
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Foolish women fly men's charms
- Page No:
- pp.113-114
- Poem Title:
- The Caution. Set by Mr. Ravenscroft.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Ere the use of words I knew
- Page No:
- pp.114-115
- Poem Title:
- To the foregoing Tune.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- I am cried Apollo when Daphne he wooed
- Page No:
- pp.116-118
- Poem Title:
- To Apollo making Love. From Monsieur Fontenelle. ... Set by Mr. Sheeles
- Attribution:
- The Words by Mr. Tickell.
- Attributed To:
- Thomas Tickell
- First Line:
- On the bank of a river close under the shade
- Page No:
- pp.118-119
- Poem Title:
- To the foregoing Tune.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Chloe proves false but still she is charming
- Page No:
- pp.120-121
- Poem Title:
- The Slighted Swain.
- Attribution:
- The Words by Mr. A. Bradley
- Attributed To:
- Arthur Bradley
- First Line:
- How blessed are beggar lasses
- Page No:
- pp.122-125
- Poem Title:
- The Happy Beggar. Sung in the Opera call'd, The Beggar's Wedding. [To the Tune of Talk no more of Whig or Tory.]
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- While some for pleasure pawn their health
- Page No:
- pp.126-128
- Poem Title:
- Nanny-O
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Blessed as the immortal Gods is he
- Page No:
- pp.129-130
- Poem Title:
- An Ode of Sappho. Written in the Person of a Lover sitting by his Mistress...Set by Mr. J. Sheeles
- Attribution:
- Translated from the Greek by Mr. A. Philips.
- Attributed To:
- Ambrose Philips
- First Line:
- Sylvia in these sequestered scenes
- Page No:
- pp.130-131
- Poem Title:
- The Retirement. ... [To the foregoing tune.]
- Attribution:
- The Words by Mr. W. Duncombe
- Attributed To:
- William Duncombe
- First Line:
- My easy heart
- Page No:
- pp.132-133
- Poem Title:
- The Resistless Charmer. ... Set by Mr. Dieupart.
- Attribution:
- By Mr. Bedingfield.
- Attributed To:
- W. Bedingfield
- First Line:
- Why do you with disdain refuse
- Page No:
- pp.134-135
- Poem Title:
- To a Lady more Cruel than Fair ... Set by Mr. Leveridge
- Attribution:
- The Words by a Person of Quality
- Attributed To:
- Not attributed
- First Line:
- The bird that hears her nestlings cry
- Page No:
- pp.136-137
- Poem Title:
- The Fond Lover. To the foregoing tune.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Gentle air thou breath of lovers
- Page No:
- pp.138-139
- Poem Title:
- A Sigh. Set by Mr. J. Sheeles
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Soft engaging mild and fair
- Page No:
- pp.140-141
- Poem Title:
- Love's Oculist. ... Set by Mr. Dieupart
- Attribution:
- By Mr. W. Bedingfield
- Attributed To:
- W. Bedingfield
- First Line:
- Every man take a glass in his hand
- Page No:
- pp.142-144
- Poem Title:
- A Health to all Honest Men.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Come all you sons of Adam
- Page No:
- pp.145-147
- Poem Title:
- The Masquerade Garland
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Cupid god of pleasing anguish
- Page No:
- pp.148-149
- Poem Title:
- Sung by Mrs. Chambers in the Entertainment of Harlequin Doctor Faustus. As it is perform'd at the Theatre-Royal in Lincoln's-Inn-Fields.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Lonely groves young Strephon choosing
- Page No:
- pp.150-151
- Poem Title:
- To the foregoing tune
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Go virgin kid with lambent kiss
- Page No:
- pp.152-154
- Poem Title:
- Sent to a Lady in a Pair of Gloves. Set by Mr. J. Sheeles
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Ah Chloris could I now but sit
- Page No:
- pp.154-155
- Poem Title:
- To the foregoing Tune
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- How smoothly the Minutes dear Celadon flow
- Page No:
- pp.156-160
- Poem Title:
- A Complaint against Cupid
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- As Sylvia in a forest lay
- Page No:
- pp.161-163
- Poem Title:
- Silvia and Sylvander. Set by Mr. J. Sheeles.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Hail Janus who shuttest out the sliding year
- Page No:
- pp.164-165
- Poem Title:
- Set by Mr. Sheeles
- Attribution:
- The Words by Dr. Stukeley
- Attributed To:
- Dr. Stukeley
- First Line:
- When I survey Clarinda's charms
- Page No:
- pp.166-168
- Poem Title:
- The Rapture. To a favourite Minuet of Mr. Handel's
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Sigh no more my lovely Celia
- Page No:
- pp.169-170
- Poem Title:
- Celia Sighing
- Attribution:
- By Mr. Arthur Bradley
- Attributed To:
- Arthur Bradley
- First Line:
- Phillis we don't grieve that nature
- Page No:
- pp.170-171
- Poem Title:
- To the foregoing Tune
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Once I loved a charming creature
- Page No:
- pp.172-173
- Poem Title:
- The Bashful Maid.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- There's auld Rob Morris that wins in yon glen
- Page No:
- pp.174-176
- Poem Title:
- Auld Rob Morris.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- To the bleak winds on barren sands
- Page No:
- pp.177-179
- Poem Title:
- On a Lady throwing Snow-balls. Set by Mr. Webber.
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- Lovely Celia fair destroyer
- Page No:
- pp.180-184
- Poem Title:
- Lovely Celia. Set by Mr. Dieupart
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- To the brook and the willow that heard him complain
- Page No:
- pp.185-187
- Poem Title:
- In his Lady's Illness
- Attribution:
- Written by N. Rowe, Esq;
- Attributed To:
- Nicholas Rowe
- First Line:
- As Sparabella pensive lay
- Page No:
- pp.188-191
- Poem Title:
- Sparabella's Complaint
- Attribution:
- Attributed To:
- Not attributed
- First Line:
- At a May pole down in Kent
- Page No:
- pp.192-194
- Poem Title:
- The Queen of May. to the Tune of Over the Hills and far away.
- Attribution:
- By Mr. W. Bedingfield
- Attributed To:
- W. Bedingfield
- First Line:
- The sun had just withdrawn his fires
- Page No:
- pp.195-197
- Poem Title:
- The Shepherd's Address to Cynthia
- Attribution:
- By Mr. Manlock
- Attributed To:
- Mr. Manlock
- First Line:
- Ask not the cause why sullen spring
- Page No:
- pp.198-200
- Poem Title:
- Charming Cloris
- Attribution:
- Attributed To:
- Not attributed
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