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Ovid's Art of Love [T99253]

DMI number:
267
Aliases
Ovid's art of love
Confidence:
Absolute (100%)
Evidence:
Publication Date:
1712
Volume Number:
1 of 1
ESTC number:
T99523
EEBO/ECCO link:
CW3315427272
Shelfmark:
BOD Vet. A4 e.1206
Full Title:
OVID'[i]s[/i] | [i]ART[/i] of [i]LOVE[/i]. | [i]IN THREE BOOKS.[/i] | Translated by | Mr. [i]Dryden[/i], Mr. [i]Congreve[/i], &c. | Together with the | [i]REMEDY[/i] of [i]LOVE[/i]. | [rule] To which are added, | [i]The COURT[/i] of [i]LOVE[/i]. | A Tale from [i]CHAUCER[/i]. | AND THE | [i]HISTORY[/i] of [i]LOVE[/i]. | [rule] | ADORN'D with CUTS. | [rule] | [i]LONDON:[/i] | Printed for [i]J. Tonson[/i], and Sold by [i]W. Taylor[/i] at the | [i]Ship[/i] in [i]Pater-noster-row[/i]. 1712. | [rule] | Lately Printed the [i]English[/i] Edition of [i]Ovid[/i]'s Epistles, with a | new Translation of three Epistles, and several new Cuts.
Epigraph:
n/a
Place of Publication:
London
Genres:
Collection of translations/imitations
Format:
Octavo
Price:
n/a
Pagination:
(not including plates) [8], 1-174, 179-235, 238-482 pp.
Bibliographic details:
Reissue with cancel title page of T99252. Plates, facing title page and p. 1, 105, 179, 268, 351, [369]. Separate title page p. [369]: THE | HISTORY | OF | LOVE. | A | POEM: | IN | [i]A[/i] LETTER [i]to a[/i] LADY. | [rule] | By Mr. [i]CHARLES HOPKINS.[/i] | [rule] | [i]Est quoque Carminibus meritas celebrare Puellas | Dos mea, - [/i] Ovid. | [i]- Utinam modo dicere possem, | Carmina digna dea, certe est dea carmina digna.[/i] Ibid. | [rule] | Printed for [i]J. Tonson.[/i] 1709.
Comments:
Contents: everything after p. [369] is part of The History of Love. Dedication 'to her Grace the Duchess of Grafton' signed by Hopkins pp. [371-374]. Attributions: Everything after p. [369] has been attributed to Hopkins.
Other matter:
Prefatory matter: Verse dedication to Burlington, sig. A2r-A3v.
References:
Case 252 (b)
Related Miscellanies
Title:
Ovid's Art of Love [T99253]
Publication Date:
1712
ESTC No:
T99523
Volume:
1 of 1
Relationship:
Reissue
Comments:
Title:
Ovid's Art of Love [T99252]
Publication Date:
1709
ESTC No:
T99252
Volume:
1 of 1
Relationship:
Unknown
Comments:
Title:
Ovid's Art of Love [N11085] [ECCO]
Publication Date:
1764
ESTC No:
N11085
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Unknown
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Title:
Ovid's Art of Love [N11337]
Publication Date:
1747
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Ovid's Art of Love [N22088]
Publication Date:
1777
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N22088
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Title:
Ovid's Art of Love [N41871]
Publication Date:
1796
ESTC No:
N41871
Volume:
1 of 1
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Unknown
Comments:
Title:
Ovid's Art of Love [T132003]
Publication Date:
1795
ESTC No:
T132003
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Title:
Ovid's Art of Love [T132004]
Publication Date:
1793
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T132004
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Unknown
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Title:
Ovid's Art of Love [T146742]
Publication Date:
1757
ESTC No:
T146742
Volume:
1 of 12
Relationship:
Unknown
Comments:
Title:
Ovid's Art of Love [T181084]
Publication Date:
1764
ESTC No:
T181084
Volume:
1 of 1
Relationship:
Unknown
Comments:
Title:
Ovid's Art of Love [T181145]
Publication Date:
1759
ESTC No:
T181146
Volume:
1 of 1
Relationship:
Unknown
Comments:
Title:
Ovid's Art of Love [T224706]
Publication Date:
1758
ESTC No:
T224706
Volume:
1 of 1
Relationship:
Unknown
Comments:
Title:
Ovid's Art of Love [T84340]
Publication Date:
1748
ESTC No:
T84340
Volume:
1 of 1
Relationship:
Unknown
Comments:
Title:
Ovid's Art of Love [T99248]
Publication Date:
1782
ESTC No:
T99248
Volume:
1 of 1
Relationship:
Unknown
Comments:
Title:
Ovid's Art of Love [T99250]
Publication Date:
1725
ESTC No:
T99250
Volume:
1 of 1
Relationship:
Unknown
Comments:
Title:
Ovid's Art of Love [T99251]
Publication Date:
1735
ESTC No:
T99251
Volume:
1 of 1
Relationship:
Unknown
Comments:
Title:
Ovid's Art of Love [T99253]
Publication Date:
1712
ESTC No:
T99523
Volume:
1 of 1
Relationship:
Reissue
Comments:
Title:
Ovid's Art of Love [T99817]
Publication Date:
1791
ESTC No:
T99817
Volume:
1 of 1
Relationship:
Unknown
Comments:
Title:
Ovid's Art of Love [T99821]
Publication Date:
1776
ESTC No:
T99821
Volume:
1 of 1
Relationship:
Unknown
Comments:
Title:
Ovid's Art of Love [T99874]
Publication Date:
1719
ESTC No:
T99874
Volume:
1 of 1
Relationship:
Unknown
Comments:
Related People
Dedicatee:
Isabella Bennet
Confidence:
Absolute (100%)
Comments:
Hopkins' History of Love is dedicated 'to her Grace the Duchess of Grafton' T99253
Publisher:
Jacob Tonson
Confidence:
Absolute (100%)
Comments:
'Printed for J. Tonson, and Sold by W. Taylor at the Ship in Pater-noster-row.'
Dedicatee:
Richard Boyle
Confidence:
Absolute (100%)
Comments:
'To the Right Honourable Richard Earl of Burlington' T99253
Sold by:
W Taylor
Confidence:
Absolute (100%)
Comments:
'Printed for J. Tonson, and Sold by W. Taylor at the Ship in Pater-noster-row.'
Content/Publication
First Line:
My lord | Our poet's rules in easy numbers tell
Page No:
sigs. A2r-A3v
Poem Title:
To the Right Honourable Richard, Earl of Burlington.
Attribution:
Attributed To:
Not attributed
First Line:
In Cupid's school whoever would take degree
Page No:
pp.1-56
Poem Title:
Ovid's Art of Love. Book I.
Attribution:
Translated, some Years since, By Mr. Dryden
Attributed To:
John Dryden
First Line:
Now Io paean sing now wreaths prepare
Page No:
pp.105-153
Poem Title:
Ovid's Art of Love. Book II.
Attribution:
Attributed To:
Not attributed
First Line:
The men are armed and for the fight prepare
Page No:
pp.179-235
Poem Title:
Ovid's Art of Love. Book III.
Attribution:
Translated by Mr. Congreve
Attributed To:
William Congreve
First Line:
The title of this book when Cupid spied
Page No:
pp.268-323
Poem Title:
Ovid's Remedy of Love.
Attribution:
Translated by Mr. Tate
Attributed To:
Nahum Tate
First Line:
Once more ye fair attend your master's song
Page No:
pp.341-348
Poem Title:
Ovid's Art of Beauty
Attribution:
Attributed To:
Not attributed
First Line:
Once as I lay by heavy sleep oppressed
Page No:
pp.351-368
Poem Title:
The Court of Love
Attribution:
Attributed To:
Not attributed
First Line:
Ye woods and wilds serene and blest retreats
Page No:
pp.375-379
Poem Title:
The History of Love
Attribution:
By Mr. Charles Hopkins
Attributed To:
Charles Hopkins
First Line:
Ye woods and wilds serene and blest retreats
Page No:
pp.375-444
Poem Title:
The History of Love
Attribution:
By Mr. Charles Hopkins
Attributed To:
Charles Hopkins
First Line:
Thee Delia all that see thee must admire
Page No:
pp.379-381
Poem Title:
Admiration
Attribution:
By Mr. Charles Hopkins
Attributed To:
Charles Hopkins
First Line:
Propitious chance led Perseus once to view
Page No:
pp.382-385
Poem Title:
The Story of Perseus and Andromeda: In Imitation of Part of that in the Fourth Book of Ovid's Metamorphoses.
Attribution:
By Mr. Charles Hopkins
Attributed To:
Charles Hopkins
First Line:
All other lovers longer toils sustain
Page No:
p.385
Poem Title:
Desire.
Attribution:
By Mr. Charles Hopkins
Attributed To:
Charles Hopkins
First Line:
How thou art envied let Pigmalion prove
Page No:
p.386-390
Poem Title:
The History of Pigmalion: Imitated from the Tenth Book of Ovid's Metamorphoses.
Attribution:
By Mr Charles Hopkins
Attributed To:
Charles Hopkins
First Line:
Hippomanes alone with hope inspired
Page No:
pp.391-398
Poem Title:
The Story of Hippomanes and Atalanta: In Imitation of Part of that in the Tenth Book of Ovid's Metamorphoses.
Attribution:
By Mr. Charles Hopkins
Attributed To:
Charles Hopkins
First Line:
How wretched then alas should Daphnis grow
Page No:
pp.398-399
Poem Title:
Jealousie.
Attribution:
By Mr. Charles Hopkins
Attributed To:
Charles Hopkins
First Line:
From Cephalus' tragic story read
Page No:
pp.399-410
Poem Title:
The Story of Cephalus and Procris, Imitated from the Tenth Book of Ovid's Metamorphoses.
Attribution:
By Mr. Charles Hopkins
Attributed To:
Charles Hopkins
First Line:
No foreign instance need of this be shown
Page No:
pp.410-413
Poem Title:
Despair.
Attribution:
By Mr. Charles Hopkins
Attributed To:
Charles Hopkins
First Line:
So in old times the mournful Orpheus stood
Page No:
pp.414-421
Poem Title:
The Story of Orpheus and Euridice: Imitated from the Tenth Book of Ovid's Metamorphoses.
Attribution:
By Mr. Charles Hopkins
Attributed To:
Charles Hopkins
First Line:
What souls about to leave their bodies bear
Page No:
pp.421-422
Poem Title:
The Parting.
Attribution:
By Mr. Charles Hopkins
Attributed To:
Charles Hopkins
First Line:
Thus young Achilles in Bithynia's court
Page No:
pp.423-430
Poem Title:
The Parting of Achilles and Deidamia.
Attribution:
By Mr. Charles Hopkins
Attributed To:
Charles Hopkins
First Line:
Happy that amorous youth whose mistress hears
Page No:
pp.431-433
Poem Title:
Absence.
Attribution:
By Mr. Charles Hopkins
Attributed To:
Charles Hopkins
First Line:
Read this yet be not troubled when you read
Page No:
pp.433-444
Poem Title:
Leander's Epistle to Hero: In Imitation of Part of that of Ovid.
Attribution:
By Mr. Charles Hopkins
Attributed To:
Charles Hopkins
First Line:
The vocal nymph this lovely hunstman viewed
Page No:
pp.445-458
Poem Title:
The Story of Narcissus and Eccho: From The Third Book of Ovid's Metamorphoses.
Attribution:
By Mr. Charles Hopkins
Attributed To:
Charles Hopkins
First Line:
The lovely Salmacis the fountain owned
Page No:
pp.459-465
Poem Title:
The Story of Salmacis and Hermaphroditus: From The Fourth Book of Ovid's Metamorphoses.
Attribution:
By Mr. Charles Hopkins
Attributed To:
Charles Hopkins
First Line:
A tower with sounding walls erected stands
Page No:
pp.466-472
Poem Title:
The Passion of Scylla for Minos: From The Eighth Book of Ovid's Metamorphoses.
Attribution:
By Mr. Charles Hopkins
Attributed To:
Charles Hopkins
First Line:
Stay wretched swain lie here and here lament
Page No:
pp.473-482
Poem Title:
A Pastoral Elegy On The Death of Delia.
Attribution:
By Mr. Charles Hopkins
Attributed To:
Charles Hopkins