The works of celebrated authors of whose writings there are but small remains [vol I] [T145013] [ecco]
- DMI number:
- 767
- Publication Date:
- 1750
- Volume Number:
- 1 of 2
- ESTC number:
- T145013
- EEBO/ECCO link:
- CW113693340
- Shelfmark:
- ECCO - Bod
- Full Title:
- THE | WORKS | OF | CELEBRATED AUTHORS, | Of whose WRITINGS there are but | small Remains. | VOLUME [i]the[/i] FIRST. | Containing the WORKS of | [i]The[/i] EARL [i]of[/i] ROSCOMMON. | [i]The[/i] EARL [i]of[/i] DORSET. | [i]The[/i] EARL [i]of[/i] HALLIFAX. | AND | [i]Sir[/i] SAMUEL GARTH. | [double rule] | [i]LONDON:[/i] | Printed for J. and R. TONSON and S. DRAPER | in the [i]Strand.[/i] | [short rule] | MDCCL.
- Place of Publication:
- London
- Genres:
- Collection of 17th century verse
- Format:
- Duodecimo
- Bibliographic details:
- Sections have separate title pages. p. 1: POEMS | BY THE | EARL [i]of[/i] ROSCOMMON. p. ?: [i]HORACE[/i]'s | ART [i]of[/i] POETRY. | Scribendi recte, sapere est & principium | & fons. p. 187: POEMS | BY THE | EARL [i]of[/i] DORSET. p. 213: POEMS | BY THE | EARL [i]of[/i] HALLIFAX. p. 237: THE | HIND [i]and the[/i] PANTHER | Transvers'd to the Story of the | [i]Country-Mouse[/i] and the [i]City-Mouse. | [rule] | [epigraph] | [rule] | Written in Conjunction with Mr. [i]Prior.[/i] p. ?: THE | WORKS | OF | Sir [i]SAMUEL GARTH[/i]. p. ?: [rule] THE | DISPENSARY. | A | POEM | IN | SIX CANTO's | [epigraph] | [rule] p. ? [i]CLAREMONT.[/i] | Address'd to the Right Honourable the | EARL [i]of[/i] CLARE, | NOW | DUKE [i]of[/i] NEWCASTLE. | [rule] | [epigraph] Contents of Roscommon's poems p. [?186]; Dorset's poem's p. [?209]; Hallifax's works p. [?270]; Garth's works p. [?444] Pagination: 42 mispaginated as 43, 43 as 42.
- Comments:
- Contents: Latin verse pp. 20-26 (even nos.), 32, 56-60 (even nos.), 72-104 (even nos.), 217-220; Italian verse pp. 40-43[i.e. 42] (even nos.); French verse p. 204; The Hind and the Panther pp. 237-269; Prose pp. 370-402; Latin prose pp. 429-442; Latin inscription pp. 442-3.
- Other matter:
- Prefatory matter: Advertisement [2pp]
- Title:
- The works of celebrated authors of whose writings there are but small remains [vol II] [T145013] [ecco]
- Publication Date:
- 1750
- ESTC No:
- T145013
- Volume:
- 2 of 2
- Relationship:
- Volume from the same edition
- Comments:
- Publisher:
- J. Tonson
- Confidence:
- Absolute (100%)
- Comments:
- Publisher:
- R. Tonson
- Confidence:
- Absolute (100%)
- Comments:
- Publisher:
- Somerset Draper
- Confidence:
- Absolute (100%)
- Comments:
- First Line:
- Happy that author whose correct essay
- Page No:
- pp.3-15
- Poem Title:
- An Essay on Translated Verse.
- Attribution:
- Collected under Roscommon's name
- Attributed To:
- Wentworth Dillon
- First Line:
- O azure vaults o crystal sky
- Page No:
- pp.15-17
- Poem Title:
- A Paraphrase on the CXLVIIIth Psalm.
- Attribution:
- Collected under Roscommon�s name
- Attributed To:
- Wentworth Dillon
- First Line:
- Folly and vice are easy to describe
- Page No:
- p.18
- Poem Title:
- A Prologue spoken to his Royal Highness the Duke of York, at Edinburgh.
- Attribution:
- Collected under Roscommon's name
- Attributed To:
- Wentworth Dillon
- First Line:
- I first of Romans stooped to rural strains
- Page No:
- pp.19-27
- Poem Title:
- Virgil's Sixth Eclogue, Silenus Translated.
- Attribution:
- Collected under Roscommon's name.
- Attributed To:
- Wentworth Dillon
- First Line:
- Hail sacred solitude from this calm bay
- Page No:
- pp.30-31
- Poem Title:
- Ode upon Solitude.
- Attribution:
- Collected under Roscommon's name.
- Attributed To:
- Wentworth Dillon
- First Line:
- Virtue dear friend needs no defence
- Page No:
- p.33
- Poem Title:
- The Twenty Second Ode of the First Book of Horace.
- Attribution:
- Collected under Roscommon's name.
- Attributed To:
- Wentworth Dillon
- First Line:
- Virtue dear friend needs no defence
- Page No:
- p.34
- Poem Title:
- The Same imitated.
- Attribution:
- Collected under Roscommon's name.
- Attributed To:
- Wentworth Dillon
- First Line:
- Be gone you slaves you idle vermin go
- Page No:
- pp.38-39
- Poem Title:
- On Mr. Dryden's Religio Laici.
- Attribution:
- Collected under Roscommon's name.
- Attributed To:
- Wentworth Dillon
- First Line:
- Ah happy grove dark and secure retreat
- Page No:
- p.41-42[i.e. 43]
- Poem Title:
- Part of the Fifth Scene of the Second Act in Guarini Pastor Fido...Translated into English.
- Attribution:
- Collected under Roscommon's name
- Attributed To:
- Wentworth Dillon
- First Line:
- To the pale tyrant who to horrid graves
- Page No:
- p.44
- Poem Title:
- The Dream.
- Attribution:
- Collected under Roscommon's name
- Attributed To:
- Wentworth Dillon
- First Line:
- From deepest dungeons of eternal night
- Page No:
- pp.45-46
- Poem Title:
- The Ghosts of the Old House of Commons, to the New One, appointed to meet at Oxford.
- Attribution:
- Collected under Roscommon's name
- Attributed To:
- Wentworth Dillon
- First Line:
- Thou happy creature art secure
- Page No:
- p.47
- Poem Title:
- On the Death of a Lady's Dog.
- Attribution:
- Collected under Roscommon's name
- Attributed To:
- Wentworth Dillon
- First Line:
- Winter thy cruelty extend
- Page No:
- pp.47-48
- Poem Title:
- Song. On a young Lady who Sung finely, and was afraid of a Cold.
- Attribution:
- Collected under Roscommon's name
- Attributed To:
- Wentworth Dillon
- First Line:
- You've seen tonight the glory of the east
- Page No:
- pp.48-49
- Poem Title:
- Epilogue to Alexander the Great when acted at the Theatre in Dublin.
- Attribution:
- Collected under Roscommon's name
- Attributed To:
- Wentworth Dillon
- First Line:
- The day of wrath that dreadful day
- Page No:
- pp.50-52
- Poem Title:
- On the Day of Judgment.
- Attribution:
- Collected under Roscommon's name.
- Attributed To:
- Wentworth Dillon
- First Line:
- The mighty rivals whose destructive rage
- Page No:
- pp.53-54
- Poem Title:
- Prologue to Pompey, A Tragedy, translated by Mrs. K. Philips, from the French of Monsieur Corneille, and acted at the Theatre in Dublin.
- Attribution:
- Collected under Roscommon's name
- Attributed To:
- Wentworth Dillon
- First Line:
- Shame of my life disturber of my tomb
- Page No:
- pp.54-55
- Poem Title:
- Ross's Ghost.
- Attribution:
- Collected under Roscommon's name
- Attributed To:
- Wentworth Dillon
- First Line:
- Those ills your ancestors have done
- Page No:
- pp.57-61
- Poem Title:
- The Sixth Ode of the Third Book of Horace. Of the Corruption of the Times.
- Attribution:
- Collected under Roscommon's name.
- Attributed To:
- Wentworth Dillon
- First Line:
- If in a picture Piso you should see
- Page No:
- pp.73-105
- Poem Title:
- Horace. Of the Art of Poetry.
- Attribution:
- Collected under Roscommon's name.
- Attributed To:
- Wentworth Dillon
- First Line:
- Come on you critics find one fault who dares
- Page No:
- pp.189-190
- Poem Title:
- To Mr. Edward Howard, On his incomparable incomprrehensible [sic] Poem, called the British Princess.
- Attribution:
- The Earl of Dorset.
- Attributed To:
- Charles Sackville
- First Line:
- Thou damned Antipodes to common sense
- Page No:
- pp.190-191
- Poem Title:
- To the Same, on his Plays.
- Attribution:
- The Earl of Dorset.
- Attributed To:
- Charles Sackville
- First Line:
- Tarugo gave us wonder and delight
- Page No:
- pp.191-192
- Poem Title:
- Sir Thomas St. Serf, on the printing his Play called Tarugo's Wiles. Acted 1668.
- Attribution:
- The Earl of Dorset.
- Attributed To:
- Charles Sackville
- First Line:
- Many have been the vain attempts of wit
- Page No:
- pp.192-193
- Poem Title:
- Epilogue to Moliere's Tartuffe translated by Mr. Medburne, spoken by Tartuffe.
- Attribution:
- The Earl of Dorset.
- Attributed To:
- Charles Sackville
- First Line:
- Entreaty shall not serve nor violence
- Page No:
- pp.194-195
- Poem Title:
- Epilogue on the Revival of Ben Johnson's Play, called, Every Man in his Humour.
- Attribution:
- The Earl of Dorset.
- Attributed To:
- Charles Sackville
- First Line:
- To all you ladies now at land
- Page No:
- pp.196-198
- Poem Title:
- Song. Written at Sea, in the first Dutch War, 166[?] the Night before an Engagement.
- Attribution:
- The Earl of Dorset.
- Attributed To:
- Charles Sackville
- First Line:
- Proud with the spoils of royal cully
- Page No:
- pp.199-200
- Poem Title:
- On the Same.
- Attribution:
- The Earl of Dorset.
- Attributed To:
- Charles Sackville
- First Line:
- Tell me Dorinda why so gay
- Page No:
- p.199
- Poem Title:
- On the Countess of Dorchester, Mistress to King James the Second. Written in 1680.
- Attribution:
- The Earl of Dorset.
- Attributed To:
- Charles Sackville
- First Line:
- At noon in a sunshiny day
- Page No:
- pp.200-201
- Poem Title:
- Knotting.
- Attribution:
- The Earl of Dorset.
- Attributed To:
- Charles Sackville
- First Line:
- Ah Chloris tis time to disarm your bright eyes
- Page No:
- p.201
- Poem Title:
- Song. To Chloris, from the Blind Archer.
- Attribution:
- The Earl of Dorset.
- Attributed To:
- Charles Sackville
- First Line:
- Methinks the poor town has been troubled too long
- Page No:
- pp.202-203
- Poem Title:
- Song.
- Attribution:
- The Earl of Dorset.
- Attributed To:
- Charles Sackville
- First Line:
- May the ambitious ever find
- Page No:
- p.203
- Poem Title:
- Song.
- Attribution:
- The Earl of Dorset.
- Attributed To:
- Charles Sackville
- First Line:
- In grey haired Celia's withered arms
- Page No:
- p.205
- Poem Title:
- A Paraphrase of the foregoing.
- Attribution:
- The Earl of Dorset.
- Attributed To:
- Charles Sackville
- First Line:
- Dorinda's sparkling wit and eyes
- Page No:
- p.206
- Poem Title:
- Song.
- Attribution:
- The Earl of Dorset.
- Attributed To:
- Charles Sackville
- First Line:
- Phillis the fairest of love's foes
- Page No:
- p.206
- Poem Title:
- Song.
- Attribution:
- The Earl of Dorset.
- Attributed To:
- Charles Sackville
- First Line:
- Phillis for shame let us improve
- Page No:
- pp.207-208
- Poem Title:
- Song.
- Attribution:
- The Earl of Dorset.
- Attributed To:
- Charles Sackville
- First Line:
- Silvia methinks you are unfit
- Page No:
- p.207
- Poem Title:
- Song.
- Attribution:
- The Earl of Dorset.
- Attributed To:
- Charles Sackville
- First Line:
- Farewell great Charles monarch of blessed renown
- Page No:
- pp.213-217
- Poem Title:
- On the Death of His Most Sacred Majesty.
- Attribution:
- The Earl of Hallifax.
- Attributed To:
- Charles Montagu
- First Line:
- Whilst black designs that direful work of fate
- Page No:
- pp.220-223
- Poem Title:
- Ode on the Marriage of the Princess Anne and Prince George of Denmark
- Attribution:
- By the Earl of Hallifax.
- Attributed To:
- Charles Montagu
- First Line:
- Not all the threats or favour of a crown
- Page No:
- pp.223-227
- Poem Title:
- The Man of Honour; Occasioned by a Postscript of Penn's Letter.
- Attribution:
- By the Earl of Hallifax.
- Attributed To:
- Charles Montagu
- First Line:
- What shall the King the nation's genius raise
- Page No:
- pp.227-233
- Poem Title:
- An Epistle to Charles Earl of Dorset, occasioned by his Majesty's Victory in Ireland.
- Attribution:
- By the Earl of Hallifax.
- Attributed To:
- George Savile
- First Line:
- Vandyke had colours softness fire and art
- Page No:
- p.233
- Poem Title:
- Written at Althrop, in a blank Leaf of Waller's Poems, upon seeing Vandyke's Picture of the old Lady Sunderland.
- Attribution:
- By the Earl of Hallifax.
- Attributed To:
- Charles Montagu
- First Line:
- All nature's charms in Sunderland appear
- Page No:
- p.234
- Poem Title:
- Lady Sunderland.
- Attribution:
- By the Earl of Halifax.
- Attributed To:
- Charles Montagu
- First Line:
- Fairest and latest of the beauteous race
- Page No:
- p.234
- Poem Title:
- Lady Mary Churchill.
- Attribution:
- By the Earl of Hallifax.
- Attributed To:
- Charles Montagu
- First Line:
- Of two fair Richmonds different ages boast
- Page No:
- p.234
- Poem Title:
- Dutchess of Richmond.
- Attribution:
- By the Lord Hallifax.
- Attributed To:
- Charles Montagu
- First Line:
- Offspring of a tuneful sire
- Page No:
- p.234
- Poem Title:
- Dutchess of Beaufort.
- Attribution:
- By the Earl of Hallifax.
- Attributed To:
- Charles Montagu
- First Line:
- The line of Vere so long renowned in arms
- Page No:
- p.234
- Poem Title:
- Verses written for the Toasting Glasses of the Kit-cat Club, 1703.
- Attribution:
- By the Earl of Halifax.
- Attributed To:
- Charles Montagu
- First Line:
- Admired in Germany adored in France
- Page No:
- p.235
- Poem Title:
- Mademoiselle Spanheime.
- Attribution:
- By the Earl of Hallifax.
- Attributed To:
- Charles Montagu
- First Line:
- Courage dear Moll and drive away despair
- Page No:
- pp.235-236
- Poem Title:
- On the Countess Dowager of ***
- Attribution:
- By the Earl of Hallifax.
- Attributed To:
- Charles Montagu
- First Line:
- Hail tuneful pair say by what wondrous charms
- Page No:
- p.236
- Poem Title:
- On Orpheus and Signora Francisca Margaritta.
- Attribution:
- By the Earl of Hallifax.
- Attributed To:
- Charles Montagu
- First Line:
- Oh that some genius whose poetic vein
- Page No:
- p.283
- Poem Title:
- To Dr. G--th, upon the Dispensary.
- Attribution:
- C. Boyle.
- Attributed To:
- Charles Boyle
- First Line:
- Ask me not friend what I approve or blame
- Page No:
- pp.284-285
- Poem Title:
- To my Friend the Author, desiring my Opinion of his Poem.
- Attribution:
- Chr. Codrington.
- Attributed To:
- Christopher Codrington
- First Line:
- To praise your healing art would be in vain
- Page No:
- p.286
- Poem Title:
- To my Friend Dr. G--th, the Author of the Dispensary.
- Attribution:
- Tho. Cheek.
- Attributed To:
- Thomas Cheek
- First Line:
- As when the people of the northern zone
- Page No:
- pp.287-288
- Poem Title:
- To my Friend, upon the Dispensary.
- Attribution:
- H. Blount.
- Attributed To:
- H. Blount
- First Line:
- Speak goddess since tis thou that best canst tell
- Page No:
- pp.289-344
- Poem Title:
- The Dispensary.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- What frenzy has of late possessed the brain
- Page No:
- pp.347-356
- Poem Title:
- Claremont.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- In moving lines these few epistles tell
- Page No:
- pp.357-358
- Poem Title:
- To the Lady Louisa Lenos: With Ovid's Epistles.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- My lord | Our poet's rules in easy numbers tell
- Page No:
- pp.358-359
- Poem Title:
- To Richard Earl of Burlington with Ovid's Art of Love.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Cease rural conquests and set free your swains
- Page No:
- pp.359-360
- Poem Title:
- To the Dutchess of Bolton on her staying all the Winter in the Country.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Go mighty prince and those great nations see
- Page No:
- p.360
- Poem Title:
- To the Duke of Marlborough on his voluntary Banishment.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Whilst weeping Europe bends beneath her ills
- Page No:
- p.361
- Poem Title:
- To the Earl of Godolphin.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Near the vast bulk of that stupendous frame
- Page No:
- p.362
- Poem Title:
- On her Majesty's Statue in St. Paul's Churchyard.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Where where degenerate countrymen how high
- Page No:
- p.363
- Poem Title:
- On the New Conspiracy.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- At once the sun and Carlisle took their way
- Page No:
- p.364
- Poem Title:
- The Same.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Carlisle's a name can every muse inspire
- Page No:
- p.364
- Poem Title:
- Verses written for the Toasting Glasses of the Kit-Cat-Club. 1703. Lady Carlisle.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Pallas destructive to the Trojan line
- Page No:
- p.364
- Poem Title:
- On the King of Spain.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- The bravest hero and the brightest dame
- Page No:
- p.364
- Poem Title:
- Lady Essex.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Hyde though in agonies her graces keeps
- Page No:
- p.365
- Poem Title:
- On the Lady Hyde in Childbed.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- The god of wine grows jealous of his art
- Page No:
- p.365
- Poem Title:
- Lady Hyde.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- To Essex fill the sprightly wine
- Page No:
- p.365
- Poem Title:
- The Same.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Today a mighty hero comes to warm
- Page No:
- pp.365-366
- Poem Title:
- Prologue designed for Tamerlane.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- When Jove to Ida did the gods invite
- Page No:
- p.365
- Poem Title:
- Lady Wharton.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Where music and more powerful beauties reign
- Page No:
- pp.366-367
- Poem Title:
- Prologue to the Musick-meeting in York-Buildings.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Who dares not plot in this goodnatured age
- Page No:
- pp.367-368
- Poem Title:
- Prologue to the Cornish Squire, a Comedy.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Such was our builder's art that soon as named
- Page No:
- pp.368-369
- Poem Title:
- Prologue Spoken at the Opening of the Queen's Theatre in the Hay-Market.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- What odd fantastic things we women do
- Page No:
- pp.369-370
- Poem Title:
- Epilogue to the Tragedy of Cato.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Here bulged the pride of famed Ulysses' fleet
- Page No:
- p.404
- Poem Title:
- The Voyage of Aeneas continu'd.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- The galleys now by Pythecusa pass
- Page No:
- pp.404-405
- Poem Title:
- The Transformation of Cercopians into Apes.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Now on his right he leaves Parthenope
- Page No:
- pp.405-406
- Poem Title:
- Aeneas descends to Hell.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- I am no deity replied the dame
- Page No:
- p.406
- Poem Title:
- The Story of the Sibyl.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Then Macareus there reigned a prince of fame
- Page No:
- pp.407-408
- Poem Title:
- The Adventures of Macareus.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Thus Achaemenides with thanks I name
- Page No:
- p.407
- Poem Title:
- The Adventures of Achaemenides.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Before the spacious front a herd we find
- Page No:
- pp.408-409
- Poem Title:
- The Enchantments of Circe.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Picus who once the Ausonian sceptre held
- Page No:
- pp.410-413
- Poem Title:
- The Story of Picus and Canens.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Thus Macareus now with a pious aim
- Page No:
- pp.413-414
- Poem Title:
- Aeneas arrives in Italy.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- After famed Ilium was by Argives won
- Page No:
- pp.414-415
- Poem Title:
- The Adventures of Diomedes.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Meanwhile the Latians all their power prepare
- Page No:
- pp.415-417
- Poem Title:
- The Trojan Ships transform'd to Sea-Nymphs.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Thus Diomedes Venulus withdraws
- Page No:
- p.415
- Poem Title:
- The Transformation of Appulus.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Now had Aeneas as ordained by fate
- Page No:
- pp.417-418
- Poem Title:
- The Deification of Aeneas.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- A Hama-Dryad flourished in these days
- Page No:
- pp.418-421
- Poem Title:
- The Story of Vertumnus and Pomona.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Ascanius now the Latian sceptre sways
- Page No:
- p.418
- Poem Title:
- The Line of the Latian Kings.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Iphis of vulgar birth by chance had viewed
- Page No:
- pp.421-422
- Poem Title:
- The Story of Iphis and Anaxarete.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Now Procas yielding to the fates his son
- Page No:
- pp.422-423
- Poem Title:
- The Latian Line continu'd.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Now warrior Mars his burnished helm puts on
- Page No:
- pp.423-424
- Poem Title:
- The Assumption of Romulus.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Ere long the goddess of the nuptial bed
- Page No:
- pp.424-425
- Poem Title:
- The Assumption of Hersilia.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Or as when Cippus in the current viewed
- Page No:
- pp.425-426
- Poem Title:
- Ovid's Metamorphoses, Book XV. The Story of Cippus.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Can you count the silver lights
- Page No:
- p.427
- Poem Title:
- An Imitation of a French Author.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Could he whom my dissembled rigour grieves
- Page No:
- p.427
- Poem Title:
- A Soliloquy out of Italian.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- Unwieldy pedant let thy awkward muse
- Page No:
- p.443
- Poem Title:
- To the merry Poetaster at Sadlers-Hall in Cheapside.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
- First Line:
- When fame did over the spacious plain
- Page No:
- p.443
- Poem Title:
- To Mr. Gay on his Poems.
- Attribution:
- Sir Samuel Garth.
- Attributed To:
- Sir Samuel Garth
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