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The Works of the most celebrated Minor Poets [vol. 1] [2nd ed] [T185023] [ECCO]

DMI number:
820
Publication Date:
1751
Volume Number:
1 of 3
ESTC number:
T185023
EEBO/ECCO link:
CW114222299
Shelfmark:
ECCO - John Rylands
Full Title:
(1) [first title page] THE | WORKS | Of the most celebrated | Minor POETS. | NAMELY, | [2 columns] [column 1] [i] Wentworth [/i] Earl of [i] Ros- | common, | Charles [/i] Earl of [i] Dorset, | Charles [/i] Earl of [i] Hallifax, | Sydney [/i] Earl of [i] Godolphin, | John [/i] Lord [i] Somers, [/i] [/column 1] [column 2] Dr. [i] Sprat [/i] Bp. of [i] Rochester, [/i] | Sir [i] Samuel Garth, | George Stepney, [/i] Esq; |[i] William Walsh, [/i] Esq; | [i] Thomas Tickle, [/i] Esq; and | [i] Ambrose Phillips, [/i] Esq; [/column 2] | To which are added, | Pieces omitted in the WORKS of [2 columns] [column 1] Sir [i] John Suckling, [/i] | Mr. [i] Otway. | Matthew Prior, [/i] Esq; [/ column 1] [column 2] Dr. [i] King, [/i] | and | Dean [i] Swift. [/i] | [rule] | In Three VOLUMES. | [rule] | The SECOND EDITION. | [rule] | [i] LONDON: [/i] | Printed for [i] F. Cogan. [/i] at the [i] Middle-Temple Gate [/i] | MDCCLI. (2) [second title page] THE | WORKS | OF THE | most celebrated | Minor POETS. | Namely, | WENTWORTH, Earl of ROSCOMMON; | CHARLES, Earl of DORSET; | CHARLES, Earl of HALLIFAX; | Sir SAMUEL GARTH; | GEORGE STEPNEY, Esq; | WILLIAM WALSH, Esq; | THOMAS TICKELL, Esq; | Never before collect'd and publish'd together. | [rule] | VOLUME I. | [rule] | The SECOND EDITION. | [rule] | [i] LONDON: [/i] | Printed for F. COGAN, at the [i] Middle Temple | Gate. [/i] MDCCLI.
Place of Publication:
London
Genres:
Miscellany associated with group of poets
Format:
Octavo
Pagination:
CHECK
Comments:
CONTENTS: CHECK
Related Miscellanies
Title:
A Supplement To The Works Of The Most celebrated Minor Poets [vol. 3] [2nd ed] [T185023] [ECCO]
Publication Date:
1751
ESTC No:
T185023
Volume:
3 of 3
Relationship:
Volume from the same edition
Comments:
Title:
The Works of the most celebrated Minor Poets [vol. 2] [2nd ed] [T185023] [ECCO]
Publication Date:
1751
ESTC No:
T185023
Volume:
2 of 3
Relationship:
Volume from the same edition
Comments:
Related People
Publisher:
F Cogan
Confidence:
Absolute (100%)
Comments:
Content/Publication
First Line:
Happy that author whose correct essay
Page No:
pp.3-14
Poem Title:
An Essay On Translated Verse.
Attribution:
Collected under Roscommon's name.
Attributed To:
Wentworth Dillon
First Line:
Be gone you slaves you idle vermin go
Page No:
pp.15-16
Poem Title:
On Mr. Dryden's Religio Laici.
Attribution:
Collected under Roscommon's name.
Attributed To:
Wentworth Dillon
First Line:
To the pale tyrant who to horrid graves
Page No:
p.17
Poem Title:
The Dream.
Attribution:
Collected under Roscommon's name.
Attributed To:
Wentworth Dillon
First Line:
From deepest dungeons of eternal night
Page No:
pp.18-19
Poem Title:
The Ghost of the Old House Of Commons, To The New One, appointed to meet at Oxford.
Attribution:
Collected under Roscommon's name.
Attributed To:
Wentworth Dillon
First Line:
Thou happy creature art secure
Page No:
p.20
Poem Title:
On The Death of a Lady's Dog.
Attribution:
Collected under Roscommon's name.
Attributed To:
Wentworth Dillon
First Line:
Winter thy cruelty extend
Page No:
pp.20-21
Poem Title:
Song.
Attribution:
Collected under Roscommon's name.
Attributed To:
Wentworth Dillon
First Line:
Shame of my life disturber of my tomb
Page No:
p.21
Poem Title:
Ross's Ghost.
Attribution:
Collected under Roscommon's name.
Attributed To:
Wentworth Dillon
First Line:
Folly and vice are easy to describe
Page No:
p.22
Poem Title:
A Prologue Spoken to His Royal Highness the Duke of York, at Edinburgh.
Attribution:
Collected under Roscommon's name.
Attributed To:
Wentworth Dillon
First Line:
You've seen tonight the glory of the east
Page No:
pp.23-24
Poem Title:
Epilogue To Alexander the Great, When acted at the theatre in Dublin.
Attribution:
Collected under Roscommon's name.
Attributed To:
Wentworth Dillon
First Line:
The mighty rivals whose destructive rage
Page No:
pp.24-25
Poem Title:
Prologue to Pompey, A Tragedy. Translated by Mrs. K. Philips, from the French of Monsieur Corneille, and acted at the theatre in Dublin.
Attribution:
Collected under Roscommon's name.
Attributed To:
Wentworth Dillon
First Line:
O azure vaults o crystal sky
Page No:
pp.25-28
Poem Title:
A Paraphrase On The CXLVIIIth Psalm.
Attribution:
Collected under Roscommon's name.
Attributed To:
Wentworth Dillon
First Line:
The day of wrath that dreadful day
Page No:
pp.28-30
Poem Title:
The Day of Judgment.
Attribution:
Collected under Roscommon's name.
Attributed To:
Wentworth Dillon
First Line:
Ah happy grove dark and secure retreat
Page No:
pp.31-32
Poem Title:
Part of the Fifth Scene of the Second Act in Guarini's Pastor Fido, Translated.
Attribution:
Collected under Roscommon's name.
Attributed To:
Wentworth Dillon
First Line:
I first of Romans stooped to rural strains
Page No:
pp.33-36
Poem Title:
Virgil's Sixth Eclogue, Silenus. Translated. With Remarks.
Attribution:
Collected under Roscommon's name.
Attributed To:
Wentworth Dillon
First Line:
Virtue dear friend needs no defence
Page No:
p.38
Poem Title:
The Twenty Second Ode Of The First Book of Horace.
Attribution:
Collected under Roscommon's name.
Attributed To:
Wentworth Dillon
First Line:
Virtue dear friend needs no defence
Page No:
p.39
Poem Title:
The Same imitated.
Attribution:
Collected under Roscommon's name.
Attributed To:
Wentworth Dillon
First Line:
If in a picture Piso you should see
Page No:
pp.40-55
Poem Title:
Horace Of The Art of Poetry.
Attribution:
Collected under Roscommon's name.
Attributed To:
Wentworth Dillon
First Line:
Queen of riches happy peace
Page No:
p.88
Poem Title:
[No title]
Attribution:
Attributed To:
Not attributed
First Line:
Happy the man who gives a loose to joy
Page No:
p.96
Poem Title:
[no title]
Attribution:
Attributed To:
Not attributed
First Line:
Come on you critics find one fault who dare
Page No:
pp.125-126
Poem Title:
To Mr. Edward Howard, On his incomparable incomprehensible Poem, Called The British Princes.
Attribution:
Collected under Dorset's name.
Attributed To:
Charles Sackville
First Line:
Entreaty shall not serve nor violence
Page No:
pp.[126]-[127]
Poem Title:
Epilogue On the Revival of Ben Johnson's Play, called, Every Man in his Humour.
Attribution:
Collected under Dorset's name.
Attributed To:
Charles Sackville
First Line:
Thou damned Antipodes to common sense
Page No:
pp.126-127
Poem Title:
To the same on his Plays.
Attribution:
Collected under Dorset's name.
Attributed To:
Charles Sackville
First Line:
Tarugo gave us wonder and delight
Page No:
pp.127-128
Poem Title:
To Sir Thomas St. Serfe, on the printing his Play, called Tarugo's Wiles. Acted 1668.
Attribution:
Collected under Dorset's name.
Attributed To:
Charles Sackville
First Line:
To all you ladies now at land
Page No:
pp.[128]-130
Poem Title:
Song; Written at Sea, in the first Dutch War, 1665, the Night before an Engagement.
Attribution:
Collected under Dorset's name.
Attributed To:
Charles Sackville
First Line:
Proud with the spoils of royal cully
Page No:
p.131-132
Poem Title:
On the Same.
Attribution:
Collected under Dorset's name.
Attributed To:
Charles Sackville
First Line:
Tell me Dorinda why so gay
Page No:
p.131
Poem Title:
On the Countess of Dorchester, Mistress to King James the Second. Written in 1680.
Attribution:
Collected under Dorset's name.
Attributed To:
Charles Sackville
First Line:
At noon in a sunshiny day
Page No:
pp.132-133
Poem Title:
Knotting.
Attribution:
Collected under Dorset's name.
Attributed To:
Charles Sackville
First Line:
Ah Chloris tis time to disarm your bright eyes
Page No:
pp.133-134
Poem Title:
Song To Chloris, from the Blind Archer.
Attribution:
Collected under Dorset's name.
Attributed To:
Charles Sackville
First Line:
Methinks the poor town has been troubled too long
Page No:
pp.134-135
Poem Title:
Song.
Attribution:
Collected under Dorset's name.
Attributed To:
Charles Sackville
First Line:
May the ambitious ever find
Page No:
p.135
Poem Title:
Song.
Attribution:
Collected under Dorset's name.
Attributed To:
Charles Sackville
First Line:
In grey haired Celia's withered arms
Page No:
p.137
Poem Title:
A Paraphrase on the French.
Attribution:
Collected under Dorset's name.
Attributed To:
Charles Sackville
First Line:
Dorinda's sparkling wit and eyes
Page No:
p.138
Poem Title:
Song.
Attribution:
Collected under Dorset's name.
Attributed To:
Charles Sackville
First Line:
Phillis the fairest of love's foes
Page No:
p.138
Poem Title:
Song.
Attribution:
Collected under Dorset's name.
Attributed To:
Charles Sackville
First Line:
Sylvia methinks you are unfit
Page No:
p.139
Poem Title:
Song.
Attribution:
Collected under Dorset's name.
Attributed To:
Charles Sackville
First Line:
Farewell great Charles monarch of blessed renown
Page No:
pp.143-147
Poem Title:
On The Death of His Most Sacred Majesty King Charles II.
Attribution:
Collected under Halifax's name.
Attributed To:
Charles Montagu
First Line:
Whilst black designs that direful work of fate
Page No:
pp.147-150
Poem Title:
Ode On the marriage of the princess Anne and prince George of Denmark.
Attribution:
Collected under Halifax's name.
Attributed To:
Charles Montagu
First Line:
Not all the threats or favour of a crown
Page No:
pp.151-155
Poem Title:
The Man of Honour; Occasioned by a Postscript to Penn's Letter.
Attribution:
Collected under Halifax's name.
Attributed To:
Charles Montagu
First Line:
What shall the King the nation's genius raise
Page No:
pp.155-161
Poem Title:
An Epistle to Charles earl of Dorset, occasioned by His Majesty's victory in Ireland.
Attribution:
Collected under Halifax's name.
Attributed To:
Charles Montagu
First Line:
Vandyke had colours softness fire and art
Page No:
pp.161-162
Poem Title:
Written at Althrop, in a blank leaf of Waller's poems, upon seeing Vandyke's picture of the old lady Sunderland.
Attribution:
Collected under Halifax's name.
Attributed To:
Charles Montagu
First Line:
Fairest and latest of the beauteous race
Page No:
p.162
Poem Title:
Lady Mary Churchill.
Attribution:
Collected under the name of Hallifax.
Attributed To:
Charles Montagu
First Line:
Of two fair Richmonds different ages boast
Page No:
p.162
Poem Title:
Dutchess of Richmond.
Attribution:
Collected under the name of Hallifax.
Attributed To:
Charles Montagu
First Line:
Offspring of a tuneful sire
Page No:
p.162
Poem Title:
Duchess of Beaufort.
Attribution:
Collected under the name of Hallifax.
Attributed To:
Charles Montagu
First Line:
The line of Vere so long renowned in arms
Page No:
p.162
Poem Title:
Verses written for the Toasting-Glasses of the Kit-Cat Club, 1703. Dutchess of St. Albans.
Attribution:
Collected under the name of Hallifax.
Attributed To:
Charles Montagu
First Line:
Admired in Germany adored in France
Page No:
p.163
Poem Title:
Mademoiselle Spanheime.
Attribution:
Collected under the name of Halifax.
Attributed To:
Charles Montagu
First Line:
All nature's charms in Sunderland appear
Page No:
p.163
Poem Title:
Lady Sunderland.
Attribution:
Collected under the name of Halifax.
Attributed To:
Charles Montagu
First Line:
In moving lines these few epistles tell
Page No:
pp.232-233
Poem Title:
To the Lady Louisa Lenos: With Ovid's Epistles.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
My lord | Our poet's rules in easy numbers tell
Page No:
pp.233-234
Poem Title:
To Richard Earl of Burlington, with Ovid's Art of Love.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
Carlisle's a name can every muse inspire
Page No:
p.234
Poem Title:
Lady Carlisle.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
At once the sun and Carlisle took their way
Page No:
p.235
Poem Title:
The Same.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
Hyde though in agonies her graces keeps
Page No:
p.235
Poem Title:
On Lady Hyde in child-bed.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
The bravest hero and the brightest dame
Page No:
p.235
Poem Title:
Lady Essex.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
The god of wine grows jealous of his art
Page No:
p.235
Poem Title:
Lady Hyde.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
To Essex fill the sprightly wine
Page No:
p.235
Poem Title:
The Same.
Attribution:
Collected under Garth's' name.
Attributed To:
Sir Samuel Garth
First Line:
When Jove to Ida did the gods invite
Page No:
p.235
Poem Title:
Lady Wharton.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
While weeping Europe bends beneath her ills
Page No:
p.236
Poem Title:
To the Earl of Godolphin.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
Cease rural conquests and set free your swains
Page No:
p.237
Poem Title:
To the Dutchess of B — on her staying all the winter in the country.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
Pallas destructive to the Trojan line
Page No:
p.237
Poem Title:
On the King of Spain.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
Today a mighty hero comes to warm
Page No:
p.238
Poem Title:
Prologue designed for Tamerlane.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
What odd fantastic things we women do
Page No:
p.239
Poem Title:
Epilogue to the Tragedy of Cato.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
Where music and more powerful beauties reign
Page No:
p.239
Poem Title:
Prologue to the Musick-meeting in York-Buildings.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
What frenzy has of late possessed the brain
Page No:
pp.241-251
Poem Title:
Claremont Addressed to the Earl of Clare.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
Now Glaucus with a lover's haste bounds over
Page No:
pp.283-285
Poem Title:
Ovid's Metamorphoses. Book XIV. The Transformation of Scylla.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
Here bulged the pride of famed Ulysses' fleet
Page No:
p.285
Poem Title:
The Voyage of Aeneas continued.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
The galleys now by Pythecusa pass
Page No:
pp.285-286
Poem Title:
Ovid's Metamorphoses. Book XIV...The Transformation of Cercopians into Apes.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
Now on his right he leaves Parthenope
Page No:
p.286
Poem Title:
Ovid's Metamorphoses. Book XIV...Aeneas descends to Hell.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
I am no deity replied the dame
Page No:
p.287
Poem Title:
Ovid's Metamorphoses. Book XIV...The story of the Sibyl.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
Thus Achaemenides with thanks I name
Page No:
pp.287-288
Poem Title:
Ovid's Metamorphoses. Book XIV...The adventures of Achaemenides.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
Then Macareus there reigned a prince of fame
Page No:
pp.288-289
Poem Title:
Ovid's Metamorphoses. Book XIV...The adventures of Macareus.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
Before the spacious front a herd we find
Page No:
pp.289-290
Poem Title:
The enchantments of Circe.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
Picus who once the Ausonian sceptre held
Page No:
pp.290-294
Poem Title:
Ovid's Metamorphoses. Book XIV...The story of Picus and Canens.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
Thus Macareus now with a pious aim
Page No:
pp.294-295
Poem Title:
Ovid's Metamorphoses. Book XIV...Aeneas arrives in Italy.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
After famed Ilium was by Argives won
Page No:
pp.295-296
Poem Title:
Ovid's Metamorphoses. Book XIV...The Adventures of Diomedes.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
Meanwhile the Latians all their power prepare
Page No:
pp.296-298
Poem Title:
Ovid's Metamorphoses. Book XIV...The Trojan Ships transformed to sea-nymphs.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
Thus Diomedes Venulus withdraws
Page No:
p.296
Poem Title:
Ovid's Metamorphoses. Book XIV...The transformation of Appulus.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
Now had Aeneas as ordained by fate
Page No:
pp.298-299
Poem Title:
Ovid's Metamorphoses. Book XIV...The Deification of Aeneas.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
Ascanius now the Latian sceptre sways
Page No:
p.299
Poem Title:
Ovid's Metamorphoses. Book XIV...The Line of Latin Kings.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
A Hama-Dryad flourished in these days
Page No:
pp.300-302
Poem Title:
Ovid's Metamorphoses. Book XIV...The Story of Vertumnus and Pomona.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
Iphis of vulgar birth by chance had viewed
Page No:
pp.302-304
Poem Title:
Ovid's Metamorphoses. Book XIV...The Story of Iphis and Anaxarete.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
Now Procas yielding to the fates his son
Page No:
pp.304-305
Poem Title:
Ovid's Metamorphoses. Book XIV...The Latian line continued.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
Ere long the goddess of the nuptial bed
Page No:
pp.305-306
Poem Title:
Ovid's Metamorphoses. Book XIV...The assumption of Hersilia.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
Now warrior Mars his burnished helm puts on
Page No:
p.305
Poem Title:
Ovid's Metamorphoses. Book XIV...The assumption of Romulus.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth
First Line:
Or as when Cippus in the current viewed
Page No:
pp.307-308
Poem Title:
Ovid's Metamorphoses. Book XV. The Story of Cippus.
Attribution:
Collected under Garth's name.
Attributed To:
Sir Samuel Garth