The sixth part of miscellany poems [ecco] [T117014]

DMI number:

692

Aliases

Dryden/Tonson Miscellany Poems. Volume 6.

Confidence:

Absolute (100%)

Evidence:

Publication Date:

1727

Volume Number:

6 of 6

ESTC number:

T117014

EEBO/ECCO link:

CW112586525

Shelfmark:

ECCO - BOD

Full Title:

The SIXTH PART of | Miscellany Poems. | Containing Variety of New | TRANSLATIONS | OF THE | [i]ANCIENT POETS:[/i] | Together with Several | ORIGINAL POEMS. | [rule] | [i]By the Most Eminent Hands.[/i] | [rule] | Publish'd by Mr. [i]DRYDEN[/i]. | [rule] | The FIFTH EDITION. | [rule] | [i]LONDON:[/i] | Printed for J. TONSON in the [i]Strand.[/i] | [short rule] | M DCC XXVII.

Place of Publication:

London

Format:

Duodecimo

Bibliographic details:

Some items have separate title pages.

Comments:

Plates: frontispiece. Contents: Latin verse p. 60.

Other matter:

Contents [7pp.]

References:

Case 172 (6) (c)

Related Miscellanies

Title:

Poetical Miscellanies: the sixth part [T142876]

Publication Date:

1709

ESTC No:

T142876

Volume:

6 of 6

Relationship:

Another Edition of

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Title:

The sixth part of miscellany poems [T175048]

Publication Date:

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Publication Date:

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N6500

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Comments:

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Examen poeticum: being the third part of miscellany poems [ESTC R122]

Publication Date:

1693

ESTC No:

R122

Volume:

1 of 1

Relationship:

Part of a Series

Comments:

Title:

Examen poeticum: being the third part of miscellany poems [ESTC R228541]

Publication Date:

1693

ESTC No:

R228541

Volume:

1 of 1

Relationship:

Part of a Series

Comments:

Title:

Miscellany poems [ESTC R297]

Publication Date:

1684

ESTC No:

R297

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1 of 1

Relationship:

Part of a Series

Comments:

Title:

Miscellany poems: in two parts [ESTC R31378]

Publication Date:

1692

ESTC No:

R31378

Volume:

1 of 1

Relationship:

Part of a Series

Comments:

Title:

Miscellany poems: the first part [T117015]

Publication Date:

1702

ESTC No:

T117015

Volume:

1 of 1

Relationship:

Part of a Series

Comments:

Title:

Poetical miscellanies: the fifth part [T161282]

Publication Date:

1704

ESTC No:

T161282

Volume:

1 of 1

Relationship:

Part of a Series

Comments:

Title:

Sylvae: or the second part of poetical miscellanies [T116469]

Publication Date:

1702

ESTC No:

T116469

Volume:

1 of 1

Relationship:

Part of a Series

Comments:

Title:

Sylvae: or, the second part of poetical miscellanies [ESTC R1682]

Publication Date:

1685

ESTC No:

R1682

Volume:

1 of 1

Relationship:

Part of a Series

Comments:

Title:

Sylvae: or, the second part of poetical miscellanies [ESTC R31379]

Publication Date:

1692

ESTC No:

R31379

Volume:

1 of 1

Relationship:

Part of a Series

Comments:

Title:

Sylvae: or, the second part of poetical miscellanies [ESTC R41930]

Publication Date:

1693

ESTC No:

R41930

Volume:

1 of 1

Relationship:

Part of a Series

Comments:

Title:

The annual miscellany for the year 1694, being the fourth part of miscellany poems [N34956]

Publication Date:

1708

ESTC No:

N34956

Volume:

4 of 6

Relationship:

Part of a Series

Comments:

Title:

The annual miscellany: for the year 1694 [ESTC R22916]

Publication Date:

1694

ESTC No:

R22916

Volume:

1 of 1

Relationship:

Part of a Series

Comments:

Title:

The fifth part of miscellany poems [T214159]

Publication Date:

1716

ESTC No:

T214159

Volume:

5 of 6

Relationship:

Part of a Series

Comments:

Title:

The first part of miscellany poems [N6906]

Publication Date:

1716

ESTC No:

N6906

Volume:

1 of 6

Relationship:

Part of a Series

Comments:

Title:

The fourth part of miscellany poems [N64834]

Publication Date:

1716

ESTC No:

N64834

Volume:

4 of 6

Relationship:

Part of a Series

Comments:

Title:

The second part of miscellany poems [N70161]

Publication Date:

1716

ESTC No:

N70161

Volume:

2 of 6

Relationship:

Part of a Series

Comments:

Title:

The third part of miscellany poems [N49205]

Publication Date:

1716

ESTC No:

N49205

Volume:

3 of 6

Relationship:

Part of a Series

Comments:

Title:

The fifth part of miscellany poems [ecco] [T117014]

Publication Date:

1727

ESTC No:

T117014

Volume:

5 of 6

Relationship:

Volume from the same edition

Comments:

Title:

The first part of miscellany poems [T117014] [ecco]

Publication Date:

1727

ESTC No:

T117014

Volume:

1 of 6

Relationship:

Volume from the same edition

Comments:

Title:

The fourth part of miscellany poems [ecco] [T117014]

Publication Date:

1727

ESTC No:

T117014

Volume:

4 of 6

Relationship:

Volume from the same edition

Comments:

Title:

The second part of miscellany poems [T117014] [ECCO]

Publication Date:

1727

ESTC No:

T117014

Volume:

2 of 6

Relationship:

Volume from the same edition

Comments:

Title:

The third part of miscellany poems [ecco] [T117014]

Publication Date:

1727

ESTC No:

T117014

Volume:

3 of 6

Relationship:

Volume from the same edition

Comments:

Title:

The annual miscellany: for the year 1694 [ESTC R22916]

Publication Date:

1694

ESTC No:

R22916

Volume:

1 of 1

Relationship:

Part of a Series

Comments:

Related People

Editor:

John Dryden

Confidence:

Absolute (100%)

Comments:

Publisher:

Jacob Tonson

Confidence:

Absolute (100%)

Comments:

Content/Publication

First Line:

If we O Dorset quit the city throng

Page No:

pp.3-5

Poem Title:

The First Pastoral. Lobbin.

Attribution:

By Mr. Philips.

Attributed To:

Ambrose Philips

First Line:

Thy cloudy looks why melting thus in tears

Page No:

pp.6-9

Poem Title:

The Second Pastoral. Thenot. Colinet.

Attribution:

By Mr. Philips.

Attributed To:

Ambrose Philips

First Line:

When Virgil thought no shame the dorick reed

Page No:

pp.10-12

Poem Title:

The Third Pastoral.

Attribution:

By Mr. Philips.

Attributed To:

Ambrose Philips

First Line:

This place may seem for shepherds leisure made

Page No:

pp.13-16

Poem Title:

The Fourth Pastoral. Mico. Argol.

Attribution:

By Mr. Philips.

Attributed To:

Ambrose Philips

First Line:

In rural strains we first our music try

Page No:

pp.16-19

Poem Title:

The Fifth Pastoral.

Attribution:

By Mr. Philips.

Attributed To:

Ambrose Philips

First Line:

How still the sea behold how calm the sky

Page No:

pp.19-23

Poem Title:

The Sixth Pastoral. Geron. Hobbinol. Lanquet.

Attribution:

By Mr. Philips.

Attributed To:

Ambrose Philips

First Line:

Give me a soul so great so high

Page No:

pp.23-24

Poem Title:

True Greatness.

Attribution:

Attributed To:

Not attributed

First Line:

Begin my lyre the great creator's praise

Page No:

pp.24-28

Poem Title:

Paraphrase upon Psalm CIV.

Attribution:

By Mr. J. Trapp.

Attributed To:

Joseph Trapp

First Line:

There lived in Lombardy as authors write

Page No:

pp.29-49

Poem Title:

January and May; Or the Merchant's Tale: From Chaucer.

Attribution:

By Mr. Alexander Pope.

Attributed To:

Alexander Pope

First Line:

Pretty nymph within this shade

Page No:

pp.50-52

Poem Title:

A Pastoral Dialogue, between Two Shepherdesses.

Attribution:

By the Author of the Poem on the Spleen.

Attributed To:

Not attributed

First Line:

Could our first father at his toilsome plough

Page No:

pp.52-53

Poem Title:

Adam Pos'd.

Attribution:

By the same Hand. [i.e. the author of the poem on the Spleen]

Attributed To:

Not attributed

First Line:

While monarchs in stern battle strove

Page No:

pp.53-54

Poem Title:

Alcidor.

Attribution:

By the same Hand. [i.e. The Author of the Spleen]

Attributed To:

Not attributed

First Line:

In ancient times as story tells

Page No:

pp.55-59

Poem Title:

Baucis and Philemon: Imitated from Ovid.

Attribution:

Attributed To:

Not attributed

First Line:

When Cupid did his grandsire Jove entreat

Page No:

pp.59-60

Poem Title:

On Mrs Biddy Floyd.

Attribution:

Attributed To:

Not attributed

First Line:

But vexed with rebels and a stubborn race

Page No:

p.61

Poem Title:

Translations of the Sortes Virgillianae. King Charles the First's.

Attribution:

Attributed To:

Not attributed

First Line:

O Pallas this was not thy promised vow

Page No:

p.61

Poem Title:

The Lord Falkland's.

Attribution:

Attributed To:

Not attributed

First Line:

In these more dull as more censorious days

Page No:

pp.62-63

Poem Title:

To my Friend, Mr. Pope, on his Pastorals.

Attribution:

By Mr. Wycherley.

Attributed To:

William Wycherley

First Line:

In Tempe's shades thus to the list'ning throng

Page No:

pp.63-65

Poem Title:

To Mr. Pope.

Attribution:

By another Hand.

Attributed To:

Not attributed

First Line:

The man resolved and steady to his trust

Page No:

pp.65-68

Poem Title:

Horace, Ode III. Book III.

Attribution:

Attributed To:

Not attributed

First Line:

Erminia by the centinels surprized

Page No:

pp.69-72

Poem Title:

The Story of Erminia, translated from Tasso's Jerusalem, Book VII. Inscrib'd to the Right Honourable the Lady Viscountess Weymouth.

Attribution:

Attributed To:

Not attributed

First Line:

Then never let me see her more

Page No:

p.73

Poem Title:

Song.

Attribution:

Attributed To:

Not attributed

First Line:

Why we love and why we hate

Page No:

p.73

Poem Title:

Song.

Attribution:

By the same Hand [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

Beneath the covert of a grove

Page No:

p.74

Poem Title:

Anacreontique.

Attribution:

By the same Hand. [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

The hermit's solace in his cell

Page No:

p.74

Poem Title:

In Answer to the Question, What is Thought?

Attribution:

By the same Hand [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

Why so coy my lovely maid

Page No:

p.74

Poem Title:

Anacreon, Ode XXXIV.

Attribution:

By the same Hand [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

Inhuman Sacharissa not to love

Page No:

p.75

Poem Title:

Reading Mr. Waller.

Attribution:

By the same Hand [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

So when the sun with his meridian light

Page No:

p.75

Poem Title:

Half Masking her Self when she Smiled.

Attribution:

By the same Hand [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

This posture and these tears that heaven might move

Page No:

p.75

Poem Title:

Lying at her Feet.

Attribution:

By the same Hand [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

Attend my soul the early birds inspire

Page No:

p.76

Poem Title:

Occasion'd by the early Singing of a Lark.

Attribution:

By the same Hand [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

When gamesome youth and love's unruly fire

Page No:

pp.76-77

Poem Title:

A Midnight Thought.

Attribution:

By the same Hand [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

Blessed Cecilia charming maid

Page No:

pp.77-79

Poem Title:

An Ode for St. Cecilia's Day, 1699.

Attribution:

Attributed To:

Not attributed

First Line:

Take pity Sylvia charming fair

Page No:

pp.79-80

Poem Title:

Song. To the Fickle Sylvia.

Attribution:

Attributed To:

Not attributed

First Line:

Safely perhaps dull crowds admire

Page No:

pp.80-81

Poem Title:

[no title]

Attribution:

Written by the Earl of Mulgrave, now Marquess of Normanby.

Attributed To:

John Sheffield

First Line:

Thus Hector great in arms contends in vain

Page No:

pp.81-91

Poem Title:

The Episode of Sarpedon, translated from the Twelfth and Sixteenth Books of Homer's Iliads.

Attribution:

By Mr. Alexander Pope.

Attributed To:

Alexander Pope

First Line:

In moving lines these few epistles tell

Page No:

pp.91-92

Poem Title:

To the Lady Lovisa Lenos: With Ovid's Epistles.

Attribution:

By Dr. Garth.

Attributed To:

Sir Samuel Garth

First Line:

What heart but yours could hold this double fire

Page No:

pp.92-93

Poem Title:

To a Person who was Designing to retire into a Monastery.

Attribution:

Written by the Earl of M------, now D. of B------.

Attributed To:

John Sheffield

First Line:

In fruitful Lombardy of yore

Page No:

pp.94-106

Poem Title:

Woman.

Attribution:

Attributed To:

Not attributed

First Line:

Caesar | If now these bodies want their pile and urn

Page No:

p.106

Poem Title:

From Lucan. Upon Caesar's looking upon the dead Bodies after the Battel of Pharsalia, and not suffering them to be Burnt. [Latin] Thus English'd.

Attribution:

Attributed To:

Not attributed

First Line:

Move faster life thou tiresome guest away

Page No:

pp.107-111

Poem Title:

Gallus: Eleg. I.

Attribution:

Attributed To:

Not attributed

First Line:

No change of seasons or excess was there

Page No:

p.107

Poem Title:

Alcimus Avitus's Description of Paradise. [Latin text] Thus English'd.

Attribution:

Attributed To:

Not attributed

First Line:

One labour Arethusa to the past

Page No:

pp.111-113

Poem Title:

The Love of Gallus: Translated from Virgil's Tenth Eclogue.

Attribution:

By Mr. J. Trapp.

Attributed To:

Joseph Trapp

First Line:

He too at Caesar's murther pitying Rome

Page No:

pp.114-115

Poem Title:

The Description of the Prodigies which attended the Death of Julius Caesar. Translated into Blank Verse, from the latter End of the first Book of Virgil's Georgicks.

Attribution:

By J. Trapp.

Attributed To:

Joseph Trapp

First Line:

Hence Epaphus the illustrious title bears

Page No:

pp.116-127

Poem Title:

The Story of Phaeton. Translated from the Conclusion of the First, and the Beginning of the Second Book of Ovid's Metamorphoses.

Attribution:

By J. Trapp.

Attributed To:

Joseph Trapp

First Line:

I am cried Apollo when Daphne he wooed

Page No:

pp.127-128

Poem Title:

To Apollo making Love. From Monsieur Fontenelle.

Attribution:

By Mr. Tickell.

Attributed To:

Thomas Tickell

First Line:

Much had I heard of fair Francelia's name

Page No:

pp.128-129

Poem Title:

The Fatal Curiosity.

Attribution:

By the same Hand. [i.e. Tickell]

Attributed To:

Thomas Tickell

First Line:

The opera first Italian masters taught

Page No:

pp.129-130

Poem Title:

To the Author of Rosamond, an Opera.

Attribution:

By the same Hand [i.e. Tickell]

Attributed To:

Thomas Tickell

First Line:

Lavish of wit and bold appear the lines

Page No:

p.131

Poem Title:

To a Lady; with the Description of the Phoenix.

Attribution:

By the same Hand [i.e. Tickell]

Attributed To:

Thomas Tickell

First Line:

In utmost ocean lies a lovely isle

Page No:

pp.132-135

Poem Title:

A Description of the Phoenix: Translated from Claudian.

Attribution:

By the same Hand. [i.e. Tickell]

Attributed To:

Thomas Tickell

First Line:

The fragrant painting of our flowery fields

Page No:

pp.136-137

Poem Title:

To a Lady; with a Present of Flowers.

Attribution:

By the same Hand. [i.e. Tickell]

Attributed To:

Thomas Tickell

First Line:

The greatest swain that treads the Arcadian grove

Page No:

p.136

Poem Title:

Verses sent to the Hon. Mrs. Margaret Lowther on her Marriage. Translated from Menage.

Attribution:

By the same Hand. [i.e. Tickell]

Attributed To:

Thomas Tickell

First Line:

As Damon Chloe's painted form surveyed

Page No:

pp.137-138

Poem Title:

On a Lady's Picture: To Gilfred Lawson, Esq;

Attribution:

By the same Hand [i.e. Tickell]

Attributed To:

Thomas Tickell

First Line:

With wished success these mineral springs I tried

Page No:

p.138

Poem Title:

Written at Bath.

Attribution:

Attributed To:

Not attributed

First Line:

Reflecting how even common sense was gone

Page No:

p.139

Poem Title:

Love and Folly.

Attribution:

Attributed To:

Not attributed

First Line:

The bride at length the care of love appears

Page No:

pp.140-144

Poem Title:

Part of the Cento of Ausonius, imitated in English Verse.

Attribution:

Attributed To:

Not attributed

First Line:

The poets sing of old that amorous Jove

Page No:

p.144

Poem Title:

The Husband.

Attribution:

By a Lady.

Attributed To:

Not attributed

First Line:

My lord whence comes it that with wavering thought

Page No:

pp.145-153

Poem Title:

An Imitation of the First Satyr of the First Book of Horace.

Attribution:

By a Young Gentleman at Cambridge.

Attributed To:

Not attributed

First Line:

Indulgent quiet power serene

Page No:

pp.155-158

Poem Title:

Horace's Otium Divos, &c. Lib. II. Ode XVI. to his Friend Grosphus. Imitated in Paraphrase.

Attribution:

By Mr. J. Hughes.

Attributed To:

John Hughes

First Line:

O death what power is thine that distant thus

Page No:

p.158

Poem Title:

A Thought on Death.

Attribution:

By Mr. Grove.

Attributed To:

Henry Grove

First Line:

I bless my god for every sense

Page No:

pp.159-160

Poem Title:

A Hymn on Sight.

Attribution:

By the same Hand [i.e. Grove]

Attributed To:

Henry Grove

First Line:

So would descending angels charm the sight

Page No:

pp.160-161

Poem Title:

Of a Lady at the Opera; drest in White.

Attribution:

Attributed To:

Not attributed

First Line:

Why with such freedom should the town accuse

Page No:

pp.161-170

Poem Title:

The Celebrated Beauties. A Poem, occasioned upon being suspected of writing The British Court.

Attribution:

Attributed To:

Not attributed

First Line:

The gods at first in pity to our race

Page No:

p.170

Poem Title:

On the Countess of Br---wt---r's Recovery.

Attribution:

Attributed To:

Not attributed

First Line:

Trust not false man the experienced Prisca cries

Page No:

pp.171-172

Poem Title:

Prica's Advice to Novinda.

Attribution:

Attributed To:

Not attributed

First Line:

When generous Prisca's early counsel came

Page No:

pp.172-174

Poem Title:

Novinda's Answer to Prisca.

Attribution:

Attributed To:

Not attributed

First Line:

Giants that durst invade the sky

Page No:

p.174

Poem Title:

Of a Dwarf Courting a Bright Lady.

Attribution:

Attributed To:

Not attributed

First Line:

Whilst tears overflow the royal widow's bed

Page No:

p.175

Poem Title:

To the Queen; upon the Death of His Royal Highness.

Attribution:

Attributed To:

Not attributed

First Line:

Amidst the joy that flows from every tongue

Page No:

p.176

Poem Title:

To the Right Honourable the Lord Villiers, on his taking his Master of Arts Degree at Cambridge, in the Year 1700.

Attribution:

By Mr. William Worts of Cambridge.

Attributed To:

William Worts

First Line:

Go happy book and let Mirtilla see

Page No:

p.177

Poem Title:

Presenting A Father's Advice to his Daughter.

Attribution:

By the same Hand [i.e. Worts]

Attributed To:

William Worts

First Line:

Let gaudy Phillis charm the cringing fools

Page No:

p.177

Poem Title:

To a Witty and Genteel Lady.

Attribution:

By the same Hand [i.e. Worts]

Attributed To:

William Worts

First Line:

Renowned in arms when mighty heroes rise

Page No:

pp.178-180

Poem Title:

On Her Majesty's Grant of Woodstock Park, &c. to his Grace the Duke of Marlborough, 1704. In a Letter to Signior Antonio Verrio at Hampton Court.

Attribution:

Attributed To:

Not attributed

First Line:

Could but my words my real passion show

Page No:

p.178

Poem Title:

Written in the Blank Leaf of a Lady's Prior.

Attribution:

By the same Hand [i.e. Worts]

Attributed To:

William Worts

First Line:

As some brave knight who once with spear and shield

Page No:

pp.180-181

Poem Title:

Epilogue, spoken by Mrs. Barry, at her Playing in Love for Love with Mrs. Bracegirdle; for the Benefit of Mr Betterton.

Attribution:

By Mr. Rowe.

Attributed To:

Nicholas Rowe

First Line:

Pallas destructive to the Trojan line

Page No:

p.181

Poem Title:

On the King of Spain.

Attribution:

Attributed To:

Not attributed

First Line:

Ye commons and peers

Page No:

pp.182-186

Poem Title:

A Ballad: On the Victory at Audenarde.

Attribution:

Attributed To:

Not attributed

First Line:

From Danube's banks thy two chief stones were brought

Page No:

p.188

Poem Title:

Design'd to be Written on Blenheim-Castle Gate.

Attribution:

Attributed To:

Not attributed

First Line:

Hail heaven-born muse that with celestial flame

Page No:

pp.188-191

Poem Title:

To Mr. W--- on Reading his Poems.

Attribution:

By Mr. Joseph Standen.

Attributed To:

Joseph Standen

First Line:

As in a starry night the lonely swain

Page No:

pp.191-194

Poem Title:

On the Duke of Marlborough's Victory at Audenard, just after the Loss of Ghent and Bruges.

Attribution:

By L. Eusden, of Trinity-College, Cambridge.

Attributed To:

Laurence Eusden

First Line:

Long have we safe time's envious fury scorned

Page No:

pp.194-196

Poem Title:

To the Reverend Dr. Bentley, on the Opening of Trinity -College Chappel, Cambridge.

Attribution:

By the same Hand [i.e. Eusden]

Attributed To:

Laurence Eusden

First Line:

From things considered with a stricter view

Page No:

pp.196-197

Poem Title:

Part of the last Chorus of the Fourth Act of Medea. Imitated from the Greek of Euripides.

Attribution:

By the same Hand. [i.e. Eusden]

Attributed To:

Laurence Eusden

First Line:

Sing muse the conscious torch whose nightly flame

Page No:

pp.198-209

Poem Title:

Hero and Leander: A Poem, Translated from the Greek.

Attribution:

By the same Hand. [i.e. Eusden]

Attributed To:

Laurence Eusden

First Line:

As when some merchant on the stormy main

Page No:

pp.210-213

Poem Title:

Verses on the Death of the Duke of Gloucester.

Attribution:

Attributed To:

Not attributed

First Line:

Hail happy happy day

Page No:

pp.213-214

Poem Title:

To Mrs. E. C. on her Birth-Day, Decemb. 11. To be Sung to Musick.

Attribution:

Attributed To:

Not attributed

First Line:

From a warm clime and generous soil

Page No:

pp.214-215

Poem Title:

To Mrs. M. M. with a Bough of an Orange-Tree.

Attribution:

By Mr. Harrison, of New-College, Oxon.

Attributed To:

William Harrison

First Line:

Cheering Phoebus come away

Page No:

pp.215-216

Poem Title:

To the Spring: An Invocation. Written in the Person of Anacreon.

Attribution:

By J. L.

Attributed To:

Not attributed

First Line:

Before by death you newer knowledge gain

Page No:

pp.216-227

Poem Title:

The Philosopher's Disquisition directed to the Dying Christian.

Attribution:

By Sir W. Davenant, Knight.

Attributed To:

Sir William Davenant

First Line:

The good in graves as heavenly seed are sown

Page No:

pp.228-229

Poem Title:

The Christian's Reply to the Philosopher.

Attribution:

By the same Hand [i.e. Davenant]

Attributed To:

Sir William Davenant

First Line:

Sweet spouse you must presently troop and be gone

Page No:

pp.229-230

Poem Title:

An Imitation of Uxor vade foras. In Mart. L. ii. Ep. 105.

Attribution:

By Captain H----.

Attributed To:

Not attributed

First Line:

While crowds of princes your deserts proclaim

Page No:

pp.233-245

Poem Title:

The Campaign, A Poem.

Attribution:

By Mr. Addison.

Attributed To:

Joseph Addison

First Line:

My lord | Our poet's rules in easy numbers tell

Page No:

pp.245-246

Poem Title:

The Dedication of Ovid's Art of Love, to the Right Honourable Richard. Earl of Burlington.

Attribution:

Attributed To:

Not attributed

First Line:

Beware delighted poets when you sing

Page No:

pp.247-248

Poem Title:

In Remembrance of Master William Shakespear...Ode.

Attribution:

By the same Hand [i.e. Davenant]

Attributed To:

Sir William Davenant

First Line:

Fair as unshaded light or as the day

Page No:

p.247

Poem Title:

To the Queen, entertain'd at Night by the Countess of Angelsey.

Attribution:

By Sir William Davenant, Knight.

Attributed To:

Sir William Davenant

First Line:

What frenzy has of late possessed the brain

Page No:

pp.251-260

Poem Title:

Claremont.

Attribution:

Attributed To:

Not attributed

First Line:

In Warwickshire there stands a down

Page No:

pp.260-265

Poem Title:

The Lamentable Song of the Lord Wigmore Governour of Warwick Castle, and the fair Maid of Dunsmore.

Attribution:

Attributed To:

Not attributed

First Line:

Shall I wasting in despair

Page No:

p.265

Poem Title:

The Shepherd's Resolution.

Attribution:

Attributed To:

Not attributed

First Line:

You pretty birds that sit and sing

Page No:

pp.266-267

Poem Title:

A pleasant Song.

Attribution:

Attributed To:

Not attributed

First Line:

How now shepherd what means that

Page No:

pp.267-268

Poem Title:

The Shepherds Dialogue.

Attribution:

Attributed To:

Not attributed

First Line:

Dear Dorinda weep no more

Page No:

pp.268-269

Poem Title:

An Ancient Song.

Attribution:

Attributed To:

Not attributed

First Line:

Let Jug in smiles be ever seen

Page No:

p.269

Poem Title:

An Ancient Song.

Attribution:

Attributed To:

Not attributed

First Line:

A silly shepherd wooed but wist not

Page No:

pp.270-271

Poem Title:

An Ancient Song.

Attribution:

Attributed To:

Not attributed

First Line:

If wealth a man could keep alive

Page No:

p.270

Poem Title:

An Ancient Song.

Attribution:

Attributed To:

Not attributed

First Line:

Beauty and love once fell at odds

Page No:

p.272

Poem Title:

An Ancient Song.

Attribution:

Attributed To:

Not attributed

First Line:

Farewell my mistress I'll be gone

Page No:

pp.272-273

Poem Title:

An Ancient Song.

Attribution:

Attributed To:

Not attributed

First Line:

No man love's fiery passion can approve

Page No:

pp.273-274

Poem Title:

An Ancient Song.

Attribution:

Attributed To:

Not attributed

First Line:

No man love's fiery passion can resist

Page No:

pp.274-275

Poem Title:

The Answer.

Attribution:

Attributed To:

Not attributed

First Line:

Did you not once Lucinda vow

Page No:

pp.275-276

Poem Title:

A Pastoral Song.

Attribution:

Attributed To:

Not attributed

First Line:

Kind gentlemen will you be patient a while

Page No:

pp.276-282

Poem Title:

An Old Ballad of Bold Robin Hood; shewing his Parentage, Birth, Breeding, Valour; and Marriage at Titbury Bull-running. Calculated for the Meridian of Staffordshire, but may serve also for Derbyshire, Kent, &c. To a Pleasant Tune.

Attribution:

Attributed To:

Not attributed

First Line:

Come Jack let's drink a pot of ale

Page No:

pp.282-283

Poem Title:

The Cavalier's Complaint.

Attribution:

Attributed To:

Not attributed

First Line:

I marvel Dick that having been

Page No:

pp.283-284

Poem Title:

An Eccho to the Cavalier's Complaint.

Attribution:

Attributed To:

Not attributed

First Line:

Room for the best of poets heroic

Page No:

pp.284-285

Poem Title:

On the Preface to Gondibert.

Attribution:

Attributed To:

Not attributed

First Line:

After so many sad mishaps

Page No:

pp.285-287

Poem Title:

On Gondibert.

Attribution:

Attributed To:

Not attributed

First Line:

When the chill Charokoe blows

Page No:

pp.287-288

Poem Title:

In Praise of Ale.

Attribution:

Attributed To:

Not attributed

First Line:

Thou common shore of this poetic town

Page No:

pp.288-291

Poem Title:

A familiar Epistle to Mr. Julian, Secretary of the Muses.

Attribution:

By Mr. Dryden.

Attributed To:

John Dryden

First Line:

I went from England into France

Page No:

pp.291-294

Poem Title:

A Journey into France.

Attribution:

By Bishop Corbet.

Attributed To:

Richard Corbett

First Line:

How now my John what is't the care

Page No:

pp.295-296

Poem Title:

To Parson Weeks. An Invitation to London.

Attribution:

By Sir John Mennis.

Attributed To:

Sir John Mennes

First Line:

Four clerks of Oxford doctors two and two

Page No:

pp.296-310

Poem Title:

Iter Boreale.

Attribution:

By Bishop Corbet.

Attributed To:

Richard Corbett

First Line:

What I shall leave thee none can tell

Page No:

pp.310-311

Poem Title:

Bishop Corbet to his Son Vincent Corbet.

Attribution:

Bishop Corbet.

Attributed To:

Richard Corbett

First Line:

Why though I be of a prodigious waist

Page No:

p.311

Poem Title:

Ben. Johnson to Burlace.

Attribution:

Ben. Johnson.

Attributed To:

Benjamin Jonson

First Line:

Sing and be merry King Charles is come back

Page No:

pp.312-314

Poem Title:

Upon the King's Return to the City of London, when he came last thither from Scotland, and was entertained there by the Lord Mayor.

Attribution:

Attributed To:

Not attributed

First Line:

Wake my Adonis do not die

Page No:

pp.314-315

Poem Title:

Venus Lacrymans.

Attribution:

Attributed To:

Not attributed

First Line:

Awake Angantyr Hervor the only daughter

Page No:

pp.315-320

Poem Title:

Metro haud multum dissimili carmina sua scripsit Scaldus ille, auctor libri, cui titulus Hervarer Saga, (quem editit cl. Olaus Verelius) ut constat ex dialogo illo inter Hervaram & Angantyri patris sui manes, a quo ad tumulum stans, ut Tirsingum gladium cum eo sepultum daret, rogat.

Attribution:

Attributed To:

Not attributed

First Line:

I did not know thee lord nor do I strive

Page No:

pp.320-322

Poem Title:

An Elegy on the Lord William Howard, Baron of Effingham, who Died December 10, 1615.

Attribution:

By Bishop Corbet.

Attributed To:

Richard Corbett

First Line:

Farewell rewards and fairies

Page No:

pp.322-323

Poem Title:

A Ballad, intituled, The Fairies Farewell, or God-a-mercy Will.

Attribution:

By the same Hand [i.e. Corbett]

Attributed To:

Richard Corbett

First Line:

Let no profane ignoble foot tread here

Page No:

pp.324-325

Poem Title:

On the Earl of Dorset's Death.

Attribution:

By the same Hand. [i.e. Corbett]

Attributed To:

Richard Corbett

First Line:

It is not yet a fortnight since

Page No:

pp.325-329

Poem Title:

A certain Poem, as it was presented in Latin by Divines and others, before his Majesty in Cambridge, by way of Enterlude, styled, Liber novus de adventu Regis ad Cantabrigiam. Faithfully done into English, with some liberal Additions.

Attribution:

By the same Hand. [i.e. Corbett]

Attributed To:

Richard Corbett

First Line:

Merely for death to grieve and mourn

Page No:

pp.329-330

Poem Title:

On the Death of Sir Tho. Pelham.

Attribution:

Attributed To:

Not attributed

First Line:

I hold as faith

Page No:

p.331

Poem Title:

The Catholick.

Attribution:

Attributed To:

Not attributed

First Line:

When whispering strains with creeping wind

Page No:

p.331

Poem Title:

Of Musick.

Attribution:

Attributed To:

Not attributed

First Line:

When Orpheus sweetly did complain

Page No:

pp.332-333

Poem Title:

A Song.

Attribution:

Attributed To:

Not attributed

First Line:

Three poets in three distant ages born

Page No:

p.332

Poem Title:

Under Mr. Milton's Picture, before his Paradise Lost.

Attribution:

By Mr. Dryden.

Attributed To:

John Dryden

First Line:

Hark my Flora love doth call us

Page No:

pp.333-334

Poem Title:

Love's Courtship.

Attribution:

Attributed To:

Not attributed

First Line:

First in these fields I try the sylvan strains

Page No:

pp.337-340

Poem Title:

Spring. The Fiest Pastoral, or Damon. Inscrib'd to Sir William Trumbull.

Attribution:

By Mr. Alexander Pope.

Attributed To:

Alexander Pope

First Line:

A faithful swain whom love had taught to sing

Page No:

pp.340-342

Poem Title:

Summer. The Second Pastoral, or Alexis.

Attribution:

By Mr. Alexander Pope.

Attributed To:

Alexander Pope

First Line:

Beneath the shade a spreading beech displays

Page No:

pp.343-345

Poem Title:

Autumn. The Third Pastoral, or Hylas and Aegon. To W. Wycherley, Esq;

Attribution:

By Mr. Alexander Pope.

Attributed To:

Alexander Pope

First Line:

Thyrsis the music of that murmuring spring

Page No:

pp.348[i.e. 346]-348.

Poem Title:

Winter. The Fourth Pastoral, or Daphne. To the Memory of a Fair Young Lady.

Attribution:

By Mr. Alexander Pope.

Attributed To:

Alexander Pope