The fifth part of miscellany poems [T214159]

DMI number:

132

Aliases

Dryden/Tonson Miscellany Poems. Volume 5.

Confidence:

Absolute (100%)

Evidence:

Publication Date:

1716

Volume Number:

5 of 6

ESTC number:

T214159

EEBO/ECCO link:

CW116847544

Shelfmark:

BOD Harding C 21

Full Title:

The FIFTH PART of | Miscellany Poems. | Containing Variety of New | TRANSLATIONS | OF THE | [i]ANCIENT POETS:[/i] | Together with Several | ORIGINAL POEMS. | [rule] | [i]By the Most Eminent Hands.[/i] | [rule] | Publish'd by Mr. [i]DRYDEN.[/i] | [rule] | [i]LONDON:[/i] | Printed for JACOB TONSON at [i]Shakespear[/i]'s | [i]Head[/i] over-against [i]Katharine Street[/i] in | the [i]Strand.[/i] M DCC XVI.

Epigraph:

n/a

Place of Publication:

London

Genres:

Collection of literary verse

Format:

Duodecimo

Price:

n/a

Pagination:

(not including plate) [10], [1]-396 pp.

Bibliographic details:

Plate facing title-page.

Comments:

Contents: Latin and French epigrams, p. 97.

Other matter:

Prefatory matter: Contents (sig. A3-A6v)

References:

Case 172 (5) (b)

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Publication Date:

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T142876

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Publication Date:

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Sylvae: or, the second part of poetical miscellanies [ESTC R1682]

Publication Date:

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R1682

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Sylvae: or, the second part of poetical miscellanies [ESTC R31379]

Publication Date:

1692

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R31379

Volume:

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Relationship:

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Comments:

Title:

Sylvae: or, the second part of poetical miscellanies [ESTC R41930]

Publication Date:

1693

ESTC No:

R41930

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1 of 1

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Comments:

Title:

The annual miscellany for the year 1694, being the fourth part of miscellany poems [N34956]

Publication Date:

1708

ESTC No:

N34956

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Relationship:

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Comments:

Title:

The annual miscellany: for the year 1694 [ESTC R22916]

Publication Date:

1694

ESTC No:

R22916

Volume:

1 of 1

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Comments:

Title:

The first part of miscellany poems [N6906]

Publication Date:

1716

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N6906

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The fourth part of miscellany poems [N64834]

Publication Date:

1716

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The second part of miscellany poems [N70161]

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Comments:

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The sixth part of miscellany poems [T175048]

Publication Date:

1716

ESTC No:

T175048

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Relationship:

Part of a Series

Comments:

Title:

The fifth part of miscellany poems [ecco] [T117014]

Publication Date:

1727

ESTC No:

T117014

Volume:

5 of 6

Relationship:

Another Edition of

Comments:

Title:

The fifth part of miscellany poems [T214159]

Publication Date:

1716

ESTC No:

T214159

Volume:

5 of 6

Relationship:

Another Edition of

Comments:

Title:

The first part of miscellany poems [T117014] [ecco]

Publication Date:

1727

ESTC No:

T117014

Volume:

1 of 6

Relationship:

Part of a Series

Comments:

Title:

The fourth part of miscellany poems [ecco] [T117014]

Publication Date:

1727

ESTC No:

T117014

Volume:

4 of 6

Relationship:

Part of a Series

Comments:

Title:

The second part of miscellany poems [T117014] [ECCO]

Publication Date:

1727

ESTC No:

T117014

Volume:

2 of 6

Relationship:

Part of a Series

Comments:

Title:

The sixth part of miscellany poems [ecco] [T117014]

Publication Date:

1727

ESTC No:

T117014

Volume:

6 of 6

Relationship:

Part of a Series

Comments:

Title:

The third part of miscellany poems [ecco] [T117014]

Publication Date:

1727

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Volume:

3 of 6

Relationship:

Part of a Series

Comments:

Title:

The third part of miscellany poems [N49205]

Publication Date:

1716

ESTC No:

N49205

Volume:

3 of 6

Relationship:

Part of a Series

Comments:

Related People

Editor:

John Dryden

Confidence:

Absolute (100%)

Comments:

'Publish'd by Mr. Dryden'.

Publisher:

Jacob Tonson

Confidence:

Absolute (100%)

Comments:

'Printed for JACOB TONSON at Shakespear's Head over-against Katharine Street in the Strand.'

Content/Publication

First Line:

While you my lord the rural shades admire

Page No:

pp.1-6

Poem Title:

A Letter from Italy, To the Right Honourable Charles Lord Hallifax. In the Year M DCC I.

Attribution:

By Mr. Joseph Addison

Attributed To:

Joseph Addison

First Line:

Twas on a joyless and a gloomy morn

Page No:

pp.6-8

Poem Title:

On the Death of Amyntas: A Pastoral Elegy.

Attribution:

Written by Mr. Dryden

Attributed To:

John Dryden

First Line:

He who could view the book of destiny

Page No:

pp.8-10

Poem Title:

On the Death of a very young Gentleman.

Attribution:

By Mr. Dryden

Attributed To:

John Dryden

First Line:

The longest tyranny that ever swayed

Page No:

pp.10-12

Poem Title:

To my Honour'd Friend Dr. Charleton, on his learned and useful Works; but more particularly his Treatise of Stone-Heng, by him restor'd to the true Founders.

Attribution:

By Mr. Dryden

Attributed To:

John Dryden

First Line:

To the pale tyrant who to horrid graves

Page No:

p.12

Poem Title:

The Dream.

Attribution:

By the Earl of Roscommon

Attributed To:

Wentworth Dillon

First Line:

O last and best of Scots who didst maintain

Page No:

pp.12-13

Poem Title:

Upon the Death of the Earl of Dundee.

Attribution:

By Mr. Dryden

Attributed To:

John Dryden

First Line:

I yield I yield and can no longer stay

Page No:

pp.13-17

Poem Title:

The Rapture.

Attribution:

Attributed To:

Not attributed

First Line:

Distracted thus with fears presaging Rome

Page No:

pp.17-21

Poem Title:

The Speeches of Brutus and Cato. Translated from Lucan, Lib. 2. Lin. 234.

Attribution:

By Mr. Rowe

Attributed To:

Nicholas Rowe

First Line:

This is the place where oft my longing eyes

Page No:

pp.22-23

Poem Title:

Stanza's.

Attribution:

Attributed To:

Not attributed

First Line:

Machaon sick in every face we find

Page No:

p.22

Poem Title:

Verses sent to Dr. Garth in his Illness.

Attribution:

By Mr. Granvill

Attributed To:

George Granville

First Line:

What sight is that does every sense control

Page No:

pp.23-24

Poem Title:

Upon an Accidental Meeting.

Attribution:

Attributed To:

Not attributed

First Line:

Lost in the gloomy horror of the night

Page No:

pp.24-28

Poem Title:

Milton's Stile imitated, in a Translation of a Story out of the Third Aeneid.

Attribution:

By Mr. Joseph Addison

Attributed To:

Joseph Addison

First Line:

Mourn mourn ye muses all your loss deplore

Page No:

pp.28-30

Poem Title:

On the Death of the late Earl of Rochester.

Attribution:

By Mrs. A. Behn

Attributed To:

Aphra Behn

First Line:

Must all my life in fruitless love be spent

Page No:

pp.30-32

Poem Title:

To a Lady.

Attribution:

By Mr. Charles Hopkins

Attributed To:

Charles Hopkins

First Line:

I thought in silence to suppress my pain

Page No:

pp.32-33

Poem Title:

To the Same.

Attribution:

By Mr. Charles Hopkins

Attributed To:

Charles Hopkins

First Line:

When God from heaven for disobedience threw

Page No:

pp.33-37

Poem Title:

Woman All in All.

Attribution:

Attributed To:

Not attributed

First Line:

Welcome thrice welcome to my frozen heart

Page No:

pp.37-38

Poem Title:

To Love after a long Indifference.

Attribution:

Attributed To:

Not attributed

First Line:

So early bloomed and so untimely died

Page No:

pp.38-39

Poem Title:

On the Death of the Marquis of Blandford.

Attribution:

Attributed To:

Not attributed

First Line:

With a loud voice through every field and wood

Page No:

pp.39-40

Poem Title:

The Enquiry of Venus after Cupid. From the Greek of Moschus.

Attribution:

Attributed To:

Not attributed

First Line:

Welcome thou god of light and heat

Page No:

pp.40-42

Poem Title:

Ode in the Spring, to the Returning Sun.

Attribution:

Attributed To:

Not attributed

First Line:

A dreadful plague from angry Juno came

Page No:

pp.42-47

Poem Title:

The Story of Ants chang'd to Men: From the Seventh Book of Ovid's Metamorphoses.

Attribution:

By Mr. Stonestreet

Attributed To:

William Stonestreet

First Line:

The fires that fell in ages past from heaven

Page No:

pp.48-49

Poem Title:

To Doctor Gibbons.

Attribution:

By Mr. Charles Hopkins

Attributed To:

Charles Hopkins

First Line:

Let other poets other patrons choose

Page No:

pp.49-50

Poem Title:

To Mr. Congreve.

Attribution:

By Mr. Charles Hopkins

Attributed To:

Charles Hopkins

First Line:

A choir of bright beauties in spring did appear

Page No:

p.51

Poem Title:

The Lady's Song.

Attribution:

By Mr. Dryden

Attributed To:

John Dryden

First Line:

My labouring muse grown tired of being hurled

Page No:

pp.51-53

Poem Title:

An Epistle from Mr. Charles Hopkins to Mr. Yalden in Oxon.

Attribution:

from Mr. Charles Hopkins

Attributed To:

Charles Hopkins

First Line:

Such is the doom of unrelenting fate

Page No:

pp.53-54

Poem Title:

Ode on the Death of the Marquiss of Blandford.

Attribution:

Attributed To:

Not attributed

First Line:

In various ways designing mortals move

Page No:

pp.55-56

Poem Title:

A Thought upon Human Life. Paraphras'd from Simonides.

Attribution:

By Mr. Tate

Attributed To:

Nahum Tate

First Line:

Twas in the close recesses of a shade

Page No:

pp.56-57

Poem Title:

The Vision.

Attribution:

By Mrs Singer

Attributed To:

Elizabeth Rowe [nee Singer]

First Line:

Of gentle blood his parents only treasure

Page No:

p.57

Poem Title:

Upon Young Mr. Rogers of Glocestershire.

Attribution:

By Mr Dryden

Attributed To:

John Dryden

First Line:

At dead of night when stars appear

Page No:

p.58

Poem Title:

The Third Ode of Anacreon, Translated.

Attribution:

Attributed To:

Not attributed

First Line:

You madam may with safety go

Page No:

p.59

Poem Title:

To a Lady that design'd going to a Fortune-Teller.

Attribution:

Attributed To:

Not attributed

First Line:

The saints above can ask but not bestow

Page No:

p.60

Poem Title:

Dutchess of St. Albans.

Attribution:

By L. K.

Attributed To:

Not attributed

First Line:

Offspring of a tuneful sire

Page No:

p.60

Poem Title:

Dutchess of Beaufort.

Attribution:

By the Lord Hallifax

Attributed To:

Charles Montagu

First Line:

The line of Veere so long renowned in arms

Page No:

p.60

Poem Title:

Dutchess of St. Albans.

Attribution:

By the Lord Hallifax

Attributed To:

Charles Montagu

First Line:

All health to her in whose bright form we find

Page No:

p.60

Poem Title:

Lady Bridgwater.

Attribution:

By Mr. Maynwaring

Attributed To:

Arthur Maynwaring

First Line:

Beauty and wit strove each in vain

Page No:

p.61

Poem Title:

Mrs. Barton.

Attribution:

Attributed To:

Not attributed

First Line:

Empire the daughter and the sire divide

Page No:

p.61

Poem Title:

Dutchess of Beaufort.

Attribution:

Attributed To:

Not attributed

First Line:

Flat contradictions wage in Bolton war

Page No:

p.61

Poem Title:

Dutchess of Bolton.

Attribution:

By Dr. B----

Attributed To:

Not attributed

First Line:

Love's keenest darts are charming Bolton's care

Page No:

p.61

Poem Title:

Dutchess of Bolton.

Attribution:

By Mr. Gr----

Attributed To:

Not attributed

First Line:

Stamped with her reigning charms this standard glass

Page No:

p.61

Poem Title:

Mrs. Barton.

Attribution:

By L. H.

Attributed To:

Not attributed

First Line:

At Barton's feet the god of love

Page No:

p.62

Poem Title:

Mrs. Barton.

Attribution:

Attributed To:

Not attributed

First Line:

Imperial Juno gave her matchless grace

Page No:

p.62

Poem Title:

Mrs. Brudenell.

Attribution:

Attributed To:

Not attributed

First Line:

Look on the loveliest tree that shades the park

Page No:

p.62

Poem Title:

Mrs. Brudenell.

Attribution:

Attributed To:

Not attributed

First Line:

Such beauty joined with such harmonious skill

Page No:

p.62

Poem Title:

Mrs. Claverine.

Attribution:

By Mr. C----

Attributed To:

Not attributed

First Line:

Fairest and latest of the beauteous race

Page No:

p.62

Poem Title:

Lady Mary Churchill.

Attribution:

By the Lord Hallifax

Attributed To:

Charles Montagu

First Line:

Approach ye mean coquets and view her well

Page No:

pp.63-64

Poem Title:

Lady Carlisle.

Attribution:

Attributed To:

Not attributed

First Line:

At once the sun and Carlisle took their way

Page No:

p.63

Poem Title:

Lady Carlisle.

Attribution:

By Dr. G---

Attributed To:

Not attributed

First Line:

Behold this northern star's auspicious light

Page No:

p.63

Poem Title:

Lady Carlisle.

Attribution:

Attributed To:

Not attributed

First Line:

Carlisle's a name can every muse inspire

Page No:

p.63

Poem Title:

Lady Carlisle.

Attribution:

By Dr. G---

Attributed To:

Not attributed

First Line:

Great as a goddess and of form divine

Page No:

p.63

Poem Title:

Lady Carlisle.

Attribution:

Attributed To:

Not attributed

First Line:

She over all hearts and toasts must reign

Page No:

p.63

Poem Title:

Lady Carlisle.

Attribution:

Attributed To:

Not attributed

First Line:

Fair as the blushing grape she stands

Page No:

p.64

Poem Title:

Mrs. P. Dashwood.

Attribution:

Attributed To:

Not attributed

First Line:

Fair Dunch's eyes such radiant glances dart

Page No:

p.64

Poem Title:

Mrs. Dunch.

Attribution:

Attributed To:

Not attributed

First Line:

O Dunch if fewer with thy charms are fired

Page No:

p.64

Poem Title:

Mrs. Dunch.

Attribution:

By Dr. B---

Attributed To:

Not attributed

First Line:

Why laughs the wine with which this glass is crowned

Page No:

p.64

Poem Title:

Mrs. Digby.

Attribution:

By Mr. C.

Attributed To:

Not attributed

First Line:

No wonder Scots our kingdom would invade

Page No:

p.64

Poem Title:

Mrs. Collier.

Attribution:

By Mr. Maynwaring

Attributed To:

Arthur Maynwaring

First Line:

The bravest hero and the brightest dame

Page No:

p.65

Poem Title:

Lady Essex.

Attribution:

By Dr. G---

Attributed To:

Not attributed

First Line:

Could Grecian masters from the shades return

Page No:

p.65

Poem Title:

Mrs. Guybons.

Attribution:

By Dr. B----

Attributed To:

Not attributed

First Line:

No wonder ladies that at court appear

Page No:

p.65

Poem Title:

Mrs. Digby.

Attribution:

Attributed To:

Not attributed

First Line:

To Essex fill the sprightly wine

Page No:

p.65

Poem Title:

Lady Essex.

Attribution:

By Dr. G-----

Attributed To:

Not attributed

First Line:

Godolphin's easy and unpractised air

Page No:

p.65

Poem Title:

Lady H. Godolphin.

Attribution:

By Mr. Maynwaring

Attributed To:

Arthur Maynwaring

First Line:

Hyde though in agonies her graces keeps

Page No:

p.66

Poem Title:

On the Lady Hyde in Child-bed.

Attribution:

By Dr. G----

Attributed To:

Not attributed

First Line:

In fair Hare there are charms

Page No:

p.66

Poem Title:

Mrs. Hare.

Attribution:

Attributed To:

Not attributed

First Line:

In Harper all the loves and graces shine

Page No:

p.66

Poem Title:

Lady Harper.

Attribution:

Attributed To:

Not attributed

First Line:

The god of wine grows jealous of his art

Page No:

p.66

Poem Title:

Lady Hyde.

Attribution:

By Dr. G----

Attributed To:

Not attributed

First Line:

The gods of wit and wine and love prepare

Page No:

p.66

Poem Title:

Mrs. Hare.

Attribution:

Attributed To:

Not attributed

First Line:

Fair written name but deeper in my heart

Page No:

p.67

Poem Title:

Mrs. Di. Kirk.

Attribution:

By Mr. C---

Attributed To:

Not attributed

First Line:

So many charms Di Kirk surround

Page No:

p.67

Poem Title:

Mrs. Di. Kirk.

Attribution:

Attributed To:

Not attributed

First Line:

Unrivalled Nicholas whose victorious eyes

Page No:

p.67

Poem Title:

Mrs. Nicholas.

Attribution:

By Dr. B---

Attributed To:

Not attributed

First Line:

Fill the glass let hautboys sound

Page No:

p.67

Poem Title:

Mrs Longe.

Attribution:

By the Lord Wharton

Attributed To:

Thomas Wharton

First Line:

While haughty Gallia's dames that spread

Page No:

p.67

Poem Title:

Lady Manchester.

Attribution:

By Mr Addison

Attributed To:

Joseph Addison

First Line:

Here close the list here end the female strife

Page No:

p.68

Poem Title:

Lady Orrery.

Attribution:

Attributed To:

Not attributed

First Line:

The god of love aided by Cecil's charms

Page No:

p.68

Poem Title:

Lady Rannelagh.

Attribution:

Attributed To:

Not attributed

First Line:

Richmond has charms that continue our claim

Page No:

p.68

Poem Title:

Dutchess of Richmond.

Attribution:

By L. Carberry

Attributed To:

L. Carberry

First Line:

All nature's charms in Sunderland appear

Page No:

pp.68-69

Poem Title:

Lady Sunderland.

Attribution:

By the Lord Hallifax

Attributed To:

Charles Montagu

First Line:

Of two fair Richmonds different ages boast

Page No:

p.68

Poem Title:

Dutchess of Richmond.

Attribution:

By the Lord Hallifax

Attributed To:

Charles Montagu

First Line:

Phoebus from whom this fair her wit derives

Page No:

p.68

Poem Title:

Lady Orrery.

Attribution:

By Mr. Maynwaring

Attributed To:

Arthur Maynwaring

First Line:

If perfect joys from perfect beauty rise

Page No:

p.69

Poem Title:

Mrs. Tempest.

Attribution:

Attributed To:

Not attributed

First Line:

Learn by this portrait how the kit cats toast

Page No:

p.69

Poem Title:

Lady Sunderland's Picture, with these Words under, - Ab Una disce Omnes.

Attribution:

Attributed To:

Not attributed

First Line:

Soon as one Phoenix sought her kindred skies

Page No:

p.69

Poem Title:

Mrs. Stanhope.

Attribution:

Attributed To:

Not attributed

First Line:

Venus contending for the golden ball

Page No:

pp.69-70

Poem Title:

Mrs. Tempest.

Attribution:

Attributed To:

Not attributed

First Line:

Admired in Germany adored in France

Page No:

p.69

Poem Title:

Madamoselle Spanheime.

Attribution:

By the Lord Hallifax

Attributed To:

Charles Montagu

First Line:

London no more thy trade or riches boast

Page No:

p.70

Poem Title:

Mrs. Vernon.

Attribution:

Attributed To:

Not attributed

First Line:

You rakes who midnight judges sit

Page No:

p.70

Poem Title:

Lady Wharton.

Attribution:

Attributed To:

Not attributed

First Line:

When Jove to Ida did the gods invite

Page No:

p.70

Poem Title:

Lady Wharton.

Attribution:

By Dr. Garth

Attributed To:

Sir Samuel Garth

First Line:

I never stooped so low as they

Page No:

pp.70-71

Poem Title:

Negative Love.

Attribution:

By Mr. J. Donne

Attributed To:

John Donne

First Line:

Mad paper stay and grudge not here to burn

Page No:

pp.71-73

Poem Title:

To M. M. H.

Attribution:

By the same hand [i.e. Donne]

Attributed To:

John Donne

First Line:

Ask me no more where Jove bestows

Page No:

p.73

Poem Title:

A Song.

Attribution:

By T. Carew, Esq

Attributed To:

Thomas Carew

First Line:

Sure we have poets that did never dream

Page No:

pp.74-83

Poem Title:

Cooper's Hill, a Poem. As it was Printed in the Year 1650.

Attribution:

Written by John Denham, Esq

Attributed To:

Sir John Denham

First Line:

Sure there are poets which did never dream

Page No:

pp.84-93

Poem Title:

Cooper's Hill. As it was Published after the Restoration.

Attribution:

By Sir John Denham, Knight of the Bath

Attributed To:

Sir John Denham

First Line:

Did sweeter sounds adorn my flowing tongue

Page No:

pp.94-95

Poem Title:

Charity; a Paraphrase on the Thirteenth Chapter of the First Epistle to the Corinthians.

Attribution:

Attributed To:

Not attributed

First Line:

The Grecian wits who satire first began

Page No:

pp.95-96

Poem Title:

To Henry Higden, Esq; On his Translation of the 10th Satyr of Juvenal.

Attribution:

By Mr. Dryden

Attributed To:

John Dryden

First Line:

Poor little pretty fluttering thing

Page No:

p.97

Poem Title:

[no title]

Attribution:

Attributed To:

Not attributed

First Line:

Lords knights and squires the numerous band

Page No:

p.98

Poem Title:

To a Child of Quality of Five Years old, the Author suppos'd Forty.

Attribution:

By the same hand [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

Celia and I the other day

Page No:

pp.99-100

Poem Title:

The Lady's Looking-Glass, In Imitation of a Greek Idyllium.

Attribution:

By the same hand [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

The amorous youth whose tender breast

Page No:

pp.100-101

Poem Title:

To a Boy playing with his Cat.

Attribution:

By the same hand [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

Hans Carvel impotent and old

Page No:

pp.101-105

Poem Title:

Monsieur De la Fontaine's Hans Carvel Imitated.

Attribution:

Attributed To:

Not attributed

First Line:

In vain you tell your parting lover

Page No:

p.101

Poem Title:

A Song.

Attribution:

By the same hand [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

Alexis shunned his fellow swains

Page No:

pp.105-106

Poem Title:

The Despairing Shepherd. A Pastoral.

Attribution:

By the same hand [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

What can I say what arguments can prove

Page No:

pp.107-110

Poem Title:

Celia to Damon.

Attribution:

By the same Hand [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

From public noise and factious strife

Page No:

pp.110-112

Poem Title:

To a Young Gentleman in Love. A Tale.

Attribution:

Attributed To:

Not attributed

First Line:

When Jove lay blessed in his Alcmena's charms

Page No:

p.112

Poem Title:

The Wedding Night.

Attribution:

Attributed To:

Not attributed

First Line:

Whilst men have these ambitious fancies

Page No:

p.112

Poem Title:

Moral.

Attribution:

Attributed To:

Not attributed

First Line:

Cleora has her wish she weds a peer

Page No:

pp.112-114

Poem Title:

Cleora.

Attribution:

By the honourable Mr. George Granvill

Attributed To:

George Granville

First Line:

Fairest Zelinda cease to chide or grieve

Page No:

pp.114-115

Poem Title:

An Apology for an unseasonable Surprise.

Attribution:

By the same hand [i.e. Granville]

Attributed To:

George Granville

First Line:

In lonely shades distracted with despair

Page No:

pp.115-118

Poem Title:

To Myra.

Attribution:

By the same Hand [i. e. Granville]

Attributed To:

George Granville

First Line:

Fair sweet and young receive a prize

Page No:

pp.118-119

Poem Title:

A Song.

Attribution:

Written by Mr. Dryden

Attributed To:

John Dryden

First Line:

High state and honours to others impart

Page No:

pp.119-120

Poem Title:

A Song.

Attribution:

By the same Hand [i.e. Dryden]

Attributed To:

John Dryden

First Line:

Whilst Europe is alarmed with wars

Page No:

p.120

Poem Title:

The Prisoner in the Tower to the Lady M. C.

Attribution:

Attributed To:

Not attributed

First Line:

Many have been the vain attempts of wit

Page No:

pp.121-122

Poem Title:

Epilogue to Tartuff.

Attribution:

By the same hand [i.e. Buckhurst]

Attributed To:

Charles Sackville

First Line:

Tarugo gave us wonder and delight

Page No:

p.121

Poem Title:

To Sir Thomas St. Serfe: On the Printing his Play, call'd Tarugo's Wiles.

Attribution:

By my Lord Buckhurst

Attributed To:

Charles Sackville

First Line:

Entreaty shall not serve nor violence

Page No:

pp.123-124

Poem Title:

Epilogue upon the Reviving of Ben. Johnson's Play, call'd, Every Man in his Humour.

Attribution:

By the same hand [i.e. Buckhurst]

Attributed To:

Charles Sackville

First Line:

At noon in a sunshiny day

Page No:

pp.124-125

Poem Title:

Knotting.

Attribution:

By the same hand [i.e. Buckhurst]

Attributed To:

Charles Sackville

First Line:

Methinks the poor town has been troubled too long

Page No:

pp.126-127

Poem Title:

A Song. Written some Time since.

Attribution:

Attributed To:

Not attributed

First Line:

Ah Chloris tis time to disarm your bright eyes

Page No:

p.126

Poem Title:

A Song to Chloris from the Blind Archer.

Attribution:

By the same hand [i.e. Buckhurst]

Attributed To:

Charles Sackville

First Line:

Oh Tyburn couldst thou reason and dispute

Page No:

pp.127-128

Poem Title:

On Tyburn.

Attribution:

Attributed To:

Not attributed

First Line:

Phillis the fairest of love's foes

Page No:

p.127

Poem Title:

Song.

Attribution:

Attributed To:

Not attributed

First Line:

Our poet something doubtful of his fate

Page No:

pp.128-129

Poem Title:

Epilogue.

Attribution:

Written by a Person of Honour

Attributed To:

Not attributed

First Line:

Here lies little --- a yard deep and more

Page No:

pp.129-130

Poem Title:

An Epitaph.

Attribution:

Attributed To:

Not attributed

First Line:

Though Phillis your prevailing charms

Page No:

p.130

Poem Title:

To Phyllis: A Song.

Attribution:

Attributed To:

Not attributed

First Line:

Tis not in this as in the former age

Page No:

pp.131-132

Poem Title:

A Prologue, spoken at the Opening of the Duke's New Play-House in Dorset Garden.

Attribution:

Attributed To:

Not attributed

First Line:

As he lay in the plain his arm under his head

Page No:

p.132

Poem Title:

A Song.

Attribution:

Attributed To:

Not attributed

First Line:

Damon if you will believe me

Page No:

pp.132-133

Poem Title:

A Song.

Attribution:

Attributed To:

Not attributed

First Line:

Gallants by all good signs it does appear

Page No:

pp.133-134

Poem Title:

Epilogue.

Attribution:

Attributed To:

Not attributed

First Line:

You maidens and wives and young widows rejoice

Page No:

pp.134-135

Poem Title:

Upon Four New Physicians Repairing to Tunbridge Wells. Written several Years since.

Attribution:

Attributed To:

Not attributed

First Line:

We read of kings and gods that kindly took

Page No:

pp.135-136

Poem Title:

A Cruel Mistress.

Attribution:

By T. Carew, Esq.

Attributed To:

Thomas Carew

First Line:

Know Celia since thou art so proud

Page No:

p.136

Poem Title:

Ingrateful Beauty threatned.

Attribution:

By the same Hand [i.e. Carew]

Attributed To:

Thomas Carew

First Line:

At the sight of my Phillis from every part

Page No:

p.137

Poem Title:

Song.

Attribution:

Attributed To:

Not attributed

First Line:

Come Celia let's agree at last

Page No:

pp.137-138

Poem Title:

A Song.

Attribution:

Attributed To:

Not attributed

First Line:

His angle rod made of a sturdy oak

Page No:

p.138

Poem Title:

Upon a Giant's Angling.

Attribution:

Attributed To:

Not attributed

First Line:

From far Barbadoes on the western main

Page No:

p.138

Poem Title:

A Receipt to make a Sack-Posset.

Attribution:

Attributed To:

Not attributed

First Line:

Of oats decorticated take two pound

Page No:

p.138

Poem Title:

A Receipt to make an Oat-meal Pudding.

Attribution:

Attributed To:

Not attributed

First Line:

Of all the torments all the cares

Page No:

p.139

Poem Title:

Song.

Attribution:

Attributed To:

Not attributed

First Line:

Strephon at last the unhappy veil's removed

Page No:

p.139

Poem Title:

To Strephon.

Attribution:

Attributed To:

Not attributed

First Line:

Strephon and Damon's flocks together fed

Page No:

pp.140-142

Poem Title:

Lycon. Eclogue.

Attribution:

Attributed To:

Not attributed

First Line:

Distracted with care

Page No:

pp.142-143

Poem Title:

The Despairing Lover.

Attribution:

Attributed To:

Not attributed

First Line:

Cupid instruct an amorous swain

Page No:

pp.143-144

Poem Title:

Song.

Attribution:

Attributed To:

Not attributed

First Line:

See here the various scenes of human lives

Page No:

p.143

Poem Title:

Upon the Tragedy of the Fair Penitent.

Attribution:

Attributed To:

Not attributed

First Line:

As the snow in vallies lying

Page No:

p.144

Poem Title:

Song.

Attribution:

Attributed To:

Not attributed

First Line:

Here lies a youth who fell a sacrifice

Page No:

pp.145-146

Poem Title:

Epitaph, on a Young Gentleman, who dy'd for Love of a Married Lady.

Attribution:

By the same hand [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

The noble Granvill here has nicely shown

Page No:

p.145

Poem Title:

To a Lady, sent her with Mr. Granvill's Play, call'd Heroick Love.

Attribution:

Attributed To:

Not attributed

First Line:

But while to bring about their great intent

Page No:

pp.146-149

Poem Title:

Tasso's Jerusalem. Book the Fourth.

Attribution:

English'd by Mrs. Eliz. Singer

Attributed To:

Elizabeth Rowe [nee Singer]

First Line:

Why d'ye with such disdain refuse

Page No:

p.150

Poem Title:

To a Lady more Cruel than Fair.

Attribution:

By Mr. Vanbrook

Attributed To:

Sir John Vanbrugh

First Line:

One Rhodilard by name

Page No:

pp.151-152

Poem Title:

A Fable of a Council held by the Rats.

Attribution:

Attributed To:

Not attributed

First Line:

In summer and the heat of all the day

Page No:

p.152-153

Poem Title:

From Ovid.

Attribution:

Attributed To:

Not attributed

First Line:

That Niobe to stone was changed

Page No:

p.152

Poem Title:

From Anacreon.

Attribution:

Attributed To:

Not attributed

First Line:

Fair Amoret is gone astray

Page No:

pp.153-154

Poem Title:

A Hue and Cry after Fair Amoret.

Attribution:

By Mr. Congreve

Attributed To:

William Congreve

First Line:

Ah what pains what racking thoughts he proves

Page No:

pp.154-155

Poem Title:

A Song.

Attribution:

By the same hand [i.e. Congreve]

Attributed To:

William Congreve

First Line:

I looked and I sighed and I wished I could speak

Page No:

p.154

Poem Title:

A Song.

Attribution:

By the same hand [i.e. Congreve]

Attributed To:

William Congreve

First Line:

Grant me gentle love said I

Page No:

pp.155-156

Poem Title:

A Song.

Attribution:

By the same Hand [i.e. Congreve]

Attributed To:

William Congreve

First Line:

I love and am beloved again

Page No:

p.155

Poem Title:

Song in Dialogue, for two Women.

Attribution:

By the same Hand [i.e. Congreve]

Attributed To:

William Congreve

First Line:

Cruel Amynta can you see

Page No:

p.156

Poem Title:

Song.

Attribution:

By the same Hand [i.e. Congreve]

Attributed To:

William Congreve

First Line:

See see she wakes Sabina wakes

Page No:

p.156

Poem Title:

Song.

Attribution:

By the same hand [i.e. Congreve]

Attributed To:

William Congreve

First Line:

If what we feel of joy could be expressed

Page No:

pp.157-158

Poem Title:

Prologue to the Princess. Spoken by Mrs. Bracegirdle.

Attribution:

By the same Hand [i.e. Congreve]

Attributed To:

William Congreve

First Line:

Pious Selinda goes to prayers

Page No:

p.157

Poem Title:

Song.

Attribution:

By the same Hand [i.e. Congreve]

Attributed To:

William Congreve

First Line:

When Lesbia first I saw so heavenly fair

Page No:

p.157

Poem Title:

Lesbia.

Attribution:

By the same Hand. [i.e. Congreve]

Attributed To:

William Congreve

First Line:

After a painful life in study spent

Page No:

pp.158-159

Poem Title:

Verses Sacred to the Memory of Grace Lady Gethin. Occasioned by reading her Book, intitled, Reliquiae Gethinianae.

Attribution:

By the same Hand [i.e. Congreve]

Attributed To:

William Congreve

First Line:

This peaceful tomb does now contain

Page No:

pp.159-160

Poem Title:

Epitaph upon Robert Huntington, of Stanton Harcourt, Esq; and Robert his Son.

Attribution:

By the same hand [i.e. Congreve]

Attributed To:

William Congreve

First Line:

Our vows are heard betimes and heaven takes care

Page No:

pp.160-170

Poem Title:

Britannia Rediviva: A Poem on the Prince, Born on the 10th of June, 1688.

Attribution:

By Mr. Dryden

Attributed To:

John Dryden

First Line:

Nor yet the crude materials of the earth

Page No:

pp.171-174

Poem Title:

On the Creation.

Attribution:

By Mrs. Eliz. Singer

Attributed To:

Elizabeth Rowe [nee Singer]

First Line:

While swiftly down the skies the day descends

Page No:

pp.174-176

Poem Title:

A Pastoral, inscrib'd to the Honourable, Mrs. --

Attribution:

'By the same hand' [i.e. Singer Rowe]

Attributed To:

Elizabeth Rowe [nee Singer]

First Line:

Best gift that heavens indulgence could bestow

Page No:

p.176

Poem Title:

In Praise of Memory; inscrib'd to the Honourable the Lady Worsely.

Attribution:

By the same hand [i.e. Singer]

Attributed To:

Elizabeth Rowe [nee Singer]

First Line:

Let fragrant eastern breezes round thee play

Page No:

pp.177-178

Poem Title:

An Imitation of a Pastoral of Mrs. Killigrew's.

Attribution:

By the same hand [i.e. Singer]

Attributed To:

Elizabeth Rowe [nee Singer]

First Line:

Dejected as true converts die

Page No:

pp.178-179

Poem Title:

The Convert.

Attribution:

Written by the Right Honourable the Earl of Mulgrave

Attributed To:

John Sheffield

First Line:

Sighing and languishing I lay

Page No:

p.179

Poem Title:

The Recovery.

Attribution:

By the same hand [i.e. Mulgrave]

Attributed To:

John Sheffield

First Line:

Good angels snatched him eagerly on high

Page No:

pp.180-181

Poem Title:

An Ode on Mr. Henry Purcell's Death.

Attribution:

Attributed To:

Not attributed

First Line:

Like children in a starry night

Page No:

p.180

Poem Title:

The Relapse.

Attribution:

By the same hand [i.e. Mulgrave]

Attributed To:

John Sheffield

First Line:

From wars and plagues come no such harms

Page No:

pp.182-183

Poem Title:

To a Coquet Beauty.

Attribution:

By the same hand [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

Oh how I languish what a strange

Page No:

p.182

Poem Title:

Song.

Attribution:

By the same Hand [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

Excellent Brutus of all human race

Page No:

pp.183-186

Poem Title:

Brutus.

Attribution:

By Mr. Cowley

Attributed To:

Abraham Cowley

First Line:

Tis said that favourite mankind

Page No:

pp.186-190

Poem Title:

An Ode on Brutus.

Attribution:

Attributed To:

Not attributed

First Line:

Fair kind and true a treasure each alone

Page No:

p.191

Poem Title:

An Epitaph on the Lady Whitmore.

Attribution:

By Mr Dryden

Attributed To:

John Dryden

First Line:

Ye sacred relics which your marble keep

Page No:

pp.191-192

Poem Title:

An Epitaph on Sir Palmes Fairbone's Tomb in Westminster-Abby.

Attribution:

By the same Hand [i.e. Dryden]

Attributed To:

John Dryden

First Line:

When you the sunburnt pilgrim see

Page No:

p.192

Poem Title:

Good Counsel to a young Maid.

Attribution:

By T. Carew, Esq

Attributed To:

Thomas Carew

First Line:

As when some great and gracious monarch dies

Page No:

pp.201-211

Poem Title:

Eleonora: A Panegyrical Poem, Dedicated to the Memory of the late Countess of Abingdon.

Attribution:

By Mr. J. Dryden

Attributed To:

John Dryden

First Line:

Chloe found Amyntas lying

Page No:

p.211

Poem Title:

Rondelay.

Attribution:

By the same hand [i.e. Dryden]

Attributed To:

John Dryden

First Line:

Thou youngest virgin-daughter of the skies

Page No:

pp.212-217

Poem Title:

To the Pious Memory of the Accomplish'd Young Lady, Mrs. Anne Killigrew, Excellent in the two Sister-Arts of Poesie, and Painting. An Ode.

Attribution:

By the same hand [i.e. Dryden]

Attributed To:

John Dryden

First Line:

Old Chaucer doth of Topas tell

Page No:

pp.217-237

Poem Title:

Nymphidia. The Court of Fayrie.

Attribution:

By Michael Drayton, Esq

Attributed To:

Michael Drayton

First Line:

What time the groves were clad in green

Page No:

pp.237-244

Poem Title:

The Quest of Cynthia.

Attribution:

By the same Hand [i. e. Drayton]

Attributed To:

Michael Drayton

First Line:

Now priests whose sacred office 'tis to bring

Page No:

pp.244-246

Poem Title:

Verses.

Attribution:

by Sir John Denham

Attributed To:

Sir John Denham

First Line:

What gives us that fantastic fit

Page No:

p.246

Poem Title:

Natura Naturata.

Attribution:

By the same hand [i.e. Denham]

Attributed To:

Sir John Denham

First Line:

Old Chaucer like the morning star

Page No:

pp.247-249

Poem Title:

On Mr. Abraham Cowley, his Death and Burial amongst the Ancient Poets.

Attribution:

By the same hand [i.e. Denham]

Attributed To:

Sir John Denham

First Line:

A tablet stood of that abstersive tree

Page No:

p.250

Poem Title:

An Occasional Imitation of a Modern Author upon the Game of Chess. (Sir W. Davenant's Gondibert.)

Attribution:

By the same hand [i.e. Denham]

Attributed To:

Sir John Denham

First Line:

Ah blame me not if no despair

Page No:

pp.250-251

Poem Title:

A Song.

Attribution:

By Robert Wolseley, Esq

Attributed To:

Robert Wolseley

First Line:

Creator spirit by whose aid

Page No:

pp.251-252

Poem Title:

Veni Creator Spiritus, Translated in Paraphrase.

Attribution:

By Mr. J. Dryden

Attributed To:

John Dryden

First Line:

Hark how the bashful morn in vain

Page No:

pp.252-253

Poem Title:

Boldness in Love.

Attribution:

By Tho. Carew, Esq

Attributed To:

Thomas Carew

First Line:

Amongst the myrtles as I walked

Page No:

pp.253-254

Poem Title:

The Enquiry.

Attribution:

By the same Hand [i.e. Carew]

Attributed To:

Thomas Carew

First Line:

No more shall meads be decked with flowers

Page No:

p.254

Poem Title:

The Protestation, a Sonnet.

Attribution:

By the same hand [i.e. Carew]

Attributed To:

Thomas Carew

First Line:

Dim as the borrowed beams of moon and stars

Page No:

pp.272-284

Poem Title:

Religio Laici.

Attribution:

Written by Mr. Dryden

Attributed To:

John Dryden

First Line:

Ask not the cause why sullen spring

Page No:

pp.284-285

Poem Title:

Song, to a Fair Young Lady, going out of the Town in the Spring.

Attribution:

By Mr. Dryden

Attributed To:

John Dryden

First Line:

When factious rage to cruel exile drove

Page No:

pp.285-286

Poem Title:

To the Dutchess, on her Return from Scotland, in the Year 1682.

Attribution:

By the same Hand [i.e. Dryden]

Attributed To:

John Dryden

First Line:

Well then the promised hour is come at last

Page No:

pp.287-289

Poem Title:

To my dear Friend Mr. Congreve, on his Comedy, call'd The Double-Dealer.

Attribution:

By the same hand [i.e. Dryden]

Attributed To:

John Dryden

First Line:

Whether the fruitful Nile or Tyrian shore

Page No:

pp.289-291

Poem Title:

To the Earl of Roscommon, on his excellent Essay on Translated Verse.

Attribution:

By the same hand [i.e. Dryden]

Attributed To:

John Dryden

First Line:

Think not cause men flattering say

Page No:

pp.291-293

Poem Title:

To A. L. Perswasions to Love.

Attribution:

By Tho. Carew, Esq

Attributed To:

Thomas Carew

First Line:

I will enjoy thee now my Celia come

Page No:

pp.294-298

Poem Title:

A Rapture.

Attribution:

By the same hand [i.e. Carew]

Attributed To:

Thomas Carew

First Line:

Spare generous victor spare the slave

Page No:

pp.298-299

Poem Title:

Disputing with a Lady who left me in the Argument.

Attribution:

Attributed To:

Not attributed

First Line:

To sing Achilles wrath O muse prepare

Page No:

pp.300-312

Poem Title:

The first Book of Homer's Iliads. Translated from the Greek

Attribution:

by Mr. Maynwaring

Attributed To:

Arthur Maynwaring

First Line:

The palace in a circling figure rose

Page No:

pp.312-317

Poem Title:

A Description of the Enchanted Palace and Garden of Armida, whither two Knights from the Christian Camp were come in Search of Rinaldo. English'd from Tasso's Jerusalem, Book the Sixth.

Attribution:

By Mrs Elizabeth Singer

Attributed To:

Elizabeth Rowe [nee Singer]

First Line:

One only God the world's foundation laid

Page No:

pp.317-320

Poem Title:

The Mosaic Story of the Creation.

Attribution:

By John Hanbury, Esq

Attributed To:

John Hanbury

First Line:

Before ambition touched the poisoned heart

Page No:

pp.321-322

Poem Title:

The State of Nature.

Attribution:

By the same Hand [i.e. Hanbury]

Attributed To:

John Hanbury

First Line:

The morning rose bright as a blooming bride

Page No:

p.322

Poem Title:

The False Morning.

Attribution:

Attributed To:

Not attributed

First Line:

The sceptics think 'twas long ago

Page No:

pp.323-326

Poem Title:

The Ladle.

Attribution:

Attributed To:

Not attributed

First Line:

By Sylvia if thy charming self be meant

Page No:

pp.327-328

Poem Title:

To the Author of the Pastoral, Printed Page 174.

Attribution:

Attributed To:

Not attributed

First Line:

This commoner has worth and parts

Page No:

p.327

Poem Title:

Moral.

Attribution:

Attributed To:

Not attributed

First Line:

Ye gentle swains who pass your days and nights

Page No:

pp.328-331

Poem Title:

Delia. A Pastoral Eclogue; lamenting the Death of Mrs. Tempest, who dy'd upon the Day of the late Storm.

Attribution:

Attributed To:

Not attributed

First Line:

The famed Italian muse whose rhymes advance

Page No:

p.332

Poem Title:

Prologue to the University of Oxford, 1681.

Attribution:

By Mr. J. Dryden

Attributed To:

Not attributed

First Line:

Accept great son of art this faint effect

Page No:

pp.335-336

Poem Title:

The Translator to Mr. Hobbs, Surgeon to His Majesty.

Attribution:

The Translator [i.e. Tate]

Attributed To:

Nahum Tate

First Line:

Well has thy fate directed thee to choose

Page No:

pp.341-342

Poem Title:

To his Friend, the Writer of the Ensuing Translation.

Attribution:

Attributed To:

Not attributed

First Line:

Through what adventures this unknown disease

Page No:

pp.343-381

Poem Title:

A Poetical History of the French Disease.

Attribution:

Now attempted in English by N. Tate.

Attributed To:

Nahum Tate

First Line:

Gallants a bashful poet bids me say

Page No:

pp.381-382

Poem Title:

A Prologue.

Attribution:

By Mr. Dryden

Attributed To:

Not attributed

First Line:

Two noble dukes of great renown

Page No:

pp.382-387

Poem Title:

A very ancient Song of the Banishment of the two Dukes of Hereford and Norfolk, in the Time of King Richard the Second.

Attribution:

Attributed To:

Not attributed

First Line:

Upon a down where shepherds keep

Page No:

pp.387-389

Poem Title:

An Ancient Pastoral Song.

Attribution:

Attributed To:

Not attributed

First Line:

God speed you ancient father

Page No:

pp.389-394

Poem Title:

A Dialogue between Plain Truth and Ignorance.

Attribution:

Attributed To:

Not attributed

First Line:

Come hither shepherd's swain

Page No:

pp.394-395

Poem Title:

A Dialogue between Fancy and Desire.

Attribution:

Attributed To:

Not attributed

First Line:

Farewell false love the oracle of lies

Page No:

pp.395-396

Poem Title:

A Farewel to Love.

Attribution:

Attributed To:

Not attributed