The sixth part of miscellany poems [T175048]

DMI number:

222

Aliases

Dryden/Tonson Miscellany Poems. Volume 6.

Confidence:

Absolute (100%)

Evidence:

Publication Date:

1716

Volume Number:

6 of 6

ESTC number:

T175048

EEBO/ECCO link:

CB3329675941

Shelfmark:

BOD Harding C 22

Full Title:

The SIXTH PART of | Miscellany Poems. | Containing Variety of New | TRANSLATIONS | OF THE | [i]ANCIENT POETS:[/i] | Together with Several | ORIGINAL POEMS. | [rule] | [i]By the Most Eminent Hands.[/i] | [rule] | Publish'd by Mr. [i]DRYDEN.[/i] | [rule] | [i]LONDON:[/i] | Printed for JACOB TONSON at [i]Shakespear[/i]'s | [i]Head[/i] over-against [i]Katharine-Street[/i] in | the [i]Strand[/i]. M DCC XVI.

Epigraph:

n/a

Place of Publication:

London

Genres:

Collection of literary verse

Format:

Duodecimo

Price:

n/a

Pagination:

(not including plate) [10], [1]-420 pp. (165 mispaginated as 265)

Bibliographic details:

Plate facing title page. Some items have separate title pages.

Comments:

Contents: Some Latin pieces: pp. 113-114, 160-161, 251-255. Old norse: pp. 387-391.

Other matter:

Prefatory matter: Contents, sig. A3r-A6v.

References:

Case 172 (6) (b)

Related Miscellanies

Title:

Examen Poeticum being the third part of miscellany poems [N6500]

Publication Date:

1706

ESTC No:

N6500

Volume:

1 of 1

Relationship:

Unknown

Comments:

Title:

Miscellany poems: the first part [T117015]

Publication Date:

1702

ESTC No:

T117015

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1 of 1

Relationship:

Unknown

Comments:

Title:

Poetical miscellanies: the fifth part [T161282]

Publication Date:

1704

ESTC No:

T161282

Volume:

1 of 1

Relationship:

Unknown

Comments:

Title:

Poetical Miscellanies: the sixth part [T142876]

Publication Date:

1709

ESTC No:

T142876

Volume:

6 of 6

Relationship:

Unknown

Comments:

Title:

Sylvae: or the second part of poetical miscellanies [T116469]

Publication Date:

1702

ESTC No:

T116469

Volume:

1 of 1

Relationship:

Unknown

Comments:

Title:

The annual miscellany for the year 1694, being the fourth part of miscellany poems [N34956]

Publication Date:

1708

ESTC No:

N34956

Volume:

4 of 6

Relationship:

Unknown

Comments:

Title:

The first part of miscellany poems [N6906]

Publication Date:

1716

ESTC No:

N6906

Volume:

1 of 6

Relationship:

Unknown

Comments:

Title:

The fourth part of miscellany poems [N64834]

Publication Date:

1716

ESTC No:

N64834

Volume:

4 of 6

Relationship:

Unknown

Comments:

Title:

The second part of miscellany poems [N70161]

Publication Date:

1716

ESTC No:

N70161

Volume:

2 of 6

Relationship:

Unknown

Comments:

Title:

Examen poeticum: being the third part of miscellany poems [ESTC R122]

Publication Date:

1693

ESTC No:

R122

Volume:

1 of 1

Relationship:

Part of a Series

Comments:

Title:

Examen poeticum: being the third part of miscellany poems [ESTC R228541]

Publication Date:

1693

ESTC No:

R228541

Volume:

1 of 1

Relationship:

Part of a Series

Comments:

Title:

Miscellany poems [ESTC R297]

Publication Date:

1684

ESTC No:

R297

Volume:

1 of 1

Relationship:

Part of a Series

Comments:

Title:

Miscellany poems: in two parts [ESTC R31378]

Publication Date:

1692

ESTC No:

R31378

Volume:

1 of 1

Relationship:

Part of a Series

Comments:

Title:

Sylvae: or, the second part of poetical miscellanies [ESTC R1682]

Publication Date:

1685

ESTC No:

R1682

Volume:

1 of 1

Relationship:

Part of a Series

Comments:

Title:

Sylvae: or, the second part of poetical miscellanies [ESTC R31379]

Publication Date:

1692

ESTC No:

R31379

Volume:

1 of 1

Relationship:

Part of a Series

Comments:

Title:

Sylvae: or, the second part of poetical miscellanies [ESTC R41930]

Publication Date:

1693

ESTC No:

R41930

Volume:

1 of 1

Relationship:

Part of a Series

Comments:

Title:

The annual miscellany: for the year 1694 [ESTC R22916]

Publication Date:

1694

ESTC No:

R22916

Volume:

1 of 1

Relationship:

Part of a Series

Comments:

Title:

The fifth part of miscellany poems [ecco] [T117014]

Publication Date:

1727

ESTC No:

T117014

Volume:

5 of 6

Relationship:

Part of a Series

Comments:

Title:

The fifth part of miscellany poems [T214159]

Publication Date:

1716

ESTC No:

T214159

Volume:

5 of 6

Relationship:

Part of a Series

Comments:

Title:

The first part of miscellany poems [T117014] [ecco]

Publication Date:

1727

ESTC No:

T117014

Volume:

1 of 6

Relationship:

Part of a Series

Comments:

Title:

The fourth part of miscellany poems [ecco] [T117014]

Publication Date:

1727

ESTC No:

T117014

Volume:

4 of 6

Relationship:

Part of a Series

Comments:

Title:

The second part of miscellany poems [T117014] [ECCO]

Publication Date:

1727

ESTC No:

T117014

Volume:

2 of 6

Relationship:

Part of a Series

Comments:

Title:

The sixth part of miscellany poems [ecco] [T117014]

Publication Date:

1727

ESTC No:

T117014

Volume:

6 of 6

Relationship:

Another Edition of

Comments:

Title:

The third part of miscellany poems [ecco] [T117014]

Publication Date:

1727

ESTC No:

T117014

Volume:

3 of 6

Relationship:

Part of a Series

Comments:

Title:

The third part of miscellany poems [N49205]

Publication Date:

1716

ESTC No:

N49205

Volume:

3 of 6

Relationship:

Part of a Series

Comments:

Related People

Editor:

Charles Dryden

Confidence:

Speculation (10%)

Comments:

'Publish'd by Mr Dryden' T175048. However, Dryden had died before the Sixth part was produced.

Publisher:

Jacob Tonson

Confidence:

Absolute (100%)

Comments:

'Printed for JACOB TONSON at Shakespear's Head over-against Katharine-Street in the Strand.'

Content/Publication

First Line:

If we O Dorset quit the city throng

Page No:

pp.3-6

Poem Title:

The First Pastoral. Lobbin.

Attribution:

By Mr. Philips

Attributed To:

Ambrose Philips

First Line:

Thy cloudy looks why melting thus in tears

Page No:

pp.6-10

Poem Title:

The Second Pastoral. Thenot. Colinet.

Attribution:

By Mr. Philips

Attributed To:

Ambrose Philips

First Line:

When Virgil thought no shame the dorick reed

Page No:

pp.10-13

Poem Title:

The Third Pastoral.

Attribution:

By Mr. Philips

Attributed To:

Ambrose Philips

First Line:

This place may seem for shepherds leisure made

Page No:

pp.13-16

Poem Title:

The Fourth Pastoral. Mico. Argol.

Attribution:

By Mr. Philips

Attributed To:

Ambrose Philips

First Line:

In rural strains we first our music try

Page No:

pp.17-20

Poem Title:

The Fifth Pastoral.

Attribution:

By Mr. Philips

Attributed To:

Ambrose Philips

First Line:

How still the sea behold how calm the sky

Page No:

pp.20-24

Poem Title:

The Sixth Pastoral. Geron. Hobbinol. Lanquet.

Attribution:

By Mr. Philips

Attributed To:

Ambrose Philips

First Line:

Give me a soul so great so high

Page No:

p.24

Poem Title:

True Greatness. Prodesse quam Conspici.

Attribution:

Attributed To:

Not attributed

First Line:

Nor in the dying embers of its pile

Page No:

pp.26-75

Poem Title:

The Ninth Book of Lucan.

Attribution:

Translated from the Latin by Mr. Rowe

Attributed To:

Nicholas Rowe

First Line:

Begin my lyre the great creator's praise

Page No:

pp.76-80

Poem Title:

Paraphrase upon Psalm CIV.

Attribution:

By Mr. J. Trapp

Attributed To:

Joseph Trapp

First Line:

There lived in Lombardy as authors write

Page No:

pp.81-102

Poem Title:

January and May; Or the Merchant's Tale: From Chaucer.

Attribution:

By Mr. Alexander Pope

Attributed To:

Alexander Pope

First Line:

Pretty nymph within this shade

Page No:

pp.103-105

Poem Title:

A Pastoral Dialogue, between Two Shepherdesses.

Attribution:

By the Author of the Poem on the Spleen

Attributed To:

Not attributed

First Line:

Could our first father at his toilsome plough

Page No:

pp.105-106

Poem Title:

Adam Pos'd.

Attribution:

By the same Hand [i.e. Author of the Spleen]

Attributed To:

Not attributed

First Line:

While monarchs in stern battle strove

Page No:

pp.106-108

Poem Title:

Alcidor.

Attribution:

By the same Hand [i.e. The Author of the Spleen]

Attributed To:

Not attributed

First Line:

In ancient times as story tells

Page No:

pp.108-112

Poem Title:

Baucis and Philemon: Imitated from Ovid.

Attribution:

Attributed To:

Not attributed

First Line:

When Cupid did his grandsire Jove entreat

Page No:

p.113

Poem Title:

On Mrs. Biddy Floyd.

Attribution:

Attributed To:

Not attributed

First Line:

But vexed with rebels and a stubborn race

Page No:

p.114

Poem Title:

Translations of the Sortes Virgilianae. King Charles the First's. At bello, &c.

Attribution:

Attributed To:

Not attributed

First Line:

O Pallas this was not thy promised vow

Page No:

p.114

Poem Title:

The Lord Falkland's. Non haec. O Palla, &c.

Attribution:

Attributed To:

Not attributed

First Line:

In these more dull as more censorious days

Page No:

pp.115-116

Poem Title:

'To my Friend, Mr. Pope, on his Pastorals.'

Attribution:

'By Mr. Wycherley'

Attributed To:

William Wycherley

First Line:

In Tempe's shades thus to the list'ning throng

Page No:

pp.116-118

Poem Title:

To Mr. Pope.

Attribution:

By Another Hand

Attributed To:

Not attributed

First Line:

The man resolved and steady to his trust

Page No:

pp.118-122

Poem Title:

Horace, Ode III. Book III. Prose argument p. 118.

Attribution:

Attributed To:

Not attributed

First Line:

Erminia by the centinels surprized

Page No:

pp.122-126

Poem Title:

The Story of Erminia, translated from Tasso's Jerusalem, Book VII. Inscrib'd to the Right Honourable the Lady Viscountess Weymouth.

Attribution:

Attributed To:

Not attributed

First Line:

Then never let me see her more

Page No:

p.126

Poem Title:

Song

Attribution:

Attributed To:

Not attributed

First Line:

Why we love and why we hate

Page No:

pp.126-127

Poem Title:

Song

Attribution:

By the same Hand [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

Beneath the covert of a grove

Page No:

p.127

Poem Title:

Anacreontique.

Attribution:

By the same Hand [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

Why so coy my lovely maid

Page No:

p.127

Poem Title:

Anacreon, Ode XXXIV.

Attribution:

By the same Hand [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

So when the sun with his meridian light

Page No:

p.128

Poem Title:

Half Masking her Self when she Smil'd.

Attribution:

By the same Hand [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

The hermit's solace in his cell

Page No:

p.128

Poem Title:

In Answer to the Question, What is Thought?

Attribution:

By the same Hand [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

This posture and these tears that heaven might move

Page No:

p.128

Poem Title:

Lying at her Feet

Attribution:

By the same Hand [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

Attend my soul the early birds inspire

Page No:

p.129

Poem Title:

Occasion'd by the early Singing of a Lark

Attribution:

By the same Hand [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

Inhuman Sacharissa not to love

Page No:

p.129

Poem Title:

Reading Mr. Waller

Attribution:

By the same Hand

Attributed To:

Not attributed

First Line:

Blessed Cecilia charming maid

Page No:

pp.130-133

Poem Title:

An Ode, for St. Cecilia's Day, 1699.

Attribution:

Attributed To:

Not attributed

First Line:

When gamesome youth and love's unruly fire

Page No:

p.130

Poem Title:

A Midnight Thought

Attribution:

By the same Hand [preceding poem unattributed]

Attributed To:

Not attributed

First Line:

Take pity Sylvia charming fair

Page No:

p.133

Poem Title:

Song. To the Fickle Sylvia.

Attribution:

Attributed To:

Not attributed

First Line:

Safely perhaps dull crowds admire

Page No:

pp.133-134

Poem Title:

[no title]

Attribution:

Written by the Earl of Mulgrave. now Marquess of Normanby

Attributed To:

John Sheffield

First Line:

Thus Hector great in arms contends in vain

Page No:

pp.135-144

Poem Title:

The Episode of Sarpedon, translated from the Twelfth and Sixteenth Books of Homer's Iliads.

Attribution:

By Mr. Alexander Pope

Attributed To:

Alexander Pope

First Line:

In moving lines these few epistles tell

Page No:

pp.145-146

Poem Title:

To the Lady Lovisa Lenos: With Ovid's Epistles.

Attribution:

By Dr. Garth

Attributed To:

Sir Samuel Garth

First Line:

What heart but yours could hold this double fire

Page No:

pp.146-147

Poem Title:

To a Person who was Designing to retire into a Monastery.

Attribution:

Written by the E. of M-. now D. of B-

Attributed To:

Not attributed

First Line:

In fruitful Lombardy of yore

Page No:

pp.147-160

Poem Title:

Woman

Attribution:

Attributed To:

Not attributed

First Line:

Caesar | If now these bodies want their pile and urn

Page No:

p.161

Poem Title:

From Lucan. Upon Caesar's looking upon the dead Bodies after the Battel of Pharsalia, and not suffering them to be Burnt. [Latin text] Thus English'd.

Attribution:

Attributed To:

Not attributed

First Line:

No change of seasons or excess was there

Page No:

p.161

Poem Title:

Alcimus Avitus's Description of Paradise. [Latin text] Thus English'd.

Attribution:

Attributed To:

Not attributed

First Line:

Move faster life thou tiresome guest away

Page No:

pp.162-265[i.e. 165]

Poem Title:

Gallus: Eleg. I.

Attribution:

Attributed To:

Not attributed

First Line:

One labour Arethusa to the past

Page No:

pp.265[i.e. 165]-168

Poem Title:

The Love of Gallus: Translated from Virgil's Tenth Eclogue.

Attribution:

By J. Trapp

Attributed To:

Not attributed

First Line:

He too at Caesar's murther pitying Rome

Page No:

pp.168-170

Poem Title:

The Description of the Prodigies which attended the Death of Julius Caesar. Translated into Blank Verse, from the latter End of the First Book of Virgil's Georgicks

Attribution:

By J. Trapp

Attributed To:

Joseph Trapp

First Line:

Hence Epaphus the illustrious title bears

Page No:

pp.170-182

Poem Title:

The Story of Phaeton. Translated from the Conclusion of the First, and the Beginning of the Second Book of Ovid's Metamorphoses.

Attribution:

By J. Trapp

Attributed To:

Joseph Trapp

First Line:

I am cried Apollo when Daphne he wooed

Page No:

pp.182-183

Poem Title:

To Apollo making Love. From Monsieur Fontenelle.

Attribution:

By Mr. Tickell

Attributed To:

Thomas Tickell

First Line:

Much had I heard of fair Francelia's name

Page No:

pp.183-184

Poem Title:

The Fatal Curiosity

Attribution:

By the same Hand i.e. Tickell

Attributed To:

Thomas Tickell

First Line:

The opera first Italian masters taught

Page No:

pp.184-185

Poem Title:

To the Author of Rosamond, an Opera.

Attribution:

'By the same Hand' i.e. Tickell

Attributed To:

Thomas Tickell

First Line:

In utmost ocean lies a lovely isle

Page No:

pp.186-190

Poem Title:

A Description of the Phoenix: Translated from Claudian.

Attribution:

By the same Hand. [i.e. Tickell]

Attributed To:

Thomas Tickell

First Line:

Lavish of wit and bold appear the lines

Page No:

p.186

Poem Title:

To a Lady; with the Description of the Phoenix.

Attribution:

By the same Hand [i.e. Tickell]

Attributed To:

Thomas Tickell

First Line:

The fragrant painting of our flowery fields

Page No:

pp.191-192

Poem Title:

To a Lady; with a Present of Flowers.

Attribution:

By the same Hand [i.e. Tickell]

Attributed To:

Thomas Tickell

First Line:

The greatest swain that treads the Arcadian grove

Page No:

p.191

Poem Title:

Verses sent to the Hon. Mrs. Margaret Lowther on her Marriage. Translated from Menage.

Attribution:

By the same Hand. [i.e. Tickell]

Attributed To:

Thomas Tickell

First Line:

As Damon Chloe's painted form surveyed

Page No:

pp.192-193

Poem Title:

On a Lady's Picture: To Gilfred Lawson, Esq;

Attribution:

By the same Hand [i.e. Tickell]

Attributed To:

Thomas Tickell

First Line:

With wished success these mineral springs I tried

Page No:

p.193

Poem Title:

Written at Bath

Attribution:

Attributed To:

Not attributed

First Line:

Reflecting how even common sense was gone

Page No:

p.194

Poem Title:

Love and Folly

Attribution:

Attributed To:

Not attributed

First Line:

Now near encamped each on a neighbouring height

Page No:

pp.195-207

Poem Title:

Part of the Sixth Book of Lucan.

Attribution:

Translated from the Latin by Mr. Rowe

Attributed To:

Nicholas Rowe

First Line:

The bride at length the care of love appears

Page No:

pp.207-211

Poem Title:

Part of the Cento of Ausonius, imitated in English Verse.

Attribution:

Attributed To:

Not attributed

First Line:

The poets sing of old that amorous Jove

Page No:

p.211

Poem Title:

The Husband

Attribution:

By a Lady

Attributed To:

Not attributed

First Line:

My lord whence comes it that with wavering thought

Page No:

pp.212-221

Poem Title:

An Imitation of the First Satyr of the First Book of Horace

Attribution:

By a Young Gentleman at Cambridge

Attributed To:

Not attributed

First Line:

His moving elegies when Ovid wrote

Page No:

pp.221-222

Poem Title:

To a Lady; to whom the Author sent a Book of his own Composing.

Attribution:

Attributed To:

Not attributed

First Line:

Nay you're discovered spite of your disguise

Page No:

p.222

Poem Title:

To Chloe Mask'd

Attribution:

Attributed To:

Not attributed

First Line:

Indulgent quiet power serene

Page No:

pp.223-225

Poem Title:

Horace's Otium Divos, &c. Lib. II. Ode XVI. to his Friend Grosphus. Imitated in Paraphrase.

Attribution:

By Mr. J. Hughes

Attributed To:

John Hughes

First Line:

O death what power is thine that distant thus

Page No:

pp.225-226

Poem Title:

A Thought on Death

Attribution:

By Mr. Grove

Attributed To:

Henry Grove

First Line:

I bless my god for every sense

Page No:

pp.226-227

Poem Title:

A Hymn on Sight

Attribution:

By the same Hand i.e. Grove

Attributed To:

Henry Grove

First Line:

So would descending angels charm the sight

Page No:

pp.227-228

Poem Title:

Of a Lady at the Opera; drest in White

Attribution:

Attributed To:

Not attributed

First Line:

Why with such freedom should the town accuse

Page No:

pp.228-238

Poem Title:

The Celebrated Beauties. A Poem, occasioned upon being suspected of writing The British Court.

Attribution:

Attributed To:

Not attributed

First Line:

The gods at first in pity to our race

Page No:

p.238

Poem Title:

On the Countess of B--wt--r's Recovery.

Attribution:

Attributed To:

Not attributed

First Line:

Trust not false man the experienced Prisca cries

Page No:

pp.239-240

Poem Title:

Prisca's Advice to Novinda.

Attribution:

Attributed To:

Not attributed

First Line:

When generous Prisca's early counsel came

Page No:

pp.240-242

Poem Title:

Novinda's Answer to Prisca.

Attribution:

Attributed To:

Not attributed

First Line:

Giants that durst invade the sky

Page No:

p.242

Poem Title:

Of a Dwarf Courting a Bright Lady.

Attribution:

Attributed To:

Not attributed

First Line:

Whilst tears overflow the royal widow's bed

Page No:

p.243

Poem Title:

To the Queen; upon the Death of His Royal Highness.

Attribution:

Attributed To:

Not attributed

First Line:

Amidst the joy that flows from every tongue

Page No:

p.244

Poem Title:

To the Right Honourable the Lord Villiers, on his taking his Master of Arts Degree at Cambridge, in the Year 1700.

Attribution:

By Mr. William Worts of Cambridge

Attributed To:

William Worts

First Line:

Go happy book and let Mirtilla see

Page No:

p.245

Poem Title:

Presenting A Father's Advice to his Daughter.

Attribution:

By the same Hand [i.e. Worts]

Attributed To:

William Worts

First Line:

Let gaudy Phillis charm the cringing fools

Page No:

p.245

Poem Title:

To a Witty and Genteel Lady.

Attribution:

By the same Hand [i.e. Worts]

Attributed To:

William Worts

First Line:

Renowned in arms when mighty heroes rise

Page No:

pp.246-248

Poem Title:

On Her Majesty's Grant of Woodstock Park, &c. to his Grace the Duke of Marlborough, 1704. In a Letter to Signior Antonio Verrio at Hampton Court.

Attribution:

Attributed To:

Not attributed

First Line:

Could but my words my real passion show

Page No:

p.246

Poem Title:

Written in the Blank Leaf of a Lady's Prior.

Attribution:

By the same Hand [i.e. Worts]

Attributed To:

William Worts

First Line:

As some brave knight who once with spear and shield

Page No:

pp.248-249

Poem Title:

Epilogue, spoken by Mrs. Barry, at her Playing in Love for Love with Mrs. Bracegirdle, for the Benefit of Mr. Betterton.

Attribution:

By Mr. Rowe

Attributed To:

Nicholas Rowe

First Line:

Pallas destructive to the Trojan line

Page No:

p.249

Poem Title:

On the King of Spain

Attribution:

Attributed To:

Not attributed

First Line:

Ye commons and peers

Page No:

pp.250-254

Poem Title:

A Ballad: On the Victory at Audenarde.

Attribution:

Attributed To:

Not attributed

First Line:

From Danube's banks thy two chief stones were brought

Page No:

p.256

Poem Title:

Design'd to be written on Blenheim-Castle Gate.

Attribution:

Attributed To:

Not attributed

First Line:

Hail heaven-born muse that with celestial flame

Page No:

pp.256-259

Poem Title:

To Mr. W---- on Reading his Poems.

Attribution:

By Mr. Joseph Standen

Attributed To:

Joseph Standen

First Line:

As in a starry night the lonely swain

Page No:

pp.260-262

Poem Title:

On the Duke of Marlborough's Victory at Audenard, just after the Loss of Ghent and Bruges.

Attribution:

By L. Eusden, of Trinity-College, Cambridge

Attributed To:

Laurence Eusden

First Line:

Long have we safe time's envious fury scorned

Page No:

pp.263-264

Poem Title:

To the Reverend Dr. Bentley, on the Opening of Trinity College Chappel, Cambridge.

Attribution:

By the same Hand [i.e. Eusden]

Attributed To:

Laurence Eusden

First Line:

From things considered with a stricter view

Page No:

pp.265-266

Poem Title:

Part of the last Chorus of the Fourth Act of Medea. Imitated from the Greek of Euripides.

Attribution:

By the same Hand. [i.e. Eusden]

Attributed To:

Laurence Eusden

First Line:

Sing muse the conscious torch whose nightly flame

Page No:

pp.266-278

Poem Title:

Hero and Leander: A Poem, Translated from the Greek.

Attribution:

By the same Hand. [i.e. Eusden]

Attributed To:

Laurence Eusden

First Line:

As when some merchant on the stormy main

Page No:

pp.278-282

Poem Title:

Verses on the Death of the Duke of Gloucester.

Attribution:

Attributed To:

Not attributed

First Line:

Hail happy happy day

Page No:

pp.282-283

Poem Title:

To Mrs. E. C. on her Birth-Day, Decemb. 11. To be Sung to Musick.

Attribution:

Attributed To:

Not attributed

First Line:

From a warm clime and generous soil

Page No:

p.283

Poem Title:

To Mrs. M. M. with a Bough of an Orange-Tree.

Attribution:

By Mr. Harrison of New-College, Oxon

Attributed To:

William Harrison

First Line:

Cheering Phoebus come away

Page No:

pp.284-285

Poem Title:

To the Spring: An Invocation. Written in the Person of Anacreon.

Attribution:

By J. L.

Attributed To:

Not attributed

First Line:

Before by death you never knowledge gain

Page No:

pp.285-298

Poem Title:

The Philosopher's Disquisition directed to the Dying Christian.

Attribution:

By Sir W. Davenant, Knight

Attributed To:

Sir William Davenant

First Line:

The good in graves as heavenly seed are sown

Page No:

pp.298-299

Poem Title:

The Christian's Reply to the Philosopher

Attribution:

By the same Hand [i.e. Davenant]

Attributed To:

Sir William Davenant

First Line:

Sweet spouse you must presently troop and be gone

Page No:

pp.299-300

Poem Title:

An Imitation of Uxor vade foras. In Mart. L. ii. Ep. 105.

Attribution:

By Captain H---

Attributed To:

Not attributed

First Line:

While crowds of princes your deserts proclaim

Page No:

pp.303-315

Poem Title:

The Campaign, A Poem

Attribution:

By Mr. Addison

Attributed To:

Joseph Addison

First Line:

My lord | Our poet's rules in easy numbers tell

Page No:

pp.316-317

Poem Title:

The Dedication of Ovid's Art of Love, to the Right Honourable Richard, Earl of Burlington.

Attribution:

Attributed To:

Not attributed

First Line:

Fair as unshaded light or as the day

Page No:

p.317

Poem Title:

To the Queen, entertained at Night by the Countess of Anglesey.

Attribution:

By Sir William Davenant, Knight

Attributed To:

Sir William Davenant

First Line:

Beware delighted poets when you sing

Page No:

p.318

Poem Title:

In Remembrance of Master William Shakespear.

Attribution:

By the same Hand [i.e. Davenant]

Attributed To:

Sir William Davenant

First Line:

What frenzy has of late possessed the brain

Page No:

pp.321-330

Poem Title:

Claremont.

Attribution:

Attributed To:

Not attributed

First Line:

In Warwickshire there stands a down

Page No:

pp.331-335

Poem Title:

The lamentable Song of the Lord Wigmore Govenour of Warwick Castle, and the fair Maid of Dunsmore.

Attribution:

Attributed To:

Not attributed

First Line:

Shall I wasting in despair

Page No:

pp.335-336

Poem Title:

The Shepherd's Resolution.

Attribution:

Attributed To:

Not attributed

First Line:

You pretty birds that sit and sing

Page No:

pp.336-337

Poem Title:

A Pleasant Song.

Attribution:

Attributed To:

Not attributed

First Line:

How now shepherd what means that

Page No:

pp.337-339

Poem Title:

The Shepherds Delight

Attribution:

Attributed To:

Not attributed

First Line:

Dear Dorinda weep no more

Page No:

p.339

Poem Title:

An Ancient Song

Attribution:

Attributed To:

Not attributed

First Line:

Let Jug in smiles be ever seen

Page No:

pp.339-340

Poem Title:

An Ancient Song.

Attribution:

Attributed To:

Not attributed

First Line:

If wealth a man could keep alive

Page No:

pp.340-341

Poem Title:

An Ancient Song

Attribution:

Attributed To:

Not attributed

First Line:

A silly shepherd wooed but wist not

Page No:

pp.341-342

Poem Title:

An Ancient Song

Attribution:

Attributed To:

Not attributed

First Line:

Beauty and love once fell at odds

Page No:

pp.342-343

Poem Title:

An Ancient Song

Attribution:

Attributed To:

Not attributed

First Line:

Farewell my mistress I'll be gone

Page No:

pp.343-344

Poem Title:

An Ancient Song

Attribution:

Attributed To:

Not attributed

First Line:

No man love's fiery passion can approve

Page No:

p.344

Poem Title:

An Ancient Song

Attribution:

Attributed To:

Not attributed

First Line:

No man love's fiery passion can resist

Page No:

p.345

Poem Title:

The Answer

Attribution:

Attributed To:

Not attributed

First Line:

Did you not once Lucinda vow

Page No:

p.346

Poem Title:

A Pastoral Song

Attribution:

Attributed To:

Not attributed

First Line:

Kind gentlemen will you be patient a while

Page No:

pp.346-352

Poem Title:

An old Ballad of Bold Robin Hood; shewing his Parentage, Birth, Breeding, Valour; and Marriage at Titbury Bull running. Calculated for the Meridian of Staffordshire, but may serve also for Derbyshire, Kent, &c. To a Pleasant Tune.

Attribution:

Attributed To:

Not attributed

First Line:

Come Jack let's drink a pot of ale

Page No:

pp.352-354

Poem Title:

The Cavalier's Complaint

Attribution:

Attributed To:

Not attributed

First Line:

I marvel Dick that having been

Page No:

pp.354-355

Poem Title:

An Eccho to the Cavalier's Complaint

Attribution:

Attributed To:

Not attributed

First Line:

Room for the best of poets heroic

Page No:

p.355

Poem Title:

On the Preface to Gondibert

Attribution:

Attributed To:

Not attributed

First Line:

After so many sad mishaps

Page No:

pp.356-358

Poem Title:

On Gondibert

Attribution:

Attributed To:

Not attributed

First Line:

When the chill Charokoe blows

Page No:

p.358

Poem Title:

In Praise of Ale

Attribution:

Attributed To:

Not attributed

First Line:

Thou common shore of this poetic town

Page No:

pp.359-361

Poem Title:

A familiar Epistle to Mr. Julian, Secretary of the Muses.

Attribution:

By Mr. Dryden

Attributed To:

Not attributed

First Line:

I went from England into France

Page No:

pp.361-365

Poem Title:

A Journey into France

Attribution:

By Bishop Corbet

Attributed To:

Richard Corbett

First Line:

How now my John what is't the care

Page No:

pp.365-367

Poem Title:

To Parson Weeks. An Invitation to London

Attribution:

By Sir John Mennis

Attributed To:

Not attributed

First Line:

Four clerks of Oxford doctors two and two

Page No:

pp.367-381

Poem Title:

Iter Boreale.

Attribution:

By Bishop Corbet

Attributed To:

Not attributed

First Line:

Why though I be of a prodigious waist

Page No:

pp.382-383

Poem Title:

Ben. Johnson to Burlace.

Attribution:

Ben. Johnson

Attributed To:

Not attributed

First Line:

What I shall leave thee none can tell

Page No:

p.382

Poem Title:

Bishop Corbet to his Son Vincent Corbet.

Attribution:

Bishop Corbet

Attributed To:

Richard Corbett

First Line:

Sing and be merry King Charles is come back

Page No:

pp.383-386

Poem Title:

Upon the King's Return to the City of London, when he came last thither from Scotland, and was entertained there by the Lord Mayor.

Attribution:

Attributed To:

Not attributed

First Line:

Wake my Adonis do not die

Page No:

p.386

Poem Title:

Venus Lachrymans.

Attribution:

Attributed To:

Not attributed

First Line:

Awake Angantyr Hervor the only daughter

Page No:

pp.387-391

Poem Title:

Metro haud multum dissimili carmina sua scripsit Scaldus ille, auctor libri, cui titulus Hervarer Saga, (quem editit cl. Olaus Verelius) ut constat ex dialogo illo inter Hervaram & Angantyri patris sui manes, a quo ad tumulum stans, ut Tirfingum gladium cum eo sepultum daret, rogat.

Attribution:

Attributed To:

Not attributed

First Line:

I did not know thee lord nor do I strive

Page No:

pp.392-394

Poem Title:

An Elegy on the Lord William Howard, Baron of Effingham, who Died December 10, 1615.

Attribution:

By Bishop Corbet

Attributed To:

Not attributed

First Line:

Farewell rewards and fairies

Page No:

pp.394-396

Poem Title:

A Ballad, intituled, The Fairies Farewel, or God-a-mercy Will.

Attribution:

'By the same Hand' i.e. Corbet

Attributed To:

Richard Corbett

First Line:

Let no profane ignoble foot tread here

Page No:

pp.396-397

Poem Title:

On the Earl of Dorset's Death

Attribution:

'By the same Hand' i.e. Corbet

Attributed To:

Richard Corbett

First Line:

It is not yet a fortnight since

Page No:

pp.397-401

Poem Title:

A certain Poem, as it was presented in Latin by Divines and others, before his Majesty in Cambridge, by way of Enterlude, stiled, Liber novus de adventu Regis ad Cantabrigiam. Faithfully done into English, with some liberal Additions.

Attribution:

'By the same Hand' i.e. Corbet

Attributed To:

Not attributed

First Line:

Merely for death to grieve and mourn

Page No:

pp.401-402

Poem Title:

On the Death of Sir Tho. Pelham

Attribution:

Attributed To:

Not attributed

First Line:

I hold as faith

Page No:

p.403

Poem Title:

The Catholick

Attribution:

Attributed To:

Not attributed

First Line:

When whispering strains with creeping wind

Page No:

p.403

Poem Title:

Of Musick

Attribution:

Attributed To:

Not attributed

First Line:

When Orpheus sweetly did complain

Page No:

pp.404-405

Poem Title:

A Song

Attribution:

Attributed To:

Not attributed

First Line:

Three poets in three distant ages born

Page No:

p.404

Poem Title:

Under Mr. Milton's Picture, before his Paradise Lost.

Attribution:

By Mr. Dryden

Attributed To:

John Dryden

First Line:

Hark my Flora love doth call us

Page No:

pp.405-406

Poem Title:

Love's Courtship

Attribution:

Attributed To:

Not attributed

First Line:

First in these fields I try the sylvan strains

Page No:

pp.409-412

Poem Title:

Spring. The First Pastoral, or Damon. Inscrib'd to Sir William Trumbull.

Attribution:

By Mr. Alexander Pope

Attributed To:

Alexander Pope

First Line:

A faithful swain whom love had taught to sing

Page No:

pp.412-415

Poem Title:

Summer. The Second Pastoral, or Alexis.

Attribution:

By Mr. Alexander Pope

Attributed To:

Alexander Pope

First Line:

Beneath the shade a spreading beech displays

Page No:

pp.415-417

Poem Title:

Autumn. The Third Pastoral, or Hylas and Aegon. To W. Wycherley, Esq.

Attribution:

By Mr. Alexander Pope

Attributed To:

Alexander Pope

First Line:

Thyrsis the music of that murmuring spring

Page No:

pp.418-420

Poem Title:

Winter. The Fourth Pastoral, or Daphne. To the Memory of a Fair Young Lady.

Attribution:

By Mr. Alexander Pope

Attributed To:

Alexander Pope